Sky Juice are a songwriting duo and these are some of our latest compositions, from our Reggae project!
Sky Juice founder member Colin Carrington-land 
Is a writer, Composer,Musician and Producer with
Craig Sunderland, Bass player for King Pleasure & the Biscuit Boys. Craig is also Co-writer,composer,Musician, producer and Recording engineer for Sky Juice.
Although some of our songs are on Release!
They are also on offer for any third parties, who would like to reproduce them ect.
diverseproductions@live.co.uk

Albert Hera, an amazing jazzman specialized in solo and choral improvisation, could be described as a "Sound Teller": he has focused his artistic research on the study of traditional world music, with particular attention to vocal and choral practices. Using invented onomatopoeic languages he imitates and reproduce the traditional sounds and rhythms of nature, language and music of specific countries drawing suggestive pictures of those remote landscapes: his improvisations are able to evoke places, perfumes, flavours, dances and exotic people entwined in musical lines that tell ancestral stories and passions everyone could find himself in, far beyond the power of words. His incessant exploration, his strong root in jazz music and his amazing ability to interweave intriguing sound-tales leads to the creation of a new musical genre: the Epic Jazz.
His passion and need of going beyond formal restrictions leads him to a continuous deepening of voice possibilities. Since 2005 he has taken part to the Biennial International Conference of Phoniatrics and Voice Therapy "The Artistic Voice" and actively contributed to researches directed to a better understanding of the anatomy and function of vocal production, in collaboration with international experts as Dott. Franco Fussi, Alfonso Maccarini and Alfonso Borragan. Putting art to use in science, Hera continuously feeds his introspective and vocal research, attitude that makes his singing always dynamic and in constant, rapid evolution.
In reason of his great technical-stylistic competence and of his remarkable human and pedagogical sensitivity, he is considered one the most capable and reputed singing teacher in Italy. His clinics are highly required in Italy and, recently, also abroad.
In 2009 he collaborated with the renowned jazzman Bobby McFerrin to his project "Bobble", first presented at the Stimmen Festival. In 2010 he was again invited by McFerrin to sing in 4 of the 7 tracks included in his ambitious opera "VOCAbuLarieS", nominated to three Grammy Awards and winner of the Image Awards as best Word Music Album.
Thanks to this encounter he found a new artistic impulse. He was one of the first vocalists to carry in (and across) Italy CircleSongs workshops. He worked a lot to build a personal approach to this particular kind of artistic performance and he found in it a unique opportunity to combine his research, pedagogic and artist interests: vocal improvisation become a way to improve the singer's ability to explore the incredible range of voice possibilities and to increase his/her sense of control, not much drawing on external technical tips as on his/ her own emotional resources and on the simple, pure pleasure that comes from singing together.
So far Albert Hera has realized CircleSongs concerts in many Italian theatres, with great consent from both audience and critics: "... then, after the silence...", "Sentences" and "Silk Roads". Among his solo singer projects, one of the most relevant is "Simbiosi – tribute to Bobby McFerrin": a personal interpretation of some of McFerrin's musical compositions, performed with both humility and skilfulness, a performance rich of fascinating sonorities and drenched in a such love and passion that the mere research of technical perfection is exceeded.
He has personally produced two albums, "Positive Consciousness" (2005) and "AriA (2011). Other significant collaborations see him as special guest in the London a Cappella Festival 2012 (an event curated by the world-famous 5-time Grammy-winning vocal group the Swingle Singers and Ikon Arts Management) and as the only male singer invited to take part to the last project of the jazz pianist Diego Baiardi, "Bonne Nuit" (2012), next to artists of international importance such as Paolo Fresu, Antonello Salis, Tullio de Piscopo, Stefano Bagnoli, Andrea Dulbecco, Petra Magoni and Patrizia Laquidara.

