Recorded in Modesto, Ca.  Featuring Gibson 335 Electric Guitar solo, Acoustic Piano solo. Alto Saxophone solo. Hammond Electric Organ B3 Background Rhythm. Gibson L5 Electric Guitar Rhythm. Fender Rhodes Electric Piano Rhythm. Fender Electric Bass. Roland Synthesizer Bass. Drums Acoustic Full Kit set. Percussion Tambourine, Zildlian 22" ride & Crash Cymbals.

Kick'n it

Easy Does it

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

If you use AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

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Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

FB https://www.facebook.com/profile.php?id=61580446084765

Hi, thanks for listening.

King Chico is a visionary songwriter, and multi-genre artist whose music defies boundaries. From sultry R&B and chart-ready pop to cinematic soundscapes, jazz, hip-hop, EDM, and lo-fi, every track is a world of its own. Each song tells a story; sometimes yours, sometimes his, always unforgettable. Listen and experience the sound of a one-of-one

Kraftkabel is the artist name of Philip I. Buckland. I am a musical scientist in a parallel universe living in a studio flat orbiting Jupiter. My keyboards are suspended in gravity nets, and my mixer is controlled by the power of the mind. My cosmic sequencing software masters through the power of emotion, and my keyboards are simultaneously both retro and new.
My music originates from the point of divergence of these universes - the mid-late 1980's, but is spliced by genre splicing interludes. I use a time machine and dimensional portal to get to work.
For the other nerds out there:
Hardware synths: 
Moog Subsequent 37; Roland Jupiter X, JD-Xi, VR-09, S-1; Korg Prologue, NTS-1, Monotron Duo; Sequential Take5; Yamaha DX7; Akai PRO MiniAK; Novation Mininova; Arturia MicroFreak; Modal SkulptsynthSE; Teenage Engineering PO-20.
Main software: Ableton, Arturia Analog Pro, InSidious, random free stuff from the interweb and Dexed to program the DX7. Audacity. All played through Arturia Keylab and Keystep (which has a better arpreggiator).
Plus some guitars that I can't really play very well. And an mbira, tin whistle and an alien head-shaped ukulele.

/ -.--.--. I AM LIVING PROOF  -- . .  -- . -- .. --  I AM LIVING PROOF -- . .  -- . -- .. --  I AM LIVING PROOF

Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
/
/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

This Page is Dedicated to the Songs + Artists I've Enjoyed on S.C.
Thank You 4 Filling my World with Music :)

Greetings.. Thanks for listening..Born in Holland, came to the US when I was 10 years old.. I've Been playing, composing, writing, arranging, recording, mixing, mastering, engineering, producing music of all genres..Playing electric guitar, Slide, Dobro, Nylon Guitar, Bass, Accordion, Flute, Keyboards, Piano, Organ, Synthesizer, Vibraphone, Harmonica, Drums & Percussion since I was 10 years old, self taught.. many different styles and genres to choose from. These songs are the representation of a lifetime's work! 
Superior recordings.. using the best Microphones, Neuman U-87's, Dynamic Microphones, Ribbon Mics, Shure SM-57 & SM-58, and a variety of dynamic and condenser microphones used in these recordings with today's latest software, Pro-Tools, Mastering Labs,  Reaper, Audacity and various hardware and software products from Germany, Australia, France, and various places from all over the globe. 48 Channel Mixing console, Various outboard effect units...Thank you for listening!

RhuneStar 3 write, record & produce their own music. Having been inspired by a diverse range of bands & artistes over the years, their music has resulted in an eclectic & sometimes interesting mix of styles & genres.  
 
RhuneStar 3 are :
*** *** *** *** *** 
Bev    
Vocals*Guitars*Keys 
Mick   
Guitars*Bass*Drums*Mandolin*Keys*Backing Vocals 
Martin  
Gibson Guitars*Backing Vocals 

(Check us out on Facebook/Youtube/Spotify/I-Tunes/Amazon)
  ** *** *** *** *** *** *** *** *** *** *** *** *** *** *** ***

Its been an effort to deliver the lyrics into various punk/ rock genres such as funk rock, psychedelic rock, dark rock, acoustic rock and post punk -garage- indie-rock genres.  Appreciation to all members and guests of Infinite Universes who provided their Stigma to the Music. 

Infinite Universes Post Punk formation:
Petros - Drums
Tolis - Bass
Bill Barek - Guitar
Christos - Vocals / Lyrics

Lyrics by Infinite Universes (Ragias Christos, Bill Barek)


Anny Zangana - Composition of 'Truth'
Babagau - Keys on Sad Recreation

Funk Rock I.U. 

Babis - Bass 
Bill Barek - Guitar
Zisis - Drums
Christos - Vocals (Lyrics)

Many thanks to all  friends who participated in the first dark psychedelic rock effort for Know your Tear.

Manos - Drums
Sakis - Bass
Bill Barek - Lead Guitar
Ntanos - Rythm Guitar
Christos - Vocals (Lyrics)

I hope you all enjoy these uploads! Some of those songs have the lyrics on description. Feel free to read them. I will appreciate this!

If you feel like reading more of our Lyrics you can visit also our Infinite Universes Facebook link.

I have to declare that it has been an amazing journey so far thanks to your belief and great support to our creations!

Keep on Rocking - Keep on Creating!
Christos Ragias

My new 🎹 piece is called … “The  S c h ü ß m a n n  Waltz”
                         

All music posted on this channel created & composed & played & arranged & produced in house by myself (Luke)

I’m a 🎶 writer / composer / musician / producer always creating & producing new Piano 🎹 arrangements / scores / themes / compositions / tracks from scratch ..
 
all my work is Original.. 
one of a kind …
played with old school instruments including my 100yr old upright piano & Yamaha keyboards 🎹 my old school skins 🥁 and trumpet 🎺 etc…
 
👉🏻NO Artificial Intelligence  aka A.i. 👈🏻

I don’t do Covers 
I’m to busy to Collaborate at this foreseeable time..

so stay tuned & check back weekly / monthly..

In between creating major  Piano & Symphonic music,
I like to wind down by creating quick “fun music” using “Found Sound “ & samples & loops & libraries along with a few bars from my piano / keyboard or synthesiz..
 (they are usually of a “ Trap “ genre) 

Use your headphones 🎧 to really experience my music layering to its fullest... 

Lastly..thank you for being a loyal fan supporting all my “experiments” and successes..

Luke 😊   Attention:👉🏻  Name change coming soon..
               from 👉🏻  Beats by Luke 
                    to 👉🏻  Luke H.  S c h ü ß m a n n

Recorded / mixed / Mastered by Luke 
a 🥶“Frosty - Nutz Production”🥶 🇨🇦 🇺🇸

Easy Does it

Frans Beelaard