Booking: alix@aleau-music.fr


With their vibrant and trippy productions, The Tom Tom’s invite you to enter their universe. 

They discovered electronic music during a Boys Noize set in 2010, where they understood the endless possibilities of this world. They consider music not only as a distraction, but as a therapy, a way of communicating, of conveying emotions, feelings and most importantly, a part of themselves.

Two years later, with the artists’ collectives Hétéro Clit, they started performing on stage. In 2013, they arrived in Bordeaux where they quickly attracted people’s attention with powerful and captivating sets, next to artists such as SCNTST, Shadow Child, Djedjotronic, Jonas Rathsman, Proxy, Kartell… Later on, they made friends with another artists’ collectives, À l’eau, and started collaborating with them.

Sharing a bit of their personalities in "Identity", "Deuxième vague" comes then naturally. This second EP, more personal and more dynamic get them directly into the Beatport Electronica top 10. It really captures the essence of the world of these two music lovers.

Bookings/remix request: vs.mode.production@gmail.com

vs.Mode are two best friends who hail from South London and who love making music and DJing together, it’s that simple. A welcomed distraction from their life-long Street Fighter rivalry. 

Their first release as a duo under their monikers Elijah Collins and Nist, ‘Love’s Down’ on Mullet Records, had huge global success, placing highest at number 2 in the Beatport Nu-Disco chart and remaining in the top ten for an astounding 7 months, as well as gaining huge support from the likes of Airplane and Solomun. 
Having grown up listening and loving all genres of music through the decades, the boys wanted an outlet for the darker sides and began to create techno with rolling house grooves manifested from their inner raging demon. 
vs.Mode was officially formed.

Still in their infancy, vs.Mode have created their own style and groove, which incorporates a hybrid of genres but always with the focus of the beats being on the techno spectrum. Their studio sessions typically contain vigorous fist pumping and booty shaking which translates into their music, after all, that’s what it’s all about.

vs.Mode’s debut EP ‘Retired Dreams’, signed by prestigious London based label Lower East really showcased their breadth and ability. The three track EP provided different sounds that attracted a wide audience and gained them notoriety amongst their peers.
Championed by When We Dip and by numerous DJ’s, including radio play on Shadow Child’s show on Rinse FM, the success of the EP has since lead to two licensing deals with label giants Material Records and Toolroom.

First and foremost, they are friends having fun and their energy and enthusiasm is infectious whether they are behind or in front of the decks… What’s a party if you can’t dance your arse off? It’s this attitude and genuine nature that makes them stand out. 

This really is just the beginning of their journey and they are grateful to be able to do what they love and make music.

Vuyisile Mathwasa,Well known as Vusinator Mr.Nator_Music all the way from Soweto(Senaoane),Founder/owner @Nator fam entertainment (pty)ltd.

Acheivements
Released various Amapiano hits,such as "Nomfundo,Mthele nga something,Saka(Feat.Nina)" and many many others.
has shared stages with the likes of "Infinity boys,Distraction boys".

reacntly released his first ever music video of his hit song "Saka" featuring "Nina Motshabi"

for bookings
call:0643504625
Email:Natorfamentptyltd@gmail.com

Brian Soucier is a family man.  A father to four boys and married to his soulmate. A plant-based athlete, entrepreneur, speaker and author who has dedicated his life to service.   However, the happiness you see has not always been the case.  Brian has suffered from anxiety and depression for most of his life. He was victim to bullying at a young age coupled with low self esteem and major insecurities.   Only through God, exercise, eating right, and making healthy choices has he been able to manage much of his challenges.  Brian has dedicated his life to unlocking the mysteries of overcoming adversity.  Throughout his travels he was introduced to people who profoundly impacted his world view.  After witnessing the documentary Cowspiracy he dedicated his life to creating a better environment for his children to grow up in.  Follow Brian as he interviews some of the most dynamic people and diverse topics effecting humanity.  The art of story telling has been diminished by an age of distraction.  Listen carefully as Brian guides his interviewees through a labyrinth of questions, unique to each person, revealing a path to set the listener free.