Free Soda comprises Eamon Doyle and Peter Lauterborn, who began collaborating on music in Lauterborn’s makeshift bedroom studio in the fall of 2001, while both were juniors at a high school in San Francisco. "Before sophomore year," says Doyle, "neither of us had played an instrument more complex than the triangle. But it had been my boyhood dream to become a gawky, unrefined guitarist, and Peter had always wanted to be a bumbling, amateurish keyboard player. It was a match made in clueless heaven."

In 2004, after three years of finding their musical feet, the guys gave themselves a name, one chosen for its intimation of universal appeal: Who doesn't like free soda? Armed with a well-oiled drum machine and what the Welsh rock group Stereophonics called "just enough education to perform," they were ready to call themselves a band.

<i>Thirteen-Pack,</i> released in December 2007, represents the best of the duo's eclectic pop songcraft and DIY production. Lead track "Pants Are Pants" kicks off with a snarling garage-rock riff and a deadpan recollection of the horrors of middle-school mores, and in the rest of its 2:14 running time packs in frenetic keyboards, backward percussion, a stick-to-your-brain singsong chorus, and strategically placed lyrical allusions to King Missile and the Smashing Pumpkins.

Says Doyle of the song: "I wanted to write about my ongoing frustration with the myriad unwritten social rules that become apparent in sixth grade or so—about the unpleasant realization that if you're wearing the wrong pants or using the wrong vernacular or hanging out with the wrong people, you will be crucified—and having the common sense to see through all that superficiality and just say, 'Fuck it, pants are pants.' We apply the same pragmatism to our music. I can't imagine a more appropriate opener."

Next up is "Fireplace," a stark acoustic lament about the fear of skeletons in one's closet being discovered. "That particular brand of paranoia is all but universal," says Doyle. "It's ambiguous what the speaker in the song is so desperate to cover up, because whether it's a felony or just the bad poetry he wrote in high school, the panic is the same."

The disparateness of the love songs on <i>Thirteen-Pack</i> demonstrates Free Soda's disinclination to tread the same sonic or thematic ground twice. "Pomegranate" is a spirited anthem about the "sweet and complex" human equivalent of the titular fruit; "One and a Half Men" is a slow-burning romantic-betrayal tale with an explosive coda; and "Love and Math" is a droll nerd-rap punfest. "Even within the confines of the most conventional song subject," notes Lauterborn, "we can't help but mix it up. Repeating ourselves is just as boring as repeating someone else."

Two complementary songs compose the center of the album. The provocatively titled "I'm Not on Drugs" is neither pro- nor antidrug, but rather "about the altered state of chronic frustration," says Doyle. "During my second and third semesters of college, I was essentially a contemporary embodiment of the narrator of Green Day's 'Longview,' but with digital music instead of TV and root beer instead of weed. So I wrote this really introspective mini-epic to say, 'Hey, I can screw up my life on my own. I'm not into mind-altering substances, but I've become such a slacker, I might as well be.'"

Where "Drugs" is jagged, rambling, and angsty, "Nowhere, CA," its musical and autobiographical postscript, is smooth, efficient, and self-assured. "It's your classic 'I'm getting out of this town before it kills me' song," says Doyle. "The lyrics don't mention California, but I gave it that title because so many people who have never been to California romanticize it as some kind of carefree, neverending beach party, when in reality it has as many soul-deadening bump-on-a-log towns as any other state."

Then there's "Stung by a Bee," a demented folk ditty that combines Jack Johnsonesque strum-thwack guitar with dashes of banjo, egg shaker, and subtle gallows humor. "It's about a guy who's too stoic to really stand up for himself," says Doyle. "Any similarity to me is purely coincidental and unintentional."

In between stretches of recording and mixing, Lauterborn discovered Morgan Neiman, a local indie-pop artist who records under the name Ducky. Impressed by her songwriting and vocal skills, he invited her to complete a long-abandoned Free Soda track. The result is "Dear Boy," in which Ducky sings of a tremulous relationship over a rich soundscape of synth strings and jangly guitars. "Ducky brought amazing energy and enthusiasm to the project," says Lauterborn. "And boy, can she ever belt it out."

