Erin Mason is a country/folk-pop artist emerging in the Southeast as a deeply lyrical voice across genres. Her library of original work tells stories of the heart and human condition, written with depth. Sometimes witty, sometimes solemn, but always capturing listeners with a distinctively engaging, honest, Southern-soulful style. 

Writing and performing her first song publicly at age eight, Erin studied piano in the studios of Renee McKee, a former concert pianist. When Mrs. McKee interviewed her for a space in the studio and asked the precocious second grader why she was taking piano, Erin declared "I write songs and I need to know how to play the piano to go with them."

Erin began building her library as a teenager writing alone and through songwriting collaborations, including work with Grammy-award winner Sarah Peasall, Austin Rife, Teri Mullen Haigh, Lauren McLamb and others.

During high school, she worked shows as a solo act, and in an award-winning girl-band she formed and managed focussed on tight harmonies called Penny Road. Among Penny Road's first gigs was an acoustic set at the newly-formed Cary Farmer's Market, where they were tipped in baskets of peaches by the surrounding vendors. 

More recently, she gathers an eclectic group of musician to join her in venues in the Southeast as she balances life as a country artist with the demands of academic life as a Chancellor's Scholar at Appalachian State University. Most nights you can find her joined on stage by mesmerizing harmonies from Morgan Muir, jamming with Jake Kennedy or Ian Barry, and welcoming other local standouts along for the ride. Morgan and Jake joined her in 2015 for her Debut EP, Reckless, at Two Egret Studios, produced by Mike Garrigan.

When she's not on the road singing or in her flat studying, she bakes killer cookies, hikes the Appalachians, and loves watching cute faces of baby animals. Not afraid to get her hands dirty for a good cause, she can also be found trading out the microphone for a hammer and overalls, where she has worked on rehabilitation projects in Raleigh, Chattanooga, and overseas.

Stray Light formed in late 1997, following an idiosyncratic and digressive musical path that has seen them release four diverse albums, and develop an ethos of collective composition and improvisation. The band's disparate and eclectic musical tastes and influences - from experimental noise to Russian folk music – have resulted in a highly original approach and sound. The band is based in and around Manchester, and have played with such bands as Bardo Pond, Do Make Say Think, Stars of the Lid and HEALTH. 

In 2000 the first CD - Mile 7 – was released, a disparate collection of songs, improvisations and soundscapes unified by a subtle melancholia, influenced by a millennial road trip across the open deserts of Nevada and Arizona. 

In contrast, the bulk of the second record, Careers, was conceived, finalised, or improvised in a single week of recording in the wilds of deepest Sussex in September 2002. Careers continued and expanded Stray Light's intuitive and distinctive approach to music - balanced between improvisation and composition, noise and melody. 

The third release in 2009, Waves Broken is a diverse collection of songs that branches out instrumentally with the addition of flute, viola, balalaika, and some slightly unorthodox piano - the loud bits are louder, the quiet bits quieter, and the weird bits are, well, weirder.

The latest Stray Light record, Bearing Feathers, is best described as the band's most accomplished and strangest record to date, densely packed with musical ideas. Taking inspiration from nature and a slightly different direction, a more playful side to the band's music is revealed. Another theme to emerge is that of chance patterns, produced by the interlocking of competing parts and ideas, as well as lyrics emerging from dreams and coincidences.

If you are interested in purchasing our music please visit our website http://www.stray-light.co.uk/StrayLightIndex.htm 

Stray Light are...
David Bennett - Guitar
Dan Chadderton - Drums
Kat Moor - Guitar, Vocals
Ellen Poliakoff - Bass, Violin, Piano, Vocals

"Stray Light are all about slowburning intertwined guitar melodies, bolstered by sweet violin drone and skittering drums ... cute and sinister" - Brainwashed

"A delectable female-led ensemble, whose guitar driven melancholy flirts around the borders of experimental English pop" – Fisheye