"Andrew Goodwin's new show BRITPOP debuts this Saturday (January 6th 1996) at 3pm-4pm, on KUSF (90.3FM).  Featuring the latest in British pop music, and a generous selection of oldies from sixties beat groups, seventies glam rockers and eighties New Wave artistes, BRITPOP will also offer special hour-long programs.
​
Producer/host Andrew Goodwin is associate professor of Communication at the University of San Francisco.  Goodwin has co-edited several books about pop music and is the author of Dancing in the Distraction Factory: Music
Television and Popular Culture (University of Minnesota Press).  He has written for the Village Voice, the New Statesman, the Listener, the Chicago Reader, Sight and Sound, Marxism Today, the San Francisco Bay Guardian and the East Bay Express.  In 1986 he contributed a song to the The Times album Enjoy (Artpop! Records) and currently he makes music with Theory Sluts.  His past productions for KUSF include "Spotlight on the Pet Shop Boys" (January 1993)."

Voted SF WEEKLY's Best Radio Show 1996. "Best Radio Show: Professor Andrew Goodwin's Britpop, Saturday afternoon at 3 on KUSF. Two blissed-out hours of rhymey limeys and football, football, football!Professor Andrew Goodwin's Britpop, Saturday afternoon at 3 on KUSF. Two blissed-out hours of rhymey limeys and football, football, football!"

The Wilderness are a Toronto based experimental rock outfit comprised of Lee Piazza (lead vocals), Nate Lyons-Fisher (guitar/synth), Jay Organek (bass), Chris Mason (drums/synth) and Jamie Lefebvre (guitar/vocals). 

They draw influences from artists such as Talking Heads, Joy Division, Holy Fuck and Sonic Youth. Their first album, ".272", is set to be released on vinyl, CD and download cards on November 20th at Horseshoe Tavern.

The record was produced by Chris Mason and mixed by Dean Marino of Chemical Sound. Over a year in the making, this release aspires to be a static representation of the unique sound that has developed over years of revelrous and frantic live performances.

NOW Magazine Review of .272 - NNNN 
The Wilderness are well known in pockets of Toronto for their high-energy live performances, all-out glitter-filled dance parties. So it’s surprising to find their debut record a dark, elegantly crafted and, yes, subtle slice of post-punk.

It’s bursting with crisp riffs, bouncy bass lines and atmospheric Ian Curtisy vocals, but instead of throwing everything at the wall at once, the band keeps a keen eye on the details. Production and pace often get overlooked on a band’s first go, but not here.

Spread over 28 minutes, the five songs blend to form a continuous suite. By tempering exuberant moments with textured, groove-based passages, the shoegaze-style noise jams actually feel earned. But if you’d rather just have the party starter, head straight to Realpolitik, a crunchy synth-rocker straight out of the Interpol playbook.

- by Richard Trapunski 
http://www.nowtoronto.com/music/discs.cfm?content=178346
  
CHARTattack Song Of The Day: The Wilderness - "Realpolitik" 
http://www.chartattack.com/features/2010/nov/15/song-of-the-day-the-wilderness-realpolitik
 
PANIC MANUAL REVIEW:
“I can honestly say this was one of the most entertaining and passionate shows I’ve been to in a while and predict that this Toronto band won’t stay unsigned for long”
http://www.panicmanual.com/2010/11/23/concert-review-the-wilderness-nov-20-horseshoe-tavern/ 

TWO WAY MONOLOGUES ALBUM REVIEW OF .272 
The Wilderness’ Anticipated Debut Doesn’t Disappoint

Well respected as one of the most dynamic live bands in the city, The Wilderness now try to capture that sound on their debut album and they do a strong job at doing so. Hearing such a solid recording from the band can only help but have people realize that the balloons, the glitter, and all the other fun stuff that The Wilderness incorporate into their live show is to add to the experience like something you would expect at a Flaming Lips concert, as opposed to a distraction from the music itself.

by Dan Wolovick - Two Way Monologues

http://twowaymonologues.com/2010/11/18/the-wilderness-anticipated-debut-doesnt-disappoint/ 

 THE TAKE MEDIA REVIEW
"To say that this band knows how to put on a great show would be an understatement."

