EASY TO BE HARD

En continu 
Hantayo ©2024
album unrealized... only for your ears

En continu

Mixed and arranged live.
Mastered in ableton and Izotope ozone.
Synths: Prophet Rev2
Roland JU 06a, Roland JD 08, Novation Bassstation.

Dol Fodha Na Grèine

My next guest for some Moments of Light 'n Darkness is none rather than SUNNY INSIDE from South Africa, also well known for his extraordinary podcast series DARK MENTAL DUB on hearthis.at ..! What a pleasure to have you on board, my dear brother! @user-781866092
He is putting a real emotional set on the table, with some experimental parts in the beginning what leads to weird  emotional stuff after, also some traditional drum patterns in it, what I really love and after all gives us some beautiful dubby vibes at the end. In my view this fantastic unique mix really hits the point!

What he is saying personally about this set:
"It's either we heal or get to express ourselves through music,Yes! 
I have what I would call (Peaceful Dub) since it's time of famine caused deliberately by the dirty gamers and the game itself , I have been meaning to keep my left turn since the whole world is going the same direction ... in short I have a contribution to make to MLD series hosted by my dear sister Kerstin a.k.a. Sai based in Germany -  it is a heartfelt dedication to the people of Palestine and the souls in heaven .. 
thank you so much for letting me be a visitor in your home (MLD) ,for allowing me to send prayer & not bunch of armies or anything like that .

peace to all mankind."

South Africa to me is another very important spot in this worldwide Dubtechno interaction. So many good releases come from there. And whenever I'm watching the posts on social media how people are celebrating this kind of music together I really feel that vibe!

#fuckoppression   #fuckapartheid  
#fuckallwars      #fuckthisgame #fuckhatespeech
#fuckignorance #onelove

MLD Guest Mix By Sunny Inside

Marco Lucchi, based in Modena, Italy, and Henrik Meierkord, based in Stockholm, Sweden, have a lengthy collaboration to their reciprocal credit, and they accomplish it far and near alike. A testament to the interplay of their work together is that a listener might be hard-pressed to discern which of their recordings are the result of long-distance file-trading, and which occurred when the two managed to be in the same place at the same time.

Several aspects of their respective music-making serve them well as creative partners. First of all, both tend toward the ambient, given as they are generally to a slow pace and to a sensibility that manages to be at once radiant and intimate. Secondly, while both are multi-instrumentalists, there is a complementary nature to their specialties, Lucchi being more of a keyboardist, Meierkord more of a string player. Thirdly, and perhaps most importantly, they are both immersed in techniques drawn from electronic music.

In particular, both men are experienced with live multitrack recording, in which they process and layer their own performances in real time. Meierkord is fond of layering sinuous tones to create scenarios of unique dimensions. It becomes uncertain — even unimportant — to the listener what preceded what, so intricate is his deployment of interplay. Lucchi likewise finds parallels between classical orchestration and the opportunity for drones lent by modern synthesizers; in a small room he can create a vast space. There is often an oceanic depth to such efforts, part composed and part improvisatory, in which playing is a tool toward composition, rather than the other way around.

Throughout their new record, there is an underlying melancholy, a nostalgic beauty, and a reflective consideration — a virtue that is foundational to their ongoing collaboration. The result is particularly rich in plaintive scene setting, as on the glacially paced “La bestia umana,” which emerges from a neighborly field recording of a dog barking, and “Kosmisk Strålning II,” which maintains a dream-like quietude, more shadow than light. One “Like tears in rain”, what sounds like a synthesizer is, in fact, a piano, a recording of which has been stretched beyond the point of it being readily identifiable.

On first listen, their leaning toward unimpeachable steadiness can seem uniform, but listen more closely and you’ll recognize how explicitly they emote on a track like “The Third Stage,” due not just to the reaching melodic surges (which, in turn, match the sampled recordings of bird calls) but to the slight discordances that suggest trouble and tension. In a different manner, there is “A warm and golden October,” which balances breaking-dawn hush with piercing overtones. That track features a motif at the end, played on a celesta; those bell-like tones edge the piece out of dreaminess without entirely breaking the spell.

