A full of inner sensations!! Clair et intense !

Cette piste me plaît parce que avec son piano qui danse entre les émotions, est une poésie sans mots, un souffle profond du cœur qui se laisse emporter par l'amour et l'intensité de la vie, murmurant des secrets que seule l'âme peut comprendre.❤️

i added this track to peaceful moments playlist

“The logical door” is fourth third LP by Fausto Bisantis, released for the first time with his band, “Faust & Malchut Orchestra: power trio winking at the eye of Frank Zappa, the Gentle Giant, E. L. P, the Banco, Stevie Wonder, in a fresh and spontaneous language in the contemporary music.

The Logical door

A brief review of a memorable life with ups and downs, sad but also magnificent moments.

A Memorable Life

Easier Said than Done

Zoé

Je vous présente "Passionnément" ma nouvelle composition piano. J'espère que vous apprécierez bonne écoute mes amis musiciens...  I présent "Passionnément" my new composition hope you enjoy it... Good listening my musicians Friends...  Musique : Sylvie Febvay  Arrgt et enregistrement piano : François Marvy

Passionnément

East Meets West. Composer/performer Ad van Nederpelt

https://youtu.be/9bQvbjp60Es
https://www.milanazilnik.com/albums/metamorfosi

"THE HATCH" - the opening track from the upcoming "METAMORFOSI" is LIVE on streaming platforms! And we have a short lot of magnificently illustrated CDs as well!

This story is not about Alice. Although, we've all had Alice in our lives. As well as the Cheshire Cat, Mad Hatter, Queen of Hearts and Jabberwock, in one form or another. This story is about you. This story is about me. 

These insane days I feel like more than ever I want to open some hidden hatch inside my piano to fall through a rabbit hole into a fantasy land, away from all the madness that I see around..

Many thanks to Yoed Nir for the magnificent cello, Vitaliy Tkachuk for the magical guitar, Craig Akin for the dramatic bass, Phil DiMercurio for the drums and percussion, Diana Lloyd for shaping my voice, Justin Gray for bringing it all home in one stunning mix, and Anastasia Frenkel for illustrating the story in such a wondrous way! And, of course, thanks to my husband, Arty Sandler, for believing in three crazy things before breakfast and making them real!

----
Composed by Milana Zilnik
Produced by Arty Sandler
Piano, vocals, Hang drums by Milana Zilnik (Canada)
Cello by Yoed Nir (Israel)
Electric and acoustic guitars by Vitaliy Tkachuk (Ukraine)
Drums and percussion by Phil DiMercurio (US)
Electric and upright bass by Craig Akin (US)
Flutes by Boris Khodorkovsky (Canada)
Mixed and mastered in stereo and in Dolby Atmos by Justin Gray (Canada)
Illustrated by Anastasia Frenkel (Canada)

Metamorfosi

The Hatch

"The Hatch" from "Metamorfosi" by Milana Zilnik

Ciel Au Future

Während der Adventszeit gibt es sie fast in jedem Haus: Vier weihnachtlich dekorierte Kerzen, die nacheinander an jedem Advent angezündet werden. Doch woher kommt eigentlich der Adventskranz?

Ein dicker Kranz mit vier Kerzen: Der Adventskranz ist heute weit verbreitet. Dass der erste Adventskranz allerdings ein Wagenrad war und nicht nur vier, sondern 23 Kerzen hatte, wissen wohl die wenigsten.

Das Rauhe Haus als Ursprungsort des Adventskranzes
Der Ursprung des Adventskranzes liegt im 19. Jahrhundert. 1833 gründete der Pfarrer Johann Hinrich Wichern in Hamburg das sogenannte Rauhe Haus. Der Theologe hatte es sich zur Aufgabe gemacht, dort verwahrloste und verwaiste Kinder aus den Elendsvierteln Hamburgs zu betreuen. Obwohl sie ihn und seine Helfer oft an ihre Grenzen brachten, sollten die Kinder mit Gemeinschaft, Arbeit und dem Lesen der Bibel erzogen werden. Noch heute engagiert sich die Stiftung für Betreuungs- und Bildungsangebote.