"Eleanor Please," an ominous piano ballad about a detrimental imbalance of power, also benefited from a guest appearance: that of Jack Piskorski, who joined the duo on lead guitar for their inaugural live performance and was subsequently invited to shred all over the song's protracted coda. "For someone who's so modest about his abilities, Jack has a great instinct for how to make a song five times better," says Lauterborn. "His contribution to 'Eleanor' was no exception."

The inclusion of a relentlessly snotty number called "Your New Album Sucks" at the end of Free Soda's debut album prompts the question: How can a couple of guys stringing songs together in a bedroom studio afford to be so preemptively cocky? But Doyle insists that the message isn't as straightforward as the title might lead listeners to assume: "In the bridge, I sing: 'I don't want you to grow or reinvent or explore / You're out of print, so take the hint / And just do what you did before.' Many devotees of popular music develop that sense of entitlement to immediate gratification. The song argues both sides of the issue, one explicitly, one implicitly. That said, it's a lot of fun to play, and hopefully a lot of fun to hear."

Re inventa, Re organiza, Re distribuye tres de las bases por las cuales se creo este proyecto, en donde el “Mash up” es el elemento principal que hace unir dos culturas diversas entre si en inimaginables composiciones musicales.
    Si algún testamento puede preciarse la cultura popular mexicana es la figura del ídolo de Matamoros. Rigo Tovar y su música dan testimonio de una cultura viva, que a ritmo de la cumbia y el sintetizador, juegan ¿acaso sin darse cuenta? con los imaginarios de nuestro pueblo. Testamento, la canción de Rigo Tovar es un desfile de todas las mujeres que a la fecha nos hacen bailar en el festín del machismo y el humor auténticamente popular. (Ramón Geronimo Olvera/Filósofo y copartícipe)
    Daft Punk por su parte es un ícono en la industria musical a nivel global por su distinguido "Toque francés", ha impresionado y ha sido un impulso para miles de músicos y no músicos a lo largo de los años, la canción "Da funk" por su composición musical y gran versatilidad en los BPM ha sido partícipe de una innumerable serie de Mash up, remix, re-fix, remasterización  etc... y en esta ocasión no se queda atrás, para bien o para mal esta es una interpretación de la reinterpretación, de la reinterpretación, de la reinterpretación etc.. que ha lo largo de los años se ha desarrollado, porque nada es "nuevo" sino innovado, porque la música no pertenece más al que la produce y/o interpreta sino al que la escucha, apropia y reproduce, por eso he decidido enviarle a mis amigos el Mash Up que hice para que ellos a su vez lo renovaran a su gusto y placer. Por ello este espacio está abierto para todo aquel que quiera hacer un remix de la canción, aquí será un foro abierto.
  (Perdonen si las canciones por ahora no están disponibles para descargar y tienen baja resolución, pero se espera que próximamente salga la compilación en un cd gratuito para su mayor y mejor distribución, si desean alguna solo pónganse en contacto y se las enviaré vivirenlamente@hotmail.com)
  Su amigo

  Acorde On
  
  Re invents, Re organizes, Re distributes three of the bases by which I am created east project, where the “Mash up” is the main element that makes to each other unite two diverse cultures in unimaginable musical compositions.
  If some testament can boast the Mexican popular culture it is the figure of the idol of Matamoros. Rigo Tovar and its music give testimony of an alive culture, that to rate of cumbia and the synth, play perhaps without realizing? with the imaginary ones of our town. "El Testamento", the song of Rigo Tovar is a parade of all the women who to the date make us dance in the feast of the masculinity and authentically popular humor. (Ramon Geronimo Olvera/ Philosopher and contributor)
  Daft Punk on the other hand is an icon in the musical industry at global level by his distinguished "French Touch" , it has made an impression and it been an impulse for thousands of nonmusical musicians and throughout the years, the song "Da Funk"  its musical composition and great versatility in the BPM has been contributor of an innumerable series of Mash up, remix, re-fix, remasterización etc… and in this occasion it does not remain back, for or or for evil this is an interpretation of the reinterpretación, the reinterpretación, the reinterpretación etc. that is long it of the years has been developed, because nothing is &quot; nuevo&quot; but innovated, because music does not belong more to the one it produces than it and/or it interprets but to which listening, adapts and reproduces, for that reason I have decided to send to my friendly the Mash to him Up that I did so that they as well renewed to their taste and pleasure. For that reason this space is open for all that one that wants to do remix of the song, here will be an open forum.
  (Sorry if the songs so far are not available to unload and have low resolution, but one hopes that next it leaves the compilation in a gratuitous CD for his major and better distribution, if they only wish some are put in contact and I am sent vivirenlamente@hotmail.com)
 
