Nati Haile's musical roots are in Ethiopia, singing in the church choir, where his passion for rhythm, melody, and songwriting began.  At only 17 years old, Nati released a collection of music influenced by his upbringing in the church called Of Gospel Songs. That experience led him to the making of his first commercial single, "Ken Saymesh" which gained Nati national attention in Ethiopia. His follow-up single, "Legenetuwa" was a unique remake of a popular song by Muluken Mellesse called "Sewentua" and was so successful, it solidified Nati Haile as a star in Ethiopia.  In 2005, Nati released his debut album, Liet Yenegal, to an international audience and sold over 1 million copies across the world. After a 5 year hiatus, Nati's study of world music helped him create and fuse together the sounds and rhythms of African beats, reggae, blues, and hip hop grooves, and he released his 2nd album, Beka, to his fans around the world. The title track was an instant hit and the album was critically acclaimed in his home country of Ethiopia, and in North America. Today, Nati lives and tours out of Toronto Canada and his critics have compared his voice to classic Ethiopian singers, Muluken Mellesse and Tewodros Taddesse. With a busy touring schedule and worldwide concert dates, Nati has found time to begin work on his 3rd album as writer, lyricist, and performer. The Toronto-based, world-renowned recording studio, Phase One International is where Nati has chosen to create this collection of new music. Nati has the honor of recording in the same space as superstars, Michael Jackson, Rihanna, Celine Dion, and Beyonce.  Nati Haile's career is a reflection of both his proud Ethiopian upbringing, and his current life in Toronto, Canada. From a young boy singing in the church choir, to a successful recording and touring artist, everything Nati does is for his fans, and his heritage.  - See more at: http://www.natihaile..com

In the end, the song should stand by itself.

 That's the goal of Nashville's new psyche-folk outfit Glo Stars who, for all their sonic experimentation and mind-bending chord progressions, never detract from poetic lyrics and beautiful melodies. Childlike wonder combines with world-weary ache to foster a project that feels like Brian Wilson met Radiohead in Lou Reed's garage.   
  
Blending both solid musicianship and showmanlike artistry Glo Stars is a cosmic yet playful musical voyage that will leave audiences celebrating life with all its beauty and pain intertwined. Songwriter Josh Ski and drummer Peter Jenkins bring a free-wheeling troubadour vibe that leaves both performers and listeners with a cathartic sense of unity after every show.    
Listen: https://open.spotify.com/artist/0a8IW9Lc04VxlCXRtRwcYO
Contact: glostarsband@gmail.com  |   (312) 498-4453     |  @glostarsband 

ON OUR DEBUT ALBUM
Glo Stars' debut recording is an ode to the album as a cohesive work of art and is equal parts psychedelic experimentation and pop sensibility. With a respect to warbling Beatlesque melody, a dash of lyrical whimsy a la 60's Dylan, and a penchant for jagged diversity within sonic textures, Glo Stars is a genre-bending head trip that will encourage the listener to experience an album as an album.

The Salvation Army is a worldwide evangelical Christian church with its own distinctive governance and practice. The Army’s doctrine follows the mainstream of Christian belief and its articles of faith emphasize God’s sovereign purposes.

Its religious and charitable objects are ‘the advancement of the Christian religion…and pursuant thereto, the advancement of education, the relief of poverty, and other charitable objects beneficial to society or the community of mankind as a whole’.  The rapid deployment of the first Salvationists were aided by the adoption of a quasi-military command structure in 1878 when the title ‘The Salvation Army’ was brought into use.

Responding to a recurrent theme in Christianity which sees the Church engaged in spiritual warfare, The Salvation Army has used to its advantage certain soldierly features such as uniforms, flags and ranks to identify, inspire and regulate its endeavors.

The Salvation Army Mission Statement:

The Salvation Army, an international movement, is an evangelical part of the universal Christian Church. Its message is based on the Bible. Its ministry is motivated by the love of God. Its mission is to preach the gospel of Jesus Christ and to meet the human needs in His name without discrimination.

Hear and Now 

For over 20 years now, DJ Mark Anthony has been serving up his signature textured house beats, blending shake-it percussion, savvy special effects and a heaping helping of pure love. His spot-on eye for the hottest emerging sounds helped pioneer Montreal’s now world-famous house scene from the outset. True to himself and his vision, Mark has been instrumental in making house music and clubbing a unique experience, an art form, a means of expression. He may be recognized globally as a master of the turntables, but Mark’s career has also included turns as an accomplished music and event producer, always striving to breathe new life into nightlife. Along with a full-length interview, he has recently been featured in the prestigious bible for luxury living; KA Magazine- Best of Canada 2010 Special Issue, which awarded him the distinctive title of Best Canadian DJ.

