"buskerJohnnie" is a gigging musician, street performer, & vocalist, who began busking in downtown Tampa in 1990. Johnnie was a child of two left coasts, born in Los Angeles, Ca., and later raised in Tampa, Fl.. 

In college, while enrolled full time at HCC's-Ybor City Campus, and just as soon as his federal financial aid was cut off, by Pres. GHW Bush's(R) Dept. of Education cuts, Johnnie decided to take a break, and use the last $500 U.S., "he had to his name" (...no where near enough to be able to continue in the Fall, as a full time student), and to visit a friend to take a 21 day vacation in Paris, in the Summer of 1992. While there, Johnnie extended his European vacation, by accepting a Dutch couples' invitation to visit the tiny, beautiful, Emmeloord, Holland, and soon after started a busking jazz & bossanova trio, namely, "The Darko, Misha, & Johnnie Trio", in Amsterdam, in order to hone his skills and earn his return trip home, as a professional street performer. 

busker Johnnie has; self produced two original electronic music albums on CDs, and worked in television broadcasting & film. Johnnie acted, danced, choreographed, & was even a college radio dj, who self produced and hosted a two hour radio vinyl show, "A Shot of Johnnie Walker", twice a week, as a University of Tampa undergrad. 

busker Johnnie has also recorded as a Tenor Saxophonist, flutist, and vocalist, on several of Manic Organica's electronic albums. And, he was asked to create and happily rendered several of Manic Organica's CD album covers.

busker Johnnie also did the final video editing and added the screen credits on Manic Organica's music video; "Chloe's Afternoon".

 Johnnie has opened several CafePress online shops, under his brand "busker Johnnie's" selling his own music, arts, surfing, activist & outdoor lifestyle inspired graphic designs. 

Johnnie has also been an Alto & Tenor Saxophonist, band member, in several local community bands; the Fanfare Concert Winds, the North Miami Concert Pops, and the Tampa Community Band -formerly , in 1991, the (Tampa) Jewish Community Center Band.  Johnnie has “subbed” on Tenor Sax & flute in two local big bands. And, Johnnie has gigged with other local musicians, including local recording artist, “Manic Organica”, and childhood pal and former band mate, Buster Castellano, when called upon.

As an activist, busker Johnnie, throughout his professional street performing career has been a vocal advocate for local; "live music", musicians getting paid for their gigs", "street performers being professional and courteous", and "venue, cafe, and bar owners paying the musicians they hire, upfront, in full,  prior to the start of their performances."

 ...busker Johnnie often cautions musicians, that when ever local venues hire bands and musicians, in order to fill their seats and bars, it is not the job of the musicians and bands, that they hire, starting out, to already have an established audience or followers, coming in, or as a precondition or excuse for the owners not paying them prior to their performances. It is a common excuse unscrupulous venue, cafe, and bar owners use to exploit and to not pay the musicians and bands, they have coaxed into agreeing to perform at their establishments. If you hire and pay good musicians and bands, to perform, in due time, the audiences, they will come. And, if they don't, usually, it is the fault of the establishment owner. Bottom line, busker Johnnie follows the business model ...that professional musicians should always be paid for their work and time.

	
Cesar Belloso who has become Dj "GUASAKAKAS" grew up in Maracaibo, Venezuela. Since he was a baby, he loved music due to his father who put headphones with music while he was on his mother's belly. He would listen to all kinds of music like Rock, 80's, 70's, Merengue, Salsa. It was not until his senior year of high school that he went to a Techno/Hard Techno party in a theater produced by Mickey Rat & Fly. There, he found high paced rhythms, sounds different than any other music genre he had heard before, and a whole new culture that shared love for the music. Even though he had not become a DJ by then, he got inspired to open his education in music.