Your friend

  Acorde On

MDot, Ramotsho Ramokoka, by name is a talented producer/rapper from Soweto. He is the core and Executive Producer of Seventh Era. With a good and traceable record. His natural talent was pioneered by his never-ending passion for Hip Hop music which later developed into a desire for tapping into different fields of production. MDot is a genius of Seventh Era, alongside brother Lassie Ramokoka who masterminded the foundation of the empire with his musical prowess.  His passion for Hip Hop started at age 12,surrounded by a musically inspired family, as his interest was to spit more than rhymes. Furthermore, he was inspired when he was attending high school at St Endas secondary seeing kids rap during school  breaks. His first appearance  at Yfm was when he was 15 in 2002 at Lee Kasumba and Bad Boy T’s show. Which then became an Inspiration that led him to getting his first airplay in 2005.2006 Mdot went on to do performances which got him the credibility and earned him the coverage in Hype Magazine April /May issue.Due to disagreements with former group members his collaboration mixtape with C-Live of Club 808 and Raven MC was unsuccessful.

His biggest breakthrough was when he guest appeared in DJ Dino Bravo’s Mixtape Bravo Mania with a track called Umqomboti produced by D-Rex, in 2007 which was re-released in 2008. The song became a hit record in the album alongside many features from popular acts (Skwatta Kamp to mention a few). MDot came from the  Battle MC days where rappers had to earn their street credibility by slaying other contestants with their lyrical wordplay and shrewd metaphors so coming up wasn’t easy as he had to go through many big competitions known today hosted by great acts( MC Africa). 2009 he was invited to join the digital distribution hosted by CellC and Vodacom’s mubiox.mobiwhich later became  a rather unsuccessful campaign. Refusing to succumb to musical exploitation from major labels MDot turned down a proposal from D-rex and Kabelo of TKZ alongside the legendary Paragon and mighty DJ Fire currently at Soweto TV . MDot released various independent mixtapes namely,All Hell Breaks Loose Touch, Tytan,and M.O.Force(with former group members Devoted&ill);Crytical EffeQ;Jungle Of Intelligence ;Dicktators&Assasins ;10Bars;Success Vs Wisdom; One Man A Million Orchestras(theme music & project); Theory Of The Soul;TheTree of Life Project hosted by Pamela Weston , a popularly known humanitarian and Poet from Oaklands California. He also did countless number of appearances onnational and local radio shows hosted bypopular DJ’s and dropped jingles,written and unwritten freestyles.The most popular freestyle he did was in 2005 at the Harambe show hosted by AK Mgaga which earned him respect from Pro and Slikour who had been invited on that day

.MDot formerly known as M.O.Force to his Hip Hop peers was one of a few who shined alongside the Kwesta’s and the Reason’s that we know today, but his main interests where consciousness and awareness beyond glits and glamour. As a producer and rapper with good piano skills looking at his background and growing up in church, He also made a productive contribution  to Proverb’s  2 singles, Tryina Get It and Promode featuring Mode9 from Nigeria Produced by group member Raven MC which was on Proverb’s Writer’s Passage released in 2009.