Das Weihnachtsfest spielte im Rauhen Haus schon damals eine große Rolle. Immer wieder fragten die Kinder den Pfarrer, wann denn endlich Weihnachten sei.

Erster Adventskranz aus einem Wagenrad
Deshalb baute er aus einem alten Wagenrad einen Holzkranz mit vielen Kerzen. Damit markierte er die Tage vom ersten Advent bis zum Heiligabend. Im Jahr 1839, als der Adventskranz erfunden wurde, waren das 23 Tage.

Der erste Adventskranz hatte deshalb 19 kleine rote und vier dicke weiße Kerzen. Jeden Tag bis zum Heiligabend wurde eine neue Kerze angezündet, jeden Adventssonntag eine der großen. So lernten die Kinder das Zählen und wussten immer, wie viele Tage es noch bis Weihnachten waren.

During the Advent season, they can be found in almost every home: four festively decorated candles that are lit one after the other every Advent. But where does the Advent wreath actually come from?

A thick wreath with four candles: the Advent wreath is widespread today. However, very few people know that the first Advent wreath was a wagon wheel and had not just four, but 23 candles.

The Rough House as the place of origin of the Advent wreath
The Advent wreath originated in the 19th century. In 1833, the pastor Johann Hinrich Wichern founded the so-called Rauhe Haus in Hamburg. The theologian had made it his mission to care for neglected and orphaned children from the slums of Hamburg. Although they often pushed him and his helpers to their limits, the children were to be educated through fellowship, work and reading the Bible. The foundation is still committed to providing care and education today.

Even back then, Christmas played a major role at the Rauhes Haus. The children repeatedly asked the pastor when Christmas would finally be.

First Advent wreath made from a wagon wheel
So he built a wooden wreath with lots of candles from an old wagon wheel. He used it to mark the days from the first Advent to Christmas Eve. In 1839, when the Advent wreath was invented, that was 23 days.

The first Advent wreath therefore had 19 small red and four thick white candles. A new candle was lit every day until Christmas Eve, and one of the large candles was lit every Sunday in Advent. This taught the children to count and they always knew how many days were left until Christmas.

Fir greenery on the Advent wreath
It was not until around 20 years later that people finally decorated the Advent wreath with fir greenery, as is still common today. By the beginning of the 20th century, the wreath had become established in Protestant churches and in many families.

The first wreath is said to have been hung in a Catholic church in Cologne in 1925. Since the end of the Second World War, the Advent wreath can be found all over the world and in all possible forms.

1st Advent 2023

Here you are 2nd single from new album; The Logical door....

Sharade Funk!

Embark on an aural journey with "Voxel Voyage", our exclusive collection of 12 distinctive piano tracks, thoughtfully designed for RPG-style games.

Every note in this musical assortment is intended to strike a chord with your game players, plunging them into the fantastical realms you've created and intensifying their in-game experience. Each piece in "Voxel Voyage" is curated to cover a diverse spectrum of emotional and situational tones, from peaceful tranquility and introspective moments to tense suspense and epic climaxes.

This collection serves as an ideal audio companion to game developers, blending seamlessly with your storylines and enhancing the gaming atmosphere. Easy to integrate, the tracks in "Voxel Voyage" are ready to breathe life into your worlds, shape the mood of your scenes and help narrate your game's narrative through the power of music.

Whether it's an enchanted forest, a haunted castle, or a bustling alien city, our music will set the perfect tone, making each gaming moment unforgettable. With "Voxel Voyage", ensure that your players are not just playing a game, but living a captivating adventure.