Many years later, because people knew he had lots of music, he was asked to DJ at a party where many people from different backgrounds were going to be attending. Without any equipment and only with a desktop he accepted the request. He ended up downloading a trial software to mix, and with that, he went to the party. With little skills behind the deck but by giving lots of love for the music, the new DJ called GUASAKAKAS, got the crowd to a level that they had not yet experimented before, where a portion of the crowd got on stage and jumped while the dance floor was full of euphoria and craziness. People yelled his name GUASAKAKAS! GUASAKAKAS! GUASAKAKAS! The night was truly EPIC!

After a couple of gigs he started working around town (College Station, Texas) such as in wine houses where he mixed chill out, and clubs around town. Soon he would go to an Europe-trip to visit family where he got the opportunity to mix in some countries around Europe. Later, not only was he well known in College Station, but he was also asked to mix in many places, including his homeland "Venezuela".

Now he has mixed in many cities such as: Aberdeen, Scotland, Lisboa Portugal, Maracaibo Venezuela, Los Cayos, Venezuela, Arkansas, US, Bryan/College Station, US, Houston, US, Austin, US, and in MIAMI at the WMC 2010 in a club called "La Folie D'amour". These are only cities but the amount of venues are much more.

Nowadays he Djs in cities around Texas and private parties with his team of DJs called HIGH VOLTAGE SOUNDS and sometimes on his own.

To conclude you can see him in Texas for the most part of the year. In the Summer you can see him in Paris, Texas and El Salvador. In December @ Venezuela and Aruba. He will be sharing with lots of love what he does best and will get your body moving to every single beat he plays.

"Think God, speak God, do God, because you will be thinking, speaking, and doing LOVE"...bless

+ GUASAKAKAS +

PSYCHEDELIC THERAPY - involves the use of very high doses of psychedelic hallucinogens with the aim of promoting transcendental, ecstatic, and mystical peak experiences.

Whatever exits the mind while on psychedelic hallucinogens. i just make art about drugs, nuclear warfare, going crazy, getting arrested for being free, and more drug experiences. 

"The Psych Ward". BELIEF OF THE LIGHT. RIP TOXIC. CLOSED EYE VISUALS. SUPERSTITION. HYPNOSIS. PSYCHIATRY. TUMBLING DOWN THE RABBIT HOLE. NUCLEAR WARFARE. HALLUCINOGENS. PSYCHOSIS. I <3 ANVILS. 

TOXIC THOUGHTS (dude in photo): Abuser of psychedelic hallucinogens, Producer, Director, Actor, Freedom Artist, Writer, Lunatic, Disney obsessed maniac, Eccedentesiast, Junkie, and Tripper. QUOTES: 'WRITE AS IF NOTHING HAS EVER BEEN WRITTEN BEFORE, DREAM AS IF YOU'RE THE ONLY ONE WHO CAN.' - TOXIC