As a multi-talented producer and rapper, MDot,together with brother Lassie “Laz” Ramokoka made a decision to be registered as a production label known as Seventh Era, which then enforced MDot to refrain from releasing any material.The company proceeded to be an administrator under Sheer publishing. Therefore, the longawaited official release of MDot’s Up Rising will be held back until further notice for the official release of self-titled project MDOT "MY DELIVERY ON TREK".

A.M. Eyes is: 
Victor M. Castañeda Jr. – Vox/Guitar/Keys/Programming
J.C. Jewett – Vox/Bass
William Hilburn - Drums

Quarter Life Crisis [EP] Available Now!

Welcome, from the boys of A.M. Eyes! We thank you for stopping by to get to know us a little better.

A.M. Eyes is an rock band based out of Tucson, AZ founded in late 2009 by Victor Castaneda, J.C. Jewett, and William Hilburn; all of whom have spent nearly a decade playing in the DIY band circuit. The band focuses on carefully crafted songwriting, injected with energy and positive inertia inspired by struggle.

However, A.M. Eyes is not just a band. It is an art project. In which, all the members have backgrounds in multiple fine arts. A project, that exists to integrate the many forms of art through different mediums and unite, inspire, and captivate as many individuals as they possibly can to constantly push the envelope and provoke profound thoughts and ideas. All the while, involving the community and their friends in every way possible, so the final creations take on a life of their own and are greater than the sum of their parts.

The band released their self-produced debut record “Quarter Life Crisis [EP]", in January 2012 at their CD Release party, which brought in 250+ people and was well received. This record is the first professional quality production any of the members have been a part of. It is a labor of love, offers casual and catchy complexity, and is intended to give the listener a glimpse at what the band is capable of creating.

Collectively, in their time as dedicated DIY musicians, they have shared the stage with big name bands such as Avenged Sevenfold, Haste The Day, Versus the Mirror, The Number 12 Looks Like You, The Bled, Boy Sets Fire, Scars of Tomorrow, The Fall of Troy, By Deaths Design, Halifax, The Sleeping, and The Higher. Additionally, they have experience playing venues in Tucson, Phoenix, Vegas, and other various areas in their region.

Since this band’s inception, they have shared the stage with Unwritten Law and The Ataris, in some of Tucson’s best venues. Their high energy, humor, and positive messages have earned them a sizable local following and the respect of venue owners and promoters.

The members of this band all have a background in multiple forms of fine arts. Given the right resources, the band plans to expand into an integrated art project, blending music, film, theater and art in unique ways to blur the lines and definitions of art in innovative and revolutionary ways. 

The sky is only the beginning…


Color Of Water was selected SOUNDCLOUDER OF THE DAY on November 4th, 2011. 

Thank you Soundcloud, and thanks to all the amazing people who have followed us since our selection.
We truly appreciate all the supportive comments left on our tracks, and are humbled by the appreciation shown to us.

We are ALL privileged to be a part of the movement toward oneness, that this site helps facilitate.

Color of Water is what I call this project, begun in early spring of 2011.
After years of searching for musicians who were unusually talented and creative,
I found craigslist of all places, yielded some exquisite diamonds within the coal pile.

I found a precious few who knew, what they were doing and where they were going.
When I surrendered my will to the universe, and allowed the right people to appear
when the timing was right, the results were most impressive.

We truly LISTEN to each other, and I believe this is what makes our music so unusual.

Together, we present these sound sculptures for the pleasure of your enjoyment.

.....COLOR OF WATER.............................

Water becomes what ever color it reflects back, or is influenced by.
From shallow to deep, the sea is pale turquoise, to deep midnight blue.

This elemental quality seems to aptly describe the compositional method we employ,
to generate sound waves resembling music.

To some, music must be structured around a predetermined set of rules and traditions,.
To me this seems rigid and unforgiving.

The music we make is essentially a clear medium, like water, that's tonally influenced
by the colors and textures we feel momentarily inspired to play, or "paint" with sounds.

Sometimes the music is dark and mysterious, other times intensely compelling, or light and whimsical.
It never allows us to know how it will sound. 
If I weren't recording everything we do, none of us would ever be able to recall what was played, or reproduce any of the music.

