Turning around, 
I see my shadow
in the Moonlight

Diffusor_Naviarhaiku526

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

I'm a composer, working from a 3' x 5' studio (some may call it a dinette) in a 5th wheel camper, while traveling the United States. I've been on the road for six years, so most of my recent work will have come from a different state (of mind and location) during my travels.

Music makes me feel better about everything. I don't know that I'm ever happier than when I am creating. I sometimes wonder if creativity isn't one of the primary keys to happiness. Do you ever feel better than when you say, "Look what I did."? This phrase magically conjures the purest sense of childlike joy.

Music works for every part of our lives. We all have music for when we are sad, happy, celebrating, meeting others, when we are alone, and even when we are lonely. Did a song come to mind as you read each of those situations? I remember the first song I ever heard on the radio, on my first bus ride to kindergarten. One of my favorite musical memories is playing in a band for steel beach on the flight deck of the aircraft carrier USS Nimitz.

I love telling stories with music. Everybody loves John Coffey in the Green Mile, but Mr. Jingles should have a song commemorating his reaching and joining the circus at Mouseville. If you agree, join me for this and similar journeys. The music here is synthetic, but as real as you would choose to have it.

My music most often lands on Soundcloud first and is inspired by one of my favorite communities, Naviar Haiku:
https://www.naviarrecords.com/about/naviar-haiku
I find writing to a Haiku prompt sufficiently limiting and exquisitely inspiring.

Welcome tσ th!s εvσlving space … inspired by thε playful sp!rit of hai (meaning “fun” or unμsuΔl, like in haiku) …

I dig around thε edges t0 uneΔrth non-mμ§ic musics — sliding into nσ!§ε, glitch, chΔnce, Δ$MR, and σther soundwσrlds that feel oddly familiar in their oddity …

✨👂 L!§†εn cΔrεfu!l¥ … 👀 εxplσrε dεεpl¥ … 🎵💫

And for the full hΔlF unμ§uaL trεΔ†ment for your eyes Δs well as your εars, check σut the Yσutubε channel… ░▒▓█ ᵒ(≧▽≦)ᵒ ░▒▓█▒░

Thanks f0r joining thε journey! Your support kεeps this all afloat — HUGΣLY Δpprec!Δted 🙏🥰

(o≧▽≦)o ♪ ♪ ░░▒▓█▒░▒▒░▒▓█

Songs from the edge of somewhere. A place that doesn’t announce itself. You step in and can’t tell if you’ve walked into a protest, a party, or the end of something.

Conil’s music comes from the blues and from the life that followed it. A voice marked by the places it’s been.

People heard it early.
Danny Thompson said, “You don’t sound like anyone else.”
Tchad Blake still plays Strange Part of the Country.
Peter Green walked into the studio one afternoon and cut a track.

The record didn’t arrive with noise. It surfaced—four stars in Q Magazine, a Blues Matters cover, a single reaching number three on the U.S. Alternative Radio Chart.

The early years were England. Then came New Orleans, New York, Berlin, the Himalayas, Kilimanjaro.

The second album is close now. Marc Ribot on guitar. Danny Thompson’s final sessions. Tchad Blake in Wales.

Some things reveal themselves only at the end.

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

ohh trouver moi un moyen de cracker spotify sur ios svp

Diffusor_Naviarhaiku526

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