Toxic's BIO:  I always had a great imagination. I chase things that I'm not sure exist.  I opened my mind to try things like drugs and It really changed my life. I did drugs to feel and see what most of planet earth has never experienced. I literally followed my idol's footsteps. I got into heroin and got addicted. i liked feeling different or weird. I got into any drug and fell in love with each one. It drove me crazy but i tried to go crazy on purpose which is very crazy. The only way i could do that was to purposely put myself into an amphetamine induced psychosis and i hallucinated like a motherfucker. My girlfriend Candice over dosed on heroin on purpose and died. I sometimes make rap music because thats the music Candice liked to listen to. Josh, Michael, and Candice RIP are the only reason why i do what i do so in a way i only do what i do for the dead. I isolated myself from society forever and purposely put myself through intense nightmares. I exiled myself like fucking yoda. I completely lost myself. Felt like my shadow got detached. I felt extremely looney and i felt like i just didn't want to be alive anymore. I had stay in Aurora Last Encinas psych ward and it was sick. i learned more than i ever have before while staying there. It was destiny. i continued my quest. i saved the best for last though. Jimi Hendrix and Steve jobs talked about LSD like its what made their destiny. I tried "Psychedelic Therapy" by doing Psilocybin, LSD, DMT, 2-CB, and this new one called Wonderland. I experienced insanity. After that i found out how to dream freely and lucidly. LSD cured me. One time while i was on massive amounts of LSD I had really vivid complex ideas already as if i've had them for years in my mind and Lsd was like the key to unlock it. I got ideas so put together like i have ideas for books, movies, and albums. I don't promote the use of drugs even though i'm contradicting myself i should be viewed as a lab rat. i do believe there is high therapeutical benefit for using such hallucinogens but there is a very high risk of losing yourself. I don't recommend it. Hallucinogens made me realize that my soul wants to become an artist. My brain told me to become something better. Toxic jumped into my world and it was like he chose me. One day it felt like a thought wanted to exit my mind. I started having dreams that were crazy but meaningful. i smoke weed because it makes me a person, opiates gave me a sense of humor and taught me how to feel music, amphetamines just made my life crazy and gave me a psychotic story to tell, hallucinogens made me an artist and gave me profound creativity which completely changed my life and personality. When i first tried LSD i had a very bad trip and drew Toxic, a sick cartoon, then i gave him an identity, a face. I made the mask first and one day i put it on. As soon as i put it on i realized i was looking through another pair of eyes and that i was no longer chained to myself. I obtained a personality that was nothing like my own like originally I'm always stuck in my head day dreaming but now i can dream outside of my head and see if that makes any fucking sense. But for some reason every time i put on the mask it gets harder for me to want to take it off because i like the way i feel when i have it on it gives me something i've never felt before. Im addicted to the freedom. i went crazy with Toxic i even got addicted to talking to him which means i was having conversations with myself which is weird. People started noticing that i was losing it and they understood something was wrong. People tell me that this music and art isn't "ME" but thats why I'm doing it. Toxicity changed my soul. The toxicity of my life actually rehabilitated me. No ethnicity, no age, just freedom. I felt like i could hide myself behind Toxic. But then it felt like he became someone in my brain to me and he consumed so many of my thoughts to a point that i only think about what he wants me to if that makes any fucking sense. i couldn't stop thinking about art and movie ideas that just overflowed about ten whole notebooks. I went so crazy with Toxic that when i ran out of notebooks i just started drawing on the walls. But he did do something to me so terrible like he terminated me completely as if i don't exist. i lost all my friends and family and i felt like "nothing" literally. He got me to believe that i don't exist and that there is nothing underneath the mask just air. He became a disease that i had to find the cure for. Like he's unique to a point where he can almost make you crazy. Then it felt like I discovered something impossible. It felt like i could have two different dreams with two different minds with this abstraction i created. I got kind of scared because i created something that i wasn't ready for. A figment of my own imagination came into existence and convinced me that it could dream just like me which is weird. But thoughts took over. Toxic looks nice but to me it feels like i created something that is going to stab me in the back. I feel like he's actually planning something that i don't know about somehow like that's how crazy he's made me. I steal things and lie for no reason and i never used to do that. It came to a point where i abused psychedelic hallucinogens and it messed me up completely. I mean look at me. what a wacko. Ever since i became him I'm always paranoid and anxious. Toxic "tooned" my mined with drugs so much to a point where my personality is like that of Bugs Bunny. Toxic keeps me contemplating every second though. Sometimes i think he's someone that should not be allowed to enter your imagination. I feel like hallucinogens are all i need in my life sometimes though. Toxic gave me a purpose and I guess I'm grateful. What drugs, Toxic, and my girl natalie taught me is that i have to stop believing in coincidences and start believing in destiny.
Diagnosis: Schizophrenia 
FROM: "OVER THERE"

Making music, movies, blunts, magic, drugs, zombies, and videos ONLY with stuff we find in my garage! its sick dude!!!!!

"YOU WILL SUCCEED PAST YOUR DREAMS TO A POINT WHERE THEY BECOME NIGHTMARES." 