We each play our own musical instruments in real time, simultaneously, 
with NO rehearsal, or discussion of what's to be played. 

No do overs, nor overdubs, what you hear is exactly 
how it was transmitted to us, "out of thin air".

We have rejected the safety of familiarity, 
and "always being in control of the outcome", so prevalent in modern culture.

These pieces are all examples of our dedication to the music, and our subservience to a greater creative force,
accessible only with a willing heart, and a mind in alignment with the upward evolution of consciousness.

More simply put;

We empty ourselves of any need for control, and allow 
the sound that's always everywhere, to take over and PLAY US.

This may sound preposterous to some, 
and stream of consciousness thinking as it pertains to composing music,
can be difficult to teach as a technique to others. 
However...
The music is a testament to what's possible, if all players present can really listen to the others,
and augment just enough to make a balanced contribution, yet still allow the music to breathe.

The outcome is always determined by the musicians involved, their talent, experience, tastes in music,
and willingness to surrender ego and fear, for the betterment of the music.

The more accomplished and comfortable a player is with their instrument, the better the 
sonic channeling sounds.

However, even average players can amaze themselves with what's possible 
when they let go of the wheel, and allow intuition to guide their expression.

I have created a recording studio sanctuary, 
far from the mundane methodologies of musical mediocrity.

My goal is to somehow help enhance the way people listen; 
to the creative impulse, each other, and especially
the sonic frequencies they create as musicians,
and absorb as listeners.

And to co create music that quiets the mind and nourishes the spirit. 
Sound with no pretense, agenda, or offensive origins.

Those who find themselves invited to the studio, 
are always welcomed to express their individuality in any way they see fit.

The sounds created in an environment of total freedom can be quite breathtaking, 
and astonishingly articulate, in spite of their seemingly haphazard compositional nature.
 

THE MUSICIANS:

Michael Pennington; Drums, Percussion, Native Flute

Daniel Mullikin; Cello, Mandolin, Guitar, Bass, Banjo, Sitar, Sarangi

David Belzer; Piano and Synths

Zach Zarrow; Piano, Synths, Keyboards

Xitlalic Hernandez; Piano, Synths, Guitar

Studio, Engineering and Post Production; 
Michael Pennington, Lesser Pyramid Studio

Every session is professionally recorded, even sound checks, just as they happen.

We have diverse backgrounds, and yet find our common interests dwell within a totally in the moment,
free form stream of consciousness style of creating unique, not easily defined music.

Every note you hear is somehow channeled through us, 
in the moment it was received, and hasn't been altered
or adjusted to conform to ours, 
or anyone's idea of what music should sound like.

We are fearless explorers in mysterious realms, without limitations or self imposed boundaries.

The healing aspects of this activity can be heard and felt in a very visceral way.

If this method is approached with humility, 
It will widen narrow perspectives, and begin to heal the body, mind and spirit. 

Please relax, take a deep breath, and allow all the invigorating energies passing through our instruments 
to accumulate within your place of peace, be it internal or otherwise.

COLOR OF WATER

Frequencies of full spectrum sounds, that flow unhindered over real and imaginary topography. 

Created by finding the joy in abandonment, and the paths of least resistance.

Evolving through emotive environments that compel and inspire our ever awakening state.

This concept is welcomed within our hearts and musical expression, 
and has thus become manifest in these movements of sound.

We seek to refine and restore our connection to as many subtle and intricate qualities of sound as possible.

We invite any willing participants to travel with us on these sonic sojourns, 
through the deep, dark and distant, or shimmering, immediate, places they take us. 

I've heard it said, "we'd make great pets", and "the coming age is new".
But sometimes when your back is turned, the truth's in FRONT of you.

Thanks to all our families, friends, and followers for your support and for listening.

Thanks to Soundcloud for allowing it to happen.

Be good to each other.....

Always Everywhere,

Michael Pennington
Color of Water
1.1.2012


 


I always love music in all its elements, the feeling, the passion, the vibe that makes your skin collapse.
 