"Stray Light play a long game with each song slowly uncoiling...“Bearing Feathers” engages rather than re-arranges the cerebral cortex." - Folly of Youth

Alessandro Rossi, better known as PNDA is a 23-year-old Italian boy.
 He has been very passionate about music ever since he began his musical career in 2012 when he decided to enroll in the Re.creative, forming his experience in  production, and then decided to dedicate himself to the music with the main goal of realizing his dream, to become an important DJ / PRODUCER.
Starting with big room productions up to the recent 2016, where he embarks on his new road, the future bass, changing all his sonority and artistic character, expressing the best of his skills.
Producing this New Music Genre PNDA succeeds in signing its first two tracks in the summer of 2017, WAY TO FALL, recording it on HOOP RECORDS coming out in early October, and then STOP THE TIME on POP ROX MUZIK.
At present, with so many projects in progress, sure to concretize them the soonest possible, hoping to sign them on big labels.
He creates his artistic character by choosing the image of a panda as a logo, as his temperament reflects exactly the same behavior of the cute spotted animal, always joking and infinite curios.

"We were close to each other for we were both dying to make our dreams come true. We wanted to make music, unique music, the music we really wanted to show," says Rosti. "Everything that happened to us were not in vain, and it is not now either", says Stephan - "... somehow we were led to beileve in ourselves, and the stronger we grow the more faith we have".

It was September 2008 when the band took it's first breath after Rosti and Stephan had met each other for the first time. "We were talking for maybe 5 hours... It was so amazing to meet someone like you, so we'd started!" remembers Stephan.

Not long time go the first Plastic Angels Of September gathered. The band assembled in a garrage where raw gear was placed for their first full meeting. "There was a pool of ideas from each band-member, everyone shared his point with each other, cool times," says Rosti.

Out of that time in Brest came a couple of songs for their first studio record. "Two tracks to change my mind. When I first heard them I knew I would never turn away from the road we stepped on," rememberes Stephan.

2010 was very prosper for shows. Despite the bad geographical location of the band's home town (Brest, Belarus), the guys made lots of gigs those days. "We were invited to performe many times! People were amazing! That was a very fruitable period for shows," Stas is saying about that period. Moreover in 2010 the band realesed their second studio EP-album "One Second Tremble". "We did it! I remember we were sitting in our studio and thinking how cute it could be. And when we finally let it out, it screamed pretty strong," says Rosti.

"2011 was the most worthless shitty year we had! We did nothing. For no reason. The only thing we'd made was a single "Anthem". The only thing," says Stas. But suddenly the guys hit the flour. The time of uncertainty had come to the end.

"We decided to make something really good!". In December 2012 Plastic Angels of September realeses its first full-length album "Into the AEON". The album stricked immediately the local and all "the former Soviet Union" (Belarus, Russia, Ukraine) charts, internet magazines and radios. The band was also much heard far beyond the Eastern Eroupe - in Uk, Germany, Poland, USA, Canada and so on. "I like this album, at last we've made something that perfectly reflects all our mission, all we stand for!" says Stephan.

The band was invited to performe at many shows with such bands as Helia, More Than a Thousand, This Deafening Whisper, One Morning Left, Madisson Affair and so on.

These days Plastic Angels Of Septemper prepares couple new surprises for fans. "Oh, we're gonna spread our word further, we are planingWe a to make Europen tour maybe this fall or spring. lso work on our promotion so everyone soon will be able to hear us almost everywhere!" shares Stephan.

"We wanna spread our energy to everyone who listens us, who comes to our shows, who joins us. We're gonna make everyone be a part of our whole family. With love, PAOS" - Rosti. 