Darian Mongiovi is a music producer, writer, arranger, and instrumentalist from New England. Currently residing in Maine producing for Musical projects Including Grumble and the Funkins, Audio.Thief, Famous Bandits, Fat Rat and the Big Cheese. 

"Grumble and the Funkins is a Trip Hop Project that explores the use of synthesizers in a fusion of hip hop with electronic music. Jazz, Dub and Trip Hop were the influencing genres for the project with a sound I perceive as spacy and relaxing yet coherent in rhythm excitement. Compositions are original and sampling is seldom used mostly for original drum arrangements. "

All music is free for download 
http://audiothief.bandcamp.com/

Other Projects 
https://soundcloud.com/audiothief

Born July 30, 1941, in Ottawa into a tight-knit Canadian family, Paul Anka didn’t waste much time getting his life in music started. He sang in the choir at Church and studied piano. He honed his writing skills with journalism courses, even working for a spell at the Ottawa Citizen. By 13, he had his own vocal group, the Bobbysoxers. He performed at every amateur night he could get to in his mother’s car, unbeknownst to her of course. Soon after, he won a trip to New York by winning a Campbell’s soup contest for IGA Food Stores that required him to spend three months collecting soup can labels. It was there his dream was solidified, he was going to make it as a singer composer; there was not a doubt in his young tenacious mind.

In 1956, he convinced his parents to let him travel to Los Angeles, where he called every record company in the phone book looking for an audition. A meeting with Modern Records led to the release of Anka’s first single, “Blau-Wile Deverest Fontaine.” It was not a hit, but Anka kept plugging away, going so far to sneak into Fats Domino’s dressing room to meet the man and his manager in Ottawa. When Anka returned New York in 1957, he scored a meeting with Don Costa, the A&R man for ABC-Paramount Records. He played him a batch of songs that included “Diana” – Costa was duly enthusiastic about the potential of the young singer and songwriter. The rapid and enormous success of “Diana”- his first number one hit – made him a star.
“They are all very autobiographical,” says Anka of his early hits. “I was alone, traveling, girls screaming, and I never got near them. I’m a teenager and feeling isolated and all that. That becomes ‘Lonely Boy.’ At record hops, I’m up on stage and all these kids are holding each other with heads on each other’s shoulders. Then I have to go have dinner in my room because there are thousands of kids outside the hotel — ‘Put Your Head on My Shoulder’ was totally that experience.

Soon Paul found himself traveling by bus with the ‘Cavalcade of Stars’ with the top names of the day in the era of segregation, performing at the Copa Cabana, the youngest entertainer ever to do so, and honing his craft surrounded by the likes of Jerry Lee Lewis, Buddy Holly, Frankie Lyman, and Chuck Berry.

By the time the Beatles arrived in the sixties, Anka had another tool in his survival kit. “After a few hits,” he says, “I knew I was a writer, and with writers, the power was always in the pen. When I started writing for Buddy Holly and Connie Francis, I felt that it made me different for people — they’d say, ‘Hey, you can write, you can fall back on something.” Among his proudest accomplishments was writing the Academy Award-nominated theme for The Longest Day, the 1962 film in which he also starred.

Songwriting and performing “are what gave me the confidence to keep going,” he says. Becoming a junior associate of Sinatra and the Rat Pack also had its privileges. By the ‘70s, the success of “My Way” and a string of hits like “(You’re) Having My Baby” confirmed his status as an icon of popular music. His later achievements as a recording artist included “Hold Me ‘Til the Morning Comes,” a hit duet with Peter Cetera in 1983, the Spanish-language album Amigos in 1996, and Body of Work, a 1998 duets album that featured Frank Sinatra, Celine Dion, Patti LaBelle, Tom Jones and daughter Anthea Anka. If this wasn’t enough, it was revealed upon its release in 2009, that Anka co-wrote Michael Jackson’s posthumous #1 worldwide hit, “This Is It,” which has further cemented his place upon the most prolific and versatile songwriters of any generation.