6 - Phat Phrog Studios - Voxel Voyage - Sonata of the Sorcerer

wanted (lovely piano)

From New album: The logical door....
Dedicated to Nikola Tesla

The Logical Door

Smilijan Bolero

Verdi Dei

Souffle court a été à l'époque ma première composition, elle date de 2017. 
Elle exprime ce que les mots ne disent pas, quand le souffle n'est pas suffisant

Souffle court

Ahora mazda

Fausto Bisantis: Musicista, compositore, musicologo e giornalista. Inizia a studiare pianoforte a 12 anni, chitarra a 15, militando in diverse formazioni, tra Catanzaro e Roma.
Ha collaborato come compositore per il Teatro Ateneo, Don Orione, Centro Polivalente; ha scritto anche le musiche per diversi documentari commissionati dalla Regione Calabria e il Comune di Gimigliano (CZ).
Nel 2004 si laurea in Scienze della comunicazione, presso l’Università “ La Sapienza”- indirizzo “Semiologia della musica”, con il Professor Federico Del Sordo, (Santa Cecilia), grazie a una tesi sperimentale sullo sviluppo della musica contemporanea; dall’avanguardia al rock psichedelico.
Nel 2005 viene selezionato per un master di Teoria e tecniche del linguaggio radiofonico presso gli studi di Rai Radio Tre, acquisendo diverse esperienze nel campo redazionale, ma anche nella conduzione e regia dei programmi.
Dal 2001 al 2006, studia alla Scuola di Musica Popolare di Testaccio, Pianoforte, sintetizzatori, armonia e composizione con i maestri: Carlo Mezzanotte (Syntaxis e Indaco) e Giovanni Guaccero, con Stefano Cenci (Tastierista di Luca Barbarossa). Nel 2008 frequenta i corsi di canto con il pianoforte con il Maestro Maurizio Carnelli, armonia jazz e improvvisazione con Davide Santorsola, presso l’Accademia di Musica delle “Scuole Civiche di Milano”, ottenendo l’attestato europeo di Maestro accompagnatore per il palcoscenico, il teatro e la danza.
Dal 2008 a oggi, collabora come maestro collaboratore con il teatro Politeama di Catanzaro.
Sempre nel 2008 diventa giornalista, collaborando con diverse testate specialistiche e non (Il Giornale della Musica, Ars Musicae, Al teatro.org, Calabria News, Il Piccolissimo, Obiettivo Calabria etc.).
Dal 2013 al 2016 è stato direttore responsabile del mensile di cultura e spettacolo “Tag” ed Eurekarte”.
Dal 2018 insegna pianoforte e tastiere in varie scuole private, nella provincia di Como.
Da anni è impegnato nella ricerca stilistica di nuovi territori musicali, grazie al progetto Faust & Malchut Orchestra; un “pover” trio, capace di attingere a diversi stili e repertori senza prendersi troppo sul serio; dal Blues alla psichedelia, dal funk al progressive secondo una concezione puramente sinfonica e orchestrale all’interno del rock. 
Il percorso musicale del compositore calabrese comprende quattro album solisti, due con la band e diverse collaborazioni con esibizioni in tutta Italia, Germania, Francia e Gran Bretagna.
La clausura dovuta alla pandemia e i problemi personali e di salute sono stati trasformati dal musicista  in un nuovo album solista dal Titolo The Nothingman, realizzato tra Catanzaro, Milano e Como, uscito su tutte le piattaforme digitali e pubblicato solo in vinile nel 2022.

Pianiste compositeur 
Membre de la SACEM
J’ai réalisé mon rêve d’enfant en apprenant le piano à l’âge adulte …. 
Grâce à la merveilleuse formation de mon ami pianiste François Marvy qui me transmet toutes ses connaissances et qui m’a poussée à la composition.
Alors oui je compose, je crée en fonction de mon humeur et de mes influences musicales, et j’adore ça…
Merci pour vos écoutes et vos encouragements.

Passionnément

Sylvie Febvay

Recent comments

willy moreno compositeur

Francesco Adornetto - Emotional Piano

Francesco Adornetto - Emotional Piano

Jed Lapp (Cozmo Jethro)

Related tracks