Born Romny Netalee Noble on the 14  of December 1976 Sunnyside , May Pen , Clarendon, grew in Sevens Road Aka Farm went to may pen Primary school where i procreeded successfully pass my Common Entrance Examination to Glenmuir High School financially embrass drop out at 4th form good grade was always my moto every thing i do it to the best of my ability , i went and got a trade because everyone need a skill to fall on or to prolong life, while learning my trade which is Electrician develope a attitude to sing work, would stop and wouldn't get done even the boss would join in,  unfortunately  i got a chance to travel so i took it with three hands Grateful always that's me, i got to my first country Antigua nice, very exquiste ,365 beaches wicked but my soul wasn't there i wanted to be in england got my chance on the 29 of oct. 1998 and from there it history
 Life is wat u make of it
TALENTED, Cute, INTELLIGENT THATS ME 'Hi my name is Caan Bread and I am a singer/ songwriter/artist /Actor.Thanks for taking the time out to view my profile a little about me, I rule under the zodiac sigh of Sagitarus. Fun loving designer with attitude and has a great personality. My main thing is music I have been doing music from a very young age local shows, talent contest,choir and also stage shows . I have been richly blessed with the talent of singing and every day god has put a fresh annointing on my talent he is truly with me and i give him all the praise. My influence has been my father which is also my #1 fan he showed me all I needed to know about the arts from a very early age. My favorite rappers are BUJU BANTON AND Sizzla Bob Marley. My all time favorite female singers are TANYA STEPHENS, Aretha Franklin, Anita Baker, Jill Scott. India Arie, Mariah Carey,Yolanda Adams, Mary Mary, Withney Houston, Beyonce Knowles,Patte La Belle, Dianna King just to name a few. Male singers where do I begin firstly if he is fine I am a instant fan LOL, ok BOB MARLEY, LUCIANO, Sizzla, Bounty Killer ,Vybez Kartel, mavoda,  MUSIC SOUL CHILD, LUTHER VANDROSS, JOHN LENON, ADAM LEVINE, BABY FACE, ERIC CLAPTON just to name a few. I beleive everyone was put here for a purpose and i know that my purpose is to sing and bring people joy and happiness and who knows maybe healing. I have been a cabaret performer for many years in the hotels in and around Jamaica. , however while with them I learnt alot in terms of performing harmonies and of course learning to deal with three other different personalities lol. .On my journey i have also learnt how to play my favorite instrument the guitar not yet a pro but getting there for sure. I am also in the studios trying to get my DEMO done and hopfully to get a recording deal. I am ready for the break in to the big times.Its good to be alive and i am greatful, every day I am also thankful. The almighty has been good to me. My journey has been a long one but I have been blessed greatly with good people in my path that I love dearly and I  know the skies the limit.He said in his words that he will never leave or forsake me and that he will fight my battles and thats what he has done, although i walk through the valley of the shadow of death i will fear no evil for he is with me. As my mother said only the best is good enough. I LIVE ON THESE WORDS.

East Row Rabble delivers a slick mix of funk, reggae, blues and soul with upbeat party horn lines that will get your booty shakin' and your feet shuffling. Addressing a mixture of world issues and daily curiosities, front man Ben Drysdale’s songs explore the many, varied, and often conflicting elements of any situation with honesty, hope, and a little cheekiness.

A party band that was made for the festival scene, the Rabble recently made waves at the National Folk Festival and St Albans festival and are currently applying like mad to a bunch of festivals later in the year. 

The band released their debut EP in June 2018 to a sold out crowd at Canberra's Polish Club before touring the release up the East Coast of Australia. The final single from the EP, “Good for Me ” is an upbeat blues-rock love song with dynamic snaps and dirty horn jams. Rabble front man Ben Drysdale actually used the song to propose to his wife on the hills overlooking Queensland’s Glasshouse Mountains underneath the giant “Woodfordia” sign at the Woodford folk festival.

“She’s like a little Disney Princess all covered in tattoos
She’s a little Norma Jean, and a little Betty Boop
Man, you throw it all together
What’s a man supposed to do?
‘Coz this girl’s too damn cute for me”

After releasing two singles from the record in 2016 the band decided to do some more work on production, enlisting Sydney producer Jon Reichardt (Hilltop Hoods, Bliss n Esso) to sweeten the mix with extra layers of guitar and organs.