When he’s not rocking the house at a long list of clubs and special events at home in Montreal, across Canada and abroad, Mark is always focused on making music, be it original songs, remixes, or producing artists in a variety of genres. His latest releases out on the NYC label Kult Records are big room progressive house bangers that are getting the dancefloors moving and grooving! He continues to wax prophetic at his weekly residency at Red Lite, the largest after-hours venue in the Montreal area. The collaboration yielded the first Red Lite Series CD compilation, which soon became a top seller. Mark stepped up to man the decks again at the 2010 Black & Blue Festival main event, which brought circuit enthusiasts to their knees. 


The 80’s: The Underground Years

At age 16, Mark began spinning at hip hop, r’n’b, and reggae parties in dance halls and church basements, and after a scratching stint as a DJ in a local rap band, he soon took over the decks four nights a week at Montreal’s legendary industrial club, Thunderdome. Never one to follow the pack, and conscious of the emergence of a burgeoning underground house movement in the city, he soon began producing house happenings with Nicholas Jenkins of Sterile Cowboys & Co. Their warehouse parties in Old Montreal and the Plateau area have gone down in the city’s history for their racy invitations, amazing ambiance, décor, and dancers. Mark was involved at all levels of production and promotion — and of course, manning the turntables for lengthy sets. Other standout work included Gag at K.O.X. and crazy nights at Di Salvio’s on a pre-über St-Laurent Blvd, both of which are still talked about to this day. But the scene was about to go through a sea change with the opening of Montreal’s first legal after-hours club, Playground, and the advent of the Black & Blue phenomenon, both of which Mark helped spearhead. 


The 90’s: After-Hours and the Circuit 

Through the early ’90s, Mark held residencies at a range of straight and gay clubs in Montreal, such as Mekano, The Bronx, K.O.X., Joy, and the legendary Squeeze nights at Metropolis. Playground quickly became a permanent fixture for clubbers, and Mark steadily stirred up legions of loyal dancers, divas and club kids every Saturday night for several years.    
 
His following grew exponentially through groundbreaking work with the BBCM Foundation’s annual Black & Blue Festival, which donates a healthy portion of proceeds to local AIDS initiatives. Since he began headlining the Black & Blue main event in 1995, the party has grown to attract as many as 20,000 devotees from around the globe, making it the world’s largest circuit event. Mark has released a number of highly successful mixed B&B CDs in addition to other compilations on various international labels. 

In 1998, Mark co-founded Stereo, a nightclub that soon morphed into Montreal’s premier after-hours haunt, giving worldwide street cred to the city and its scene. It was here that Mark introduced his Ritual event, which would give him the freedom to work his self-concocted style. 

For a number of years, Mark headlined Montreal’s annual outdoor closing party for Divers/Cité, Montreal’s gay pride event — in 2003, a record 50,000 people came out to groove under the stars. He also became a big-ticket DJ on the North American and world house scene, playing clubs and special events in such cities as New York (Twilo, SBNY), Miami (Crobar, Mansion, Space), Atlanta (Backstreet, Eleven 50), Boston (Rise), Chicago (Crobar), San Francisco, L.A., Mexico City (Living), London, Paris (Queen, Mix Club), Barcelona, Ibiza (Space), Cologne and Berlin.


The 00’s: New Grooves for a New Millennium  

Ritual drew such widespread attention that Mark eventually took the show on the road, and, driven by his longstanding club experience and sound-console experimentation, he moved into the studio and worked with premier Montreal talent to turn out his first full-length artist album bearing the same name and featuring the same percussive prowess and beat expertise his fans know and love. For La Vie, his contribution to the homegrown film Saved by the Belles, a favorite on the indie festival circuit, Mark received a 2004 Genie nomination from the Academy of Canadian Cinema and Television for Best Achievement in Music – Original Song. That same year, he began moving into another genre altogether with the collaborative side project Lectroluxe (www.facebook.com/lectroluxe, www.myspace.com/lectroluxe, www.twitter.com/lectroluxe, www.soundcloud.com/lectroluxe), generating an edgy, down-tempo, ambient and funky sound that’s sure to be music to lounge and chillout lovers’ ears everywhere. Mark continues to collaborate on a number of projects, while producing and working his remix magic with other artists. Check out some of these releases on his record label Dark Panties Recordings (www.facebook.com/darkpanties, www.myspace.com/darkpanties, www.twitter.com/darkpanties, www.soundcloud.com/darkpantiesrecordings).

