this is pretty cool. vocals work well with the background

Awesome shredding and strong power 🤘🤘

Rock, New-Wave, Cold-Wave, mais façon moderne !

Nice groove and tones on the drums,  cool guitar mélodies and rich vocals.

You don't hear much talk box anymore. Dig it. Cool song 🤘🔥

Good sound and catchy mood. Well-performed vocals.

“Breakthru” has a great groove! Very well done!

Ladat’s Support Oct’25 vol.1

This track was recorded in 8 hours on a 4-track cassette recorder in October of 1984.

It was played on WLUP FM in Chicago on October 12, 1984 at 6:50 AM.
This was my first recording played on the radio.

RON SNYDER - The Flu Season Blues (Original 1984 Radio Version)

Skulls by The Misfits
by Glen Danzig

Corpses all hanging headless and limp
Bodies with no surprises
The blood drains down like the devil's rain
We'll bathe tonight

I want your skull
I need your skull

Demon I am and face I peel
See your skin turned inside out
'Cause I've gotta have you on my wall
Gotta have you on my wall, 'cause

I want your skull
I need your skull

Collect the heads of little girls, and
Put 'em on my wall
Hack the heads off little girls, and
Put 'em on my wall

I want your skull
I need your skull

Skulls (Misfits Cover)

Moroccan Dances (World Premiere) 
Music by Simon Alami  I. High Atlas the Majestic  
AMERICAN MODERN ENSEMBLE 
Erin Bodnar, conductor 
Lindsey Goodman, flute 
Tasha Warren Yehuda, clarinet 
Matthew Ward, percussion 
Geoffrey Burleson, piano 
Katherine Cheng, violin 
Dave Eggar, cello  

MOSTLY MODERN FESTIVAL Skidmore College, Arthur Zankel Music Hall Saratoga Springs, New York (USA) 6/7/2024  LINKS Festival: https://www.mostlymodernfestival.org 
Ensembles-In-Residence: https://mostlymodernfestival.org/ensembles-in-residence
Composer: https://sites.google.com/view/simonalamicomposer/
Recorded by Arts Laureate: https://www.artslaureate.com

Moroccan Dances - I High Atlas the Majestic (World Premiere)

Depuis la pandémie mondiale, plusieurs pays ont décidé de restreindre les sorties des citoyens pour les protéger du virus. Bonne idée ou mauvaise idée, là n’est pas le propos de la chanson. Le titre parle plutôt de ceux qui avaient déjà, ou qui ont maintenant de la difficulté à sortir de leur maison depuis cet évènement. Cela se nomme  le SYNDROME DE LA CABANE. Dans la chanson, une amie essaie de venir en aide à la personne qui a peur de sortir mais ne sait pas si ça va fonctionner.


Since the global pandemic, several countries have decided to restrict the exit of citizens to protect them from the virus. Good idea or bad idea, that’s not the point of the song. The title talks rather about those who had already, or who are now having difficulty leaving their house since this event. It is called the CABIN SYNDROME. In the song, a friend tries to help the person who is afraid of going out but doesn’t know if it will work.


Musiciennes et musiciens :
Marie-Christine Tremblay : vocal
Denis Caouette : paroles, musique & arrangements, guitares, back vocals et programmation.
Michel Otis : synthétiseur
Frank Corneau : Basse
Sébastien Savard : Violons
Jérôme Vandal : Batterie
Martin Larose (Studio Septentrio) : Réalisation



PHONOGRAPHE

Prison de Verre

Prison de verre

Southern Exposure

Hush Street Minneapolis

Summer's Done prod. mxtthxw x babieyummo

Pop Punk/ Rock
co-produced, mixed, mastered, and cover art by

@a7-recording-studio

www.a7recordingstudio.com

a7recordingstudio@gmail.com

When You're Gone

Well for starters, thanks for coming and checking out my music. This is a cover of the Aerosmith song "Mama Kin". Aerosmith was the first rock band I really got into as a kid. So it only seemed right that I record the song that was so good Steven Tyler (lead singer of Aerosmith) had it tattooed to his arm. I play all the instruments and do all the vocals on the song. I also do all the recording in my home studio. Lastly I would like to thank Damian on Fiverr for his great mixing skills.
Have a great day!

Mama Kin Cover

Breakthru

Sacred Time

Dad’s in rehab, we go to visit
We meet the people on his floor
Like we were locked in a car
Heading toward a cliff
When someone opened the door

There’s Lynyrd Skynyrd and Tapestry 
And the phonograph needle skips 
And there’s a handsome guy
In the patients’ lounge
With scars on his wrists

(Chorus:)
And we’re all here
Not a moment too soon
Trying to lean on each other 
In this room
And we’re all desperate
Just to know if it lasts 
Can we really escape
The hazards of the past?
There’s something
Death-defying
There’s something sublime
We just try to stay
In the moment
In this sacred time

Dad is smiling and everyone’s smiling
Haven’t seen that for a while
And when I look in the mirror
Age fifteen
I see his smile

And someone’s leaving
And someone’s coming
The little group evolves
We huddle over games and coffee
And firm resolves

(Chorus:)
And we’re all here
Not a moment too soon
Trying to lean on each other 
In this room
And we’re all desperate
Just to know if it lasts 
Can we really escape
The hazards of the past?
There’s something
Death defying
There’s something sublime
We just try to stay
In the moment
In this sacred time

(c) 2025 Darryl Wright. All rights reserved.

Sacred Time

Another Day

City By The River

Cool Kids Vanish

shadow-fox.mp3

AI Blues 1.1

Ladat, born Ladislav Tesar, is Litomerice (Czech republic) native, body and soul, who writes and composes his music in Chatel-St-Denis, Switzerland. Ladat is not a band in the true sense of the word, but rather a musical project that emerged in 2019 as an escape from reality, because things go better with music.

Ladat's musical odyssey defies conventional labels and freely blends elements of rock, folk, country, and jazz into a rich and genre-bending style that invites listeners to explore the diverse spectrum of influences that shape his emotional and diverse compositions.
As an experienced composer and lyricist, Ladat weaves stories that deeply resonate with audiences and offers a captivating and immersive musical experience, where each song is an expression of boundless passion, creativity, and an unapologetic celebration of musical diversity.

Since 2021, Ladat has been collaborating freely with the Slovenian A7 Recording Studio and musicians around guitarist and drummer Blaž Pavšič, such as Uroš Mohorič (guitar), Gregor Alič aka Hanson or Peter Beznec (bass), and singers Anton Premec, Kristina Jelić, Maja Štebih, Hana Pavšič or Oliver Neff aka Titanic Jack.

Breakthru

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