I decided not to screw around here and write my bio in the first person... Makes sense, right?

It all started with my mate Shaun Bruce and our weekly date to drink beer and jam guitar. About a year and a half later we were in a band together. Your Lost Dog. We rocked hard, ripping out alternative and punk songs with the occasional ballad. We also didn't last much more than a year before my shit got in the way and split the band up. 

From the demise of YLD, Solid Borne Noise was eventually born. With my girlfriend at the time, Zoe, on drums and the original YLD bassist, MC, on bass, we continued on the road of alternative punk (with the occasional ballad). Don't remember why that ended, but it did. Was fly while it lasted though.

The next part was a highlight; Skin & Bones... Zoe and I carried on as a two piece, guitars, drums and vocals, and we were brutal. It was naked, raw, hard punk. No frills and nothing cute about it. We wanted to kill shit and we did. That also ended, well when it ended.

After a weekend of loads of beer and listening to Johnny Cash, I wrote my first song on the acoustic guitar actually meant to be acoustic; I Don't Weep Anymore. As it goes I thought, where am I going to play this? And so started my acoustic career. 

Unfortunately I have to be honest, I truly in every form sucked. I'd like to think I have grown and improved. I recruited a mate, Vince, as lead guitarist and we jammed some gigs. Eventually Paul joined and we had three guitars... and jammed some more gigs. Some percussion and harmonica came in aaaand then that ended. Again I was left jamming some solo shows (poorly).

Along came Wiehann Geldenhuys with his rather impressive background and years of experience. We banged out some amazing songs, shows and a tour with Karla Valentine, over the span of about two years. The ever-eager musician he is, Paul joined us on bass and it was fly. 

Alas, Wiehann quit and my heart was broken like the empty bottle your daddy threw at you, but Paul and I carried on for a while. (We still jam together when we can)

At this stage my songwriting, voice and guitar playing have developed into a thing of satisfaction and confidence. I started writing songs for one guitar and one voice; mine. And I'm digging it. 

I draw influence and inspiration from many sources. From Johnny Cash to The White Stripes and my last couple of songs, The Gasslight Anthem and Jan Blohm. Joy Division is a constant reference for what I want from a song; the freedom of simplicity carried by storytelling and melody. In the end, no matter what I attempt with a song, I still end up writing punk songs. Most of my tracks can be broken up into Ramones structure. 


P.S. I know all you other bands wrote your own bio's too.

Singer/Songwriter Vanessa-Naomi was born in Zurich, Switzerland to an Egyptian- Cenral African father and a Native Indo-French Caribbean mother, and  the second of three children. Growing up, she was encouraged to explore the arts, taking ballet classes, acting lessons, and learning the piano. Splitting her childhood between Switzerland, the USA, and the UK, she developed a deep connection to Anglo-Saxon culture, which shaped her musical journey. Influenced by iconic soul, RnB and jazz artists like Diana Ross, Chaka Khan, Whitney Houston,Aretha Franklin, Jill Scott, CeCe Winans, Alicia Keys, Brandy and many more Vanessa began crafting her own sound, blending her experiences with her family's rich musical background. Music became her therapy, an outlet for expressing life’s deeper emotions.

Sounds: RnB, Pop, Soul, Jazz, New Soul

VOCAL RANGE / VOCAL TIMBRE: Mezzo Soprano, Five-octave vocal range, Whistle Register

LANGUGAES: Native English, Native French, Native German, Native Swiss German

EDUCATION:
Theater & Musicals Artist and Movie Acting Marco Hausammann-Gilardi 
Colombo Dance Factory (Ballet, Jazz, Modern, Hip-Hop) 
Piano Training at Thomas Luescher 
Vocal Pop Training at Deean 
Morgan Classical and Musical Vocal Training
Dance Class at Patricia Marciano Dance School 
Zurich Ballet Academy
Teenage Acting Classes 

Previously signed by Music Label Hitsound Production, France

Credits: in Acting, Movies and Series, Advertisement, Musicals and Theaters

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