The greatest outlier — dog barking notwithstanding — may be on “Oändlig,” not just for its fierce pulse, but because of its more immediately electronic vibe. “Oändlig” is an exceptional piece, bringing to mind the minimalism of Terry Riley and the rave classics of Underworld.

Marc Weidenbaum 


Produced and mixed by Marco Lucchi and Henrik Meierkord
Marco Lucchi: mellotron, piano, celesta and synthesizers
Henrik Meierkord: cello, viola, zither, piano, organ and FX
Mastered by Dionis Afonichev (Dionisaf)
Cover picture by Dionis Afonichev (Dionisaf) with AI
Artwork and cover design by Dionis Afonichev (Dionisaf)

https://www.chitrarecords.com

Lieder Ohne Worte

Furore Che Sogna

░░ first two hours of my xxxl dj set @ B 50.2  (Lavendelhoeve) ░░
private open air party (Sunday 24.09.2023 / 13:00 - 22:00)
🧡 thank you everyone for joining us and 🧡 Bart for trusting me to do this, and all the people / our friends involved
🛸www.wearetimetravelers.com
🛸www.instagram.com/_a_kowalski/

ALIENNA @ B 50.2 x WATT (Lavendelhoeve-BE) - first 2 hours of a 9 hours set

Thank you to Ohana and the Queerky team for having me!

Get into Transgression.fm
https://www.mixcloud.com/Transgression_FM/

Bristol's first queer radio station run by and for the LGBTQ+ community.
Our goal is to shine a spotlight on Bristol’s underground queer music scene.

Live
Wednesday 16:00 - 22:00 GMT
Thursday 17:00 - 22:00 GMT
Saturday 17:00 - 22:00 GMT

Instagram: transgression.fm

TRACKLIST
Kanye West - On Sight (Kian Sales Techno Edit)
Da Hool - Meet her at the love parade (RBX EDIT)
Kelela & KYRUH - Missed Call (KYRUH Remix)
6 SENSE - Brighta Dayz
Jaymie Silk - Crack Cocaine
1-800-RAZ - Big FAT ASS (Nicki Theme)
JOÃO LAGRIMA DE OURO - EMPURRA	
CRRDR  - Que Levante La Mano	
DJ g2g - PARTY HARD (feat. ZUTZUT)	
TDJ - Boom*3 (Let's Go!)
Gimela - Posthaste	
Bad Boombox - Get Ya Club On
BEYONCE - MY HOUSE (VON DI ENERGY EDIT)
Aleroj x Manchado - Guapachoso (Instrumental Mix)
PSL - DESAYUNO 
YKaY - London Bridge
REFORMIST - Get Down	
REFORMIST - GET YA' FREAK
Jonte' - Make Up
Inner City - Good Life (Mayday Club Mix)
benuebermensch  - CORONA MAKES ME LOSE MY BREATH
Chris Flannigan - Bounce It
CRUSH3d, SWIM - London Freeze
Madonna - What It Feels Like for a Girl (Above & Beyond Edit)

QUEERKY w/ HarliiHarleyHarlee for transgression.fm - 29.02.2024

Produced and Recorded By Delilah Holliday
Written By Delilah Holliday
Performed By Delilah Holliday
Recorded at Studio Sphinx in Egypt

Babylon

US-born, Stockholm-based minimalist artist and apprenticing organ tuner Kali Malone gave a special organ performance in TivoliVredenburg's Grote Zaal as opening of Le Guess Who? 2019. The performance was part of The Bug's curated program for the festival. 

We can now share two exceptionally beautiful pieces from the performance: 'Sacrificial Code' and 'Glory Canon III'. Both are deeply immersive and mesmerizing tracks, drawing in listeners with Kali Malone's well-known warmth and timelessness.

Captured on Thursday, 7 November 2019, at TivoliVredenburg's Grote Zaal during Le Guess Who? 2019.
Recorded and mixed by Marc Broer & Philip ten Brink.
Photography by Jelmer de Haas.

James Blake - What Was It You Said About Luck

Blue Corn