I am ThaRule and I make what I love, just music.
 
In 2002, he made his first appearance in the old clubs of Ribeira in Porto (Portugal) at only 16 years of age. Since then, the pleasure of deejaying grew and never stopped.
 
In 2004, he created his first original entitled "In the Glory of The Box" an electro version of the famous song "Glory Box" from English band Portishead, conducted with the participation of the producer Arcmak.
 
In 2005, he made his first deejaying performance abroad, in neighbouring Spain. In one of the hottest clubs that attracts huge Portuguese audiences, the Queen's Club in Vigo, going back there for several times in 2006. 
 
2006 was a great year professionally, becoming resident deejay in several clubs such as D'Ouro Club and Pharmag. 2007 brought new and positive changes to the portuguese DJ/producer, devoting his time to developing and improving his skills as a producer, playing sporadically in private parties and gigs.
 
2012 was his major return to the spotlight, performing in houses like Porto Villa Club, Auditório Club, Boulevard Club, D'Ouro Club, Anima-te Porto, Secrets Coffee, among many others.
 
Determined to further develop his career and take it to the next level, in September 2012, he moves to the UK to get his degree in Music Production and Artist Development, at the Bath SPA University and City of Bath College, in the World Heritage City of Bath.
 

''Have the opportunity to study in this great institution was one of the most gratifying thing that ever happen in my life! Mark Smithers was great and the Bath City College and Bath SPA University welcome me with open arms!, I am almost 2000 miles away from home, however I feel like I am home here, just love it!''
 

In 2013 the producer creates the event company Mar Productions UK, to promote Independent Artists create and manage events across England.
 
In December 2013, ThaRule released his first EP, "Beats Per Minute", with 3 tracks: "The Dark Side", "House of Dreams" and "Bristol Warrior", recorded at BA1 Records in Bath Tempa and Mar Recordings. The EP was released in the producer's website for free download until put for sale, in February 2014.
 
In the year of 2014, Paulo Frazão and Tim Wright began producing audio equipment by the name of TRL Signature, Luxury Racks for audio equipments, general components and equipments.
 
In the same year, ThaRule released his first portfolio in music production and special effects for TV, cinema, web design, radio, etc., which can be viewed in the website of the producer and in his Youtube channel.
May 2014 an second EP is released entitle Electric Sunset, with 4 tracks: ''Electrify ME!'', ''Deep thoughts'', ''Sunset'' and ''Electrify ME! - [Extended Version]''.
 
In 2015 the musician releases the EP - “Dreams” featuring the artist Mali Bone in the track Dreams. An Chill Out single, way different from everything else he ever made, however it is a track full of passion and energy.
 

“...It makes you dream while your awake, I can only expect great thing about it!”
 

The EP also features the tracks Tribal Revolution and the cover Roads from the band Portishead.


''...Roads was a great challenge, I don't regret any minute from the many hours spend on this track, Adrian Utley is a great producer and be able to reproduce this track was incredible!''

 In the end it is all about music and why it is made.

Synchrosome II : Ilya and Vanya
by Jacques Coulardeau
Kévin Thorez & NadXka
all rights reserved © 2014 , Released: April 4, 2014
This Love Pop Folk drama is targeting sonorous outlandishness through a vast quest for instruments, language and voices that bring together a surprising - if not even mind stirring - atmosphere, We are trying to capture and reproduce various emotions via music and the sounds of the English language that may be raucous and rough. The voice of the story teller is taking the audience in the most far-reaching pains of a soul, a mind and a heart at once.
We touch themes that are the depth of the heart when it suffers , the beauty of love when it breaks , the power of the heart when it is in love and the impossible pleasure of the heart when love is born, lives and finally dies, to perhaps be reborn.

Composed , performed and produced by Kévin Thorez - MTKX
Singers : NadXka & Kévin
Leader speaker & Lyrics : Jacques Coulardeau
Visual Art : Caroline Guille


Gilbert Edythe is following