Not one to rest on his laurels, Anka’s two most recent albums – Rock Swings and now Classic Songs, My Way – ingeniously featured songs originally created by some of the biggest rock performers of the day – as well as other established artists across several genres. The twist: Paul Anka did the songs ‘his way.’ His goal: “taking great songs and rework them so they’re natural for me.” With the help of his five daughters, Anka spent months researching music from the ‘80s and ‘90s, trying to find the songs that would work in the radical new context he proposed. The songs that made the cut included Bon Jovi’s “It’s My Life,” Lionel Richie’s “Hello” and Eric Clapton’s “Tears in Heaven.” Even more dramatic were his transformations of “Wonderwall” by Oasis, “Black Hole Sun” by Soundgarden and Nirvana’s “Smells Like Teen Spirit.”

Rock Swings went Top 10 in the UK, and was certified gold in the UK, France, and Canada, hit No. 2 on Billboard’s Top Jazz Albums chart and went on to sell half a million units worldwide.

'If there's love in this life we're unstoppable'

"The board is set, the pieces are moving."

Make the money, don't let the money make you.
Change the game, don't let the game change you.

"Some of those that work forces, are the same that burn crosses." - RATM (Killing In The Name)

To, od čega bežiš ti, to se ne leči. To se pobeđuje. - Goblini 'Luna'

“I don’t know if life is greater than death. But love was more than either.” - Tristan&Isolde

"Cena ljudi pada kako raste cifra." - Psihoaktiv Trip (Puna Stotka)

                                                        ***
Learn to see me as a brother instead of two distant strangers
And that's how it's supposed to be
How can the devil take a brother if he's close to me
I'd love to go back to when we played as kids
But things change... and that's the way it is
(...)
Take the evil out the people, they'll be acting right.
'Cause both black and white are smokin' crack tonight.
(...)
You say it ain't cool, my mama didn't raise no fool
(...)
Coming back after all these years
'Rat-a-tat-tat-tat-tat!' That's the way it is. - 2Pac (Changes)

                                                        ***

'What is life without a dream to hold?!'

"Povešću te putem svojim, da poljupce s tobom brojim, da ti vatre svoga srca dam..." - Zdravko Čolić 'Živiš u oblacima, mala'

"Books are to be read start to finish, but they're best understood from end to beginning." - Mr. Church

"And in your eyes you're holding mine..." - Ed Sheeran 'Perfect'

Love's just a tool
To remind us who we are
And that we are not alone
And we're walking in the dark. - Rudimental 'These Days' feat. Jess Glynne, Macklemore & Dan Caplen

"You know you got it, child, if it makes you feel good." - Janis Joplin (Piece of My Heart)

I’ve got no worse enemy
Than the fear of what’s still unknown... - Promises I Can't Keep - Mike Shinoda

Gde god da si (anđele moj brate)...

'A journey of 1000 miles starts with a single step.'

Hey brother! There's an endless road to rediscover
Hey sister! Know the water's sweet but blood is thicker
Oh, if the sky comes falling down, for you
There's nothing in this world I wouldn't do. ~ Avicii

Below is a portfolio of my work!