For more info please visit:
www.markanthonymusic.com
www.facebook.com/markanthonymusic 
www.myspace.com/markanthonymusic
www.twitter.com/djmaofficial


Music sweet music I wish I could caress' Jimi Hendrix 'I started singing in my older brother's band at 15 because he said I should, allowed on stage but not in the bar. I had thought to be a ballerina but my knees gave out and I gave in, hiding behind my hair back with the drummer. The rush of singing, this intense mysterious territory within me, storming through me, where did it come from? I decided not to question it too much. I was adopted by some road warriors of the blues, Bobby Stewart and J Greg. These guys didn't believe in monitors so I was forced to lean my terrified self out into a room and audience, hearing the mains breathe, hearing the whole sound. I was beginning to learn that this music thing was all about listening, connecting, giving and letting go...and I wanted to believe that it didn't have much to do with me. There was no way I could belt out Aretha Franklin's Dr. Feel Good without drummer Bill Wilson holding back and then kicking me in the ass. My big claim to fame from this time is an article on me (most likely I said I was 21) in Easy Rider magazine; my mom attempted to order the back issue but they kept sending her paraphernalia catalogues. I have since been in many bands: jam bands, funk, soul, blues, rock , trippy 60's and a disco show band 'Shag'. A working musician traveling in loaded vans, showing up in some town hall or nightclub, at festivals, raves, weddings, ski resorts or at a tree planters' party up some crazy logging road. Fund raisers are big where I come from. Mom and Dad had a floor to ceiling library, boards and bricks and all these records. Us kids rocked out on the old couch as our stage to the Stones 'Exile On Main Street', boarded our Yellow Submarine and never questioned that we weren't the egg man and the walrus koo koo kitchooo. We had folk night at our big brown house in Nelson, BC; black instrument cases and beer cases filled the house and then the inevitable time for bed... falling into slumber to 'the night they drove ol' dixie down'. Music was as integral and as normal as a peanut butter and honey sandwich. JJ Cale helped dad do the dishes and I still believe that the songs of Bob Dylan make bread rise and the laundry do itself. As a child I was extremely sensitive and sometimes complicated; the inner life of an artistic temperament drew me to faerie world and creativity. I loved to make art, to dance and sing, because I could disappear. Socially I was one of the weird kids, so I was fortunate to have 5 siblings, books, ballet, piano and violin lessons, choir and recorder at school. We were read to as well. I still disappear into creativity; for me it is such an introverted in- the-moment experience. It is medicine, revealing myself to me, a safe haven for questions, confession and desires, a way to unravel and try to make sense of what I see and don't want to see in our world, even the gift of total distraction. I have, and as Nina Simone sings in the traditional 'Nobody's fault but mine, If I die and my soul be lost', wrestled with a lack of confidence, strength of character and discipline to expose and share my inner life, my creativity. I am so much more comfortable and experienced at singing other people's creations. I have found profound solace in the writing of songs. They have saved me, soothed me, haunted me, woken me in the middle of the night, kept me out of trouble and got me in trouble; they have an energy and drive of their own. I am grateful to all who encourage me to share my songs and I am ready to because I am...."

Someone once said that, after silence, music comes nearest to expressing the inexpressible. Singer/songwriter Billy Falcon’s music has a way of doing just that. As an artist uses color, Falcon uses words and music to convey life’s beauty and fragility, the joy, and the heartache, the disappointment, and always, the hope.
Over his career, Billy’s albums have each remained true to his hallmark of beautifully crafted songs with lyrics that move the listener to laugh, cry, think, remember, and always, to hope. His latest record,  "Holy Fire,” features eleven songs that each continues that legacy. A poet, artist, and craftsman in the purest sense, Falcon somehow puts words and melody to all that it means to be human. The moving title track, “Holy Fire” elicits the spiritual awakening that underlies Falcon’s strength and vulnerability, passion, and humor which are woven throughout the album. From “Everybody in the House” and "Purple Church", to the humble recognition of "Mercy Got Me Here",  you get the sense that the Spirit of God has inspired Billy and if you have ears to hear, he has somehow managed to convey it in the songs. The record is a lyrical and musical testament that declares the greatness of God,  and our saviour, Jesus Christ,  even as the music maintains his authenticity, freshness, and significance. Like the spirit of faith, hope, and love that is his muse, Falcon’s music endures.
Billy has also co-written over 50 songs recorded by Bon Jovi, including Just Older, Last Man Standing, Everybody’s Broken, When We Were Beautiful, Superman Tonight, and the title track on their recent release, This House is Not For Sale.
While he continues to write, perform, record and produce records, Billy’s primary focus is on reaching individual people with the inspiration of God’s word, which he does primarily through his Nashville home fellowship, “Little Church”. He recently completed a faith-based feature film titled “Million Dollar Song”. Look for that in 2019.

