Really kool intro..nice british rock musical vibe

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Music by Yuval Ron
From Yuval Ron & Residents Of The Future - Futuristic Worlds Under Construction (2004)
Yuval Ron - Electric guitar
Ofir Shwartz - Keyboards
Yaniv Shalev - Bass
Yatziv Caspi - Drums

Bionic Rabbit Under Attack

"Prologue" is meant to govern the overarching theme of the story. Not only does it capture the style of music that will be definitive of this world, but it also evokes the raw emotions that the characters of this story hinge on: Loneliness, Hope, and fear; a juxtaposition of feelings that encapsulates how distraught and chaotic, but perhaps with a hint of beauty under the right light, this world really is. The events that have taken place are not the most noble, nor the most forgivable. 

Check out the blog post discussing "Prologue" more in-depth: http://goo.gl/ZRBiI6

Tales of the Forgotten is a cohesive audiovisual experience that assimilates music, illustration, and written story into one unified art form to provide something for everyone. Coming to Kickstarter in 2016!

Stay up to date:
www.talesoftheforgotten.net
www.facebook.com/talesoftheforgotten
www.twitter.com/totfproject

Prologue: Forgotten

Experience the episode how we envisioned it:
http://www.talesoftheforgotten.net/mystatusisliving

The first episode of Tales of the Forgotten, "My Status is Living" explores the relationship of Iris, a machinery expert, and Rin, a young and naive robot companion built by Iris. Fearing for herself and Rin, whom she thinks of as her own child, Iris struggles with knowing she must leave the Grey Wastes, a mega-scrapyard she's been a part of for many years, and find others in an unknown world.

Tales of the Forgotten [LORE SYNOPSIS]:

"2183. The machines had taken control. Human civilizations slowly fell during the 17 years prior. Forced into the shadows out of fear and total extinction, they slowly recouped their resources over the years, and eventually, struck back across the globe. Fooled by their own mindset of superiority, the empires of the machines began crumbling one by one, and man took back what was once theirs. By making a vow to abandon technologies, humans eventually returned to a more primitive lifestyle, a lifestyle that AI were no longer a part of.

Man was thriving once more. But what of the AI? And specifically, those of the original minority? The ones who sought for peace and harmony between races. Unfortunately, any effort to remedy the situation seemed futile; these creations were alone, scattered across the globe with no means of communication to the others who felt similar. Individually, each knew that there must be a way to regain the trust of humans and regress to the prosperity of coexistence, but the efforts of one would never make a difference. They had been forgotten not only by their own for not taking a stand, but also by their creators who deemed all AI to be a threat. All hope seemed lost. But determined, the brave would venture out of the shadows and into the very world that shattered all they once knew."

Episode II: Unexpected Guests

A Friend for Thought

Experience the episode how we envisioned it:
http://www.talesoftheforgotten.net/unexpectedguests

The second episode of Tales of the Forgotten, “Unexpected Guests” finds Aapo alone among an empty village and Rebourne Forest. After the pollution and downfall of civilization, Aapo is the only one left to nurture the ancient trees that can no longer sustain themselves. But when an unwelcomed group of humans arrives at the village, he has to decide which lives matter most: theirs, or the trees' to which he has dedicated his life's work.

Tales of the Forgotten [LORE SYNOPSIS]:

"2183. The machines had taken control. Human civilizations slowly fell during the 17 years prior. Forced into the shadows out of fear and total extinction, they slowly recouped their resources over the years, and eventually, struck back across the globe. Fooled by their own mindset of superiority, the empires of the machines began crumbling one by one, and man took back what was once theirs. By making a vow to abandon technologies, humans eventually returned to a more primitive lifestyle, a lifestyle that AI were no longer a part of.

Man was thriving once more. But what of the AI? And specifically, those of the original minority? The ones who sought for peace and harmony between races. Unfortunately, any effort to remedy the situation seemed futile; these creations were alone, scattered across the globe with no means of communication to the others who felt similar. Individually, each knew that there must be a way to regain the trust of humans and regress to the prosperity of coexistence, but the efforts of one would never make a difference. They had been forgotten not only by their own for not taking a stand, but also by their creators who deemed all AI to be a threat. All hope seemed lost. But determined, the brave would venture out of the shadows and into the very world that shattered all they once knew."