"The Wilderness like to throw a party. They were undoubtedly the stars of this night. I seriously thought I might have been slipped drugs for a moment, but later discovered I was completely sober. A++++++++”

-The Take Media 
http://thetakemedia.com/blog/the-wilderness-go-glitter-wild 

 
"I have never seen a crowd so entranced…people actually rushing the front of the stage in hopes that they would be covered in glitter…"

- Buying Shots for Bands 
http://buyingshotsforbands.com/2010/09/13/buying-shots-for-lovely-killbots-and-twm-packs-sneaky-dees/


"Bridging high-energy indie-rock with post-punk grooves, The Wilderness’ set seemed more like a party atmosphere…bouncing balloons and ass shaking included. Fronted by a charged-up lead singer, the band delved into a cascade of angular guitar-riffs, Ian Curtis style vocals, splashes of electronics, and syncopated rhythms hinting at bands like Editors and Interpol. Playing to a receptive crowd, these guys will both rock and dance you out."
- The Lonely Vagabond, Exclaim! 
http://lonelyvagabond.com/wpmu/2010/04/30/the-wilderness-the-boat/


Some of the bands we've shared the stage with:

Canadian: The Ruby Spirit, Whale Tooth, Lovely Killbots, Anagram, Krupke, The Cautioneers, La Casa Muerte, Nightbox, Bravestation, Freedom or Death, The Good Times Running Band, Hands and Teeth, Pick a Piper, Human Bodies, Ace Kinkaid, The Johnson Report, People in Grey, Magneta Lane, BMO Crazy, Pkew Pkew Pkew, Soft Copy, Bruised Knees, The Benefit of the Free Man, PDF Format, Curtis Santiago, Rival Boys, The Rest, Julia Set Generator, The Job, The Ultimate Most High, Pete Samples, Spiral Beach

International: Lonely China Day (China), Arrington De Dionyso (from "Old Time Relijun", US), Captains (Australia)

Guerrilla Lounge is a collective of musicians, artists, poets, photographers, philosophers, writers, beatsmiths, b-boys, b-girls, singers, session players, showmen, shaman, and so forth. From many walks, sharing many talents, these revolutionaries with a respect for revolutions per minute share a passion and respect for art, its process and of the refinement and rebirth of craftsmanship. From a foundation based foremost in musical output, Guerilla Lounge's existence is to maintain a society of like minded individuals working as one for the advancement and success of the entirety of our members. As a group we have no single agenda, no single mission or plan. Our only goal is self artistic advancement through collective support. Our members are not out for self glorification, we are not lovers of ourselves but lovers of what we stand for and believe. We believe in our respective crafts and in the advancement of our respective art forms. We are professional artists, photographers, film makers, video/audio editors, graphic designers, marketing representatives, entrepreneurs, producers, singers, poets, song writers, emcees, and more. We as a collective maintain the health, wealth, and prosperity of each other, in order to provide the world with a vivid image of what an artist is and what an artist does through relevant concepts and related topics. Guerrilla Lounge does not rely on  images and distraction as a means to allure the uninformed or misguided. Guerrilla Lounge does not conform to set standards or strategy. Guerrilla Lounge does not promote or condone the modern industries agenda of corporate ownership. We as a whole feel it necessary to constantly raise the bar, to push the envelope forward in order for the evolution of our art/music culture. Never should art or soulful expression become momentary, it should remain timeless. Guerrilla Lounge was here before you and I, and will be here after you and I. If you are not evolving with the times, the times evolve without you. 

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