YESVERN™ of/for Free Speech Music - TheOxyGenius Himself! 
Emcee/ Singer/ Poet/ Songwriter/ On-Air & Online Personality
freespeechmusic@yahoo.com

Born in Crown Heights Brooklyn and also raised in Northside Jamaica Queens, Yesvern™ has the influence of the 80’s Hip Hop era where & when the essence begun. Doctors told his mother she couldn't & wouldn't conceive; and yet he was. While being birthed the umbilical cord was wrapped around his neck.  His first breaths were obstructed and from the very start he was blessed to beat the odds. Yesvern™ is a true miracle baby. His love of Hip Hop began with the listening, reciting, and performing of LL Cool J’s “I Need Love”. As his love for Hip Hop grew, so did his ambition of contributing to the growing culture. At age 9, a near fatal accident occurred when he was struck on the forehead by a baseball bat. This left him unconscious fighting for his life, with a fractured skull, and on bed rest for a month. With having met near death on more than one occasion as a youth, he already had more to write about than most kids his age. He states, “My victories are greater than my struggles”. This approach is exactly why Yesvern™ brings you original music. As his first stage name Vern L.O.G.I.C he was known for and still is for his unique rap/sing combination since ’97. To date he has influenced some today’s top artists inadvertently. Greatly innovative before he knew he was.
By age 11, he was already writing R&B, Hip-Hop, & Pop songs - Daily! Yesvern™ would say that his gift for songwriting comes as a blessing because by age 17 he was up to 50 songs written/ arranged. He continued working on the craft of songwriting.  

This Emcee has hosted numerous open-mic showcases and promoted at various club venues along the east coast. Also, a Radio Personality (Vern Logic) at WHPC 90.3fm (NCC Radio) (Garden City, NY, ’08-‘09). Live on-air personality responsible for expanding the listening audience 17% in his tenure which catered to an audience ranging from age 18-80. By age 18 he understood many forms of songwriting. As his vocal skills improved, so did his love for songwriting and the craft of music. He met and networked under Hip-Hop heavyweight Swizz Beatz in ‘00. Yesvern™ states, “Swizz Beatz gave me my first look inside the industry and business surrounding the music business". As a graduate of I.A.R in New York, NY, Yesvern™ has sharpened his engineering, analog/digital skills and knowledge. Believed to have had ability to for melody at a young age is what separates his approach to engineering and producing. Top Engineers in the business of music have told Yesvern™ that he possesses "Golden Ears" in Hip-Hop and music to date. Honesty, balance, & versatility equal his lyrical ability and content. He is relentlessly working to share his voice and talents with the world. While an engineer intern at DaMatrixStudios in the Bronx, NY ’11-’12, He states “My experience being at such a reputable Hip Hop institution, and a staple for upcoming artists was an honor and a privilege”. 
Some of his influences include but are not limited to: Curtis Blow, Run DMC, Salt N’ Pepa, New Edition, LL Cool J, Naughty by Nature, Queen Latifah, Color Me Badd, 2 Pac, Biggie, Nas, Big Pun, DMX, Aaliyah, Lauren Hill, Snoop Dogg, KRS One, Ray Charles, Stevie Wonder, The Jackson 5, Aretha Franklin, Sam Cooke, Whitney Houston, Teddy Pendergrass, etc….

Trinity Live is the worship team that provides inspiring worship music at Trinity United Methodist Church (Milford, OH - near Cincinnati) on a weekly basis.  Trinity Live has provided music at Great American Ball Park, The Freedom Center, The Beach Water Park and for many community organizations and churches since 1999.

All songs posted include the name of the original artist in the title.  These artists provide us with inspiration and we recommend you check them out as well.  If you have any comments for Trinity Live, you can reach us at the Trinity Milford Facebook Page (linked above).

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