Brandi Hunter is quickly becoming a leading lady in the music industry. Born and raised in Cleveland Ohio, she began writing poems at the age of 8. Her early musical influences included everything from Pink Floyd to Sam Cooke. Music was, and continues to be, the heartbeat of her existence.
A series of unexpected and miraculous events set her on the path that would lead her closer to her true passions and calling in life. Being very close to her father, his tragic and untimely death 1996 took a devastating toll on his young daughter. Although her academics suffered, her artistic abilities flourished and her brilliant mind and talents did not go unrecognized. A seventh grade teacher would end up giving her two of the greatest gifts anyone had ever given her: she told Brandi that she had never encountered a student with so much potential and allowed her to pass to the next grade.  A year later, that teacher made a special trip back to St. Aloysius to encourage Brandi to write an essay that would land her an academic scholarship to attend Villa Angela St. Joseph High.
Being one of the first students to receive the Marianist Urban Student Program scholarship, she met Bro. Stan Zubek, SM., a well accomplished musical genius who mentored her towards musical, academic and spiritual excellence by spending lengthy hours teaching Brandi about music theory. He encouraged her to play in the school band and to perform piano solos at various events. Upon graduating from VASJ Brandi received a Simper Fidelis Award and the VASJ Graduating Award for musical excellence.
In 2003, while studying Pre-Med Biology at Alabama A&M, Brandi discovered a new passion: fabrication and manufacturing. Working for Transtron Ltd. from 2004 to 2005, Brandi found electrical assembly came easily and she excelled in her position. In the many years since that time, she has built an extensive work history in the manufacturing field and has acquired skills in all aspects of electrical-mechanical assembly, quality assurance, trouble shooting, repair and maintenance. Brandi also excels in computer trouble shooting and repair. Brandi had taken her first steps into a recording studio early in life when, at the age of 15, Floyd Tek Sharp, CEO of HBH ENT, and his brother Chris Burgess, mentored her in the arts of audio engineering and music production.  Upon returning to Cleveland in 2005 to be closer to her family, she enrolled in Cuyahoga Community College’s Recording Arts and Technology (RAT) program. Today, as Studio Manager at JR Productions, her duties include IT, mixing and recording, equipment setup and maintenance, web design, audio and video editing, supervising other sound engineers during sessions, and Graphic Design.
Brandi was introduced to Jack Craciun III, Chairman and CEO of ITM (China) Ltd. & ITM (US) Ltd. in 2015 when ITM began an association with JR Productions to record Made in Cleveland, the second of three albums in it’s “The First Dragon™ Global Chinese Cross Cultural Exchange Enterprise” that deliver a never before heard cross-cultural spirit and vibe. Upon studying ITM and recognizing the global significance of The First Dragon™ Enterprise, its powerful branding and marketing tools and its unique position to help her enhance, brand and deliver her own production company, Dupont Studios, Brandi accepted the invitation from Chairman Jack Craciun III to join ITM’s Board of Advisors as its Chief IT Advisor & Audio Visual Content Director.


Psychedelic Trance, Psytrance, Psystep, GOA, Progressive House, Electro House, French, EDM, Flashouse, Acid, Techno, Groove, Miami, Ibiza, Beatport, Deep House, Minimal, Dark, Night, Chillout, Experimental, Big Beat, Breakbeat, Breaks, DUB, DNB, Dubstep, Bass, Trap, Rap, Trip Hop, Underground, Hard Dance, Remix, Glitch Hop, Psydub, Electronica, Hard Techno, Hip Hop, Nu Disco, Indie Dance, Tech House, Nacional, Space Rock, Review, Feedback, Critical Mass, Jam Bands Drum And Bass (Musical Genre),Trap,Bass,Drum,Dubstep,Elctro,Rem­ux,Remiix,Remix,Mix,Jungle,Open,The Mighty Boosh Series 1 (TV Season),Music (Industry),Electro,Techno,Dance,Electro (Musical Genre),Electro (Fictional Character),Feat,Next,Electronic,Original­,Rouge,Drum Bass,Outside,Bass Music,Rat,Beat,Minimal,Mash,Original Mix,Minimal Techno (Musical Genre),Records,Doors,Hollywood,Step,Gara­ge,Rats,Trance,Deep,Trance Music (Musical Genre),Close,Front,Liquid,Mouse,Letter,E­lectronica,Inside,Window,Kitchen,Basemen­t,Locked,Beats,Baton,Breaks,D&b,Closed,T­rapped,Gate,Exit,Key,Mansion,Lands,Video­0004,Dangerous,Kendra,Closet,Opens,Lab,N­eighbor,Cat,Walking,Neighbors,Traps,Bath­room,Attic,Vision,Wilkinson,Podium,Tunne­l,Box,Sliding,Living,Hugh,Wall

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