Exit Records is at forefront of electronic music, constantly pushing the envelope in terms of aesthetic and execution.
Label owner dBridge strikes a careful balance between releasing music that serves a purpose for dancers and thinkers alike. The roster of artists involved in the label is allowed express themselves as they see fit with only one stipulation; pushing the genre forward.
The Exit Records club nights are typically riotous affairs- they stand as a mix of the most cutting-edge music crossed with a firm eye on the dancefloor, from stages at festivals to residencies at clubs across the world, the events are known to sell out.
As the label enters its 15th year of existence a confidence in sound and direction has come to the fore and this is what cements Exit Records as a go-to label for those inside and out of the genre.

With all of his elaborate possessions – from jewels to cars and homes; his cash money making ventures- from music to videogames to shoes and clothing; Bryan “Birdman aka Baby” Williams is poised to continue shining in everything he does.  The New Orleans bred, Miami loving and living, artist slash entrepreneur, has spent over a decade perfecting his hustle and adjusting his swagger to the beat of his own drum. The mega-house that Birdman helped to build, alongside his brother Ronald “Slim” Williams, is known to legions of fans as Cash Money.  As they celebrate the tenth anniversary of the 45 million selling, gold and platinum plaque adorning, Cash Money Empire and reputation, the man with many nicknames unleashes his third solo effort, 5 Stunna, to hip-hop fans everywhere.

“My nicknames went with the time I put in with my music.  Five star stunna, that’s me doing me, just Bryan Williams, the stunna man.”   In preparation for his latest release, the Cash Money co-founder, CEO and platinum-plus star has kept busy. Having suffered loss and persevered to regain himself, Birdman spent the past two years performing with Cash Money signature superstar Lil Wayne. Fresh from their pairing Like Father, Like Son and the wildly successful single “Stuntin’ Like My Daddy,” Birdman is clear on whom he represents “we do our music for the people,” and the people kindly acknowledge him in return.

In his music as in life, Birdman injects himself fully into the mix at an aggressive, accelerated rate.  “When I do an album I want it to be me, my personality, my character, what I love, what I live for and I think in my music, that’s what I bring across,” explains the high ranking influential.   “I’m into cars, nice beautiful things, and I think on this album, I brought you along into my personal life.  I went into more depth about the things I’ve been through and our life experiences.”   The first single and video from 5 Stunna, “Pop Bottles” featuring Lil Wayne, sounds like classic Cash Money.  Reminiscent of the archives from the CM vault, time spent with the Hot Boyz and Big Tymers, the speeded up synthesizer that pounces like a southern bounce record, yet creeps in on the low, is contemporary, five-star quality.  When Birdman and Wayne crafted the lyrics for the track, they were doing what they do, toasting their recent success ‘poppin’ bottles.’   5 Stunna carefully weaves a cautionary tale not only from the perspective of its official G, but also from the perspective of the old man narrator from the Like Father, Like Son album.

I'm a Jazz pianist from NZ, currently living in Sydney, Australia.  follow me on instagram for videos and other random stuff!  @aaron_blakey_  https://aaronblakey.bandcamp.com/
youtube: aaron_blakey_    and proper recordings are out on SPOTIFY and APPLE MUSIC

"It should sound like this!"
The history of our group began in 2005, in the city of Toropets, with the appearance of our first electric guitars and a completely random acquaintance with each other.
We just loved metal and everything connected with it, it was the times of cassettes, fights for long hair and musical preferences.
At that time, we only mastered various techniques of playing the guitar and dreamed of cool equipment and universal recognition.
Listening to such teams as: Kreator, Soilwork, In flames, King diamond, Aria, Pantera, Megadeath, we puzzled over how they all play it, and how it all sounds cool,
but, we never wanted to imitate them or play something like that, we wanted to come up with our own style and direction in this huge musical variety.
 We took guitars and for many hours a day invented all sorts of reefs, transitions and all that is possible, if only it was difficult and unusual.
Our whole youth passed in an effort to create something of its own, something unusual.
During this period, hundreds of reefs and various topics were invented, which we already tried to record on tape recorders and the cheapest computer microphones,
A few years later and gradually moving to Moscow, we again took up the old, but completely different level of knowledge, the technique of the game and high-quality equipment. ... there were new guitars, cabinets, pedals, etc. ...
And so, on the eve of the new 2013, we again started writing a full-length material for our album, which we planned to release as early as the beginning of 2014, however, even then, we had no idea that it would take us much more time and energy. ...
And so, after years, we tried day by day to give music and rehearsals the lion's share of our time.
The most difficult stage, oddly enough, was the writing of the material itself.
Every time we threw out the reefs, which seemed to us not steep enough.
We told ourselves that while we ourselves will not be "rocked" from these reefs, we will never use them in our music.
We caught the very same feeling ... a shiver of reefs that can not be confused with anything else (musicians and music lovers will understand)
And, like that, day after day, overcoming domestic and other difficulties, we tried not to lose heart and went to the intended goal.
The second difficult stage in creating the album was mixing the recorded material.
It's difficult!
We clearly understood how all this should sound, but to achieve this was not an easy task!
And, again, we were guided by the principle of "inner sensations" from the sound of music.
It should sound like this!
... only by the end of 2017 we are ready to present to you what we got. Anyway - we like it, and, we are ready to show you what we got.
P.S. I would like to pay special attention to our relatives and friends who have always supported us and believed in us! Thank you!!!

www.mute.com

Mute was founded by Daniel Miller in 1978, and since then has signed and developed some of the world’s most influential recording artists – including Goldfrapp, Liars, Moby, M83, Erasure, Depeche Mode, Nick Cave & The Bad Seeds, Laibach, Yeasayer and Richard Hawley – and become home to a crop of emerging talent and recent signings such as Cold Specks, Polly Scattergood, Big Deal, Beth Jeans Houghton, Josh T. Pearson and Apparat.

Whilst maintaining a firmly eclectic roster, from the earliest days of The Normal, Fad Gadget and DAF through to the techno era with artists such as Plastikman / Richie Hawtin and Speedy J, and to the present day with electronic artists such as Diamond Version and Maps, the label has always been a champion of electronic music.

Mute is also home to the catalogue of a host of seminal artists such as Can and Cabaret Voltaire.

27 British producer based in Toronto, ON.
DM or E-Mail me for any enquiries regarding beats or collaborations.
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