Aapo's Theme

Pre-order

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Yuval Ron & Residents Of The Future - 
Residence Of The Future (v1.1)

All tracks by Yuval Ron except for "Sayonara, Milkyway!" by Ofir Shwartz

Residents Of The Future:
Yuval Ron - Electric Guitar
Aviram Gottfried - Keyboards, Laptop
Yaniv Shalev - Bass
Yatziv Caspi - Drums

Vocals on "Prelude", "Postlude" and "Objects in the mirror are larger than they appear" by Dorin Mandelbaum

Cover photo by Maria Lloren
Artistic design by Ira Gofman

Produced by Yuval Ron
Recorded 2009 at Bardo Studios
Mixed 2009 by Gal Navon and Yuval Ron at Digihipi Studios
Remastered 2012 by Yuval Ron

Objects In The Mirror Are Larger Than They Appear

Yuval Ron &amp; Residents Of The Future - 
Residence Of The Future (v1.1)

All tracks by Yuval Ron except for "Sayonara, Milkyway!" by Ofir Shwartz

Residents Of The Future:
Yuval Ron - Electric Guitar
Aviram Gottfried - Keyboards, Laptop
Yaniv Shalev - Bass
Yatziv Caspi - Drums

Vocals on "Prelude", "Postlude" and "Objects in the mirror are larger than they appear" by Dorin Mandelbaum

Cover photo by Maria Lloren
Artistic design by Ira Gofman

Produced by Yuval Ron
Recorded 2009 at Bardo Studios
Mixed 2009 by Gal Navon and Yuval Ron at Digihipi Studios
Remastered 2012 by Yuval Ron

Long Distance Call

Instrumental: energetic fast-paced upbeat Rock song typical of the early 1960's British invasion music era in the U.K. Rock/Classic Rock/British Rock/Blues. 
WRITTEN, COMPOSED, PERFORMED, RECORDED, COPYRIGHT BY JOHN LOUGHLIN ; BMI PUBLISHING.

Essence of Rock and Blues

BRITISH INVASION SIXTIES STYLE

Buy on BandCamp !!!

I managed to record this beauty from Casa Pueblo Tulum Beach which I played from 1-5pm so people were mostly chilling on their sun beds, reading their books, sunbathing, swimming in the ocean, chatting and having fun. So thats why I choose to play another selector set without focused on transitions but to focus on the moods. As you might realised, lately I'm more into groovy music and prefer to play the music that feeds my soul and people that listen to it. I used to play heavy music that has no soul in it but I realised, that time is over. I'm hardly playing in clubs and also not prefer to play in them anyway. But if I'm booked to a club, I have groovy selections to make people dance for sure but not the usual way. I always liked to choose the hard way instead of easy one which mostly new DJs doing it right now like playing top 100 tracks from main music distributors. Like I said, I used to be in that position and I learned a lot from that period of practicing my skills and playing whatever popular that time. I feel, now I'm not bound to popular music anymore. I create my own popular sounds and play them to the specific environments and moods. I'm not going to play the same set in different settings, I will curate the mood for places that I connect and play accordingly.

So here is 4 hours of journey through time and space with music from 70s, 80s, 90s, 2000s and till this day.Hope you like this journey and I will be sharing more of these sets in these difficult times that the world is experiencing right now because music has healing benefits and thats the only thing we need right now!
Enjoy :)

Chilling On The Beach 2 @ Casa Pueblo Tulum

BORN FROM THE UNIVERSE

You've Changed  By Sucole & 6qsax

RHAPSODY  -   WITHOUT  YOU

Hi, I’m John, a professional music composer with an emphasis on Cinematic film/TV, Epic trailer and video gaming scores. I compose all popular genres, for music supervisors and stock production libraries. I also play rock, blues and jazz.
Thanks for listening! 
* All songs copyrighted. BMI.

BRITISH INVASION SIXTIES STYLE

John Loughlin | Composer

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