In the year 2000 the band Modular was formed, whose name was taken from the mythical Moog Modular analog synthesizer series (which was similar in appearance to a phone switch crossed by kilometers of cables that allowed the user to create infinite possibilities of electronic sounds of the space age). At the end of the 1960s and beginning of the 1970s albums featuring these synthesizers were produced in abundance, known as 'Moog Records' or 'Moog Music'. Soundscapes of retrofuturistic and fantastic feeling were created, sprinkled with kitsch touches. Modular recaptures the mixture of space age references with nostalgic sounds of the sixties, psychedelic pop, easy listening, 60.. and 70.. soundtracks, grooving bossa lounge, orchestral pop, sunshine pop and electronic vintage, among other styles. At the moment they are playing live in different festivals, as well as clubs in the city of Buenos Aires (Argentina) and other countries. You can know much more, watch videos, listen to sound samples by clicking into our website: www.modular.com.ar 


Outer Body Llama is a psychedelic power-pop band from Washington DC. 
Look for these official releases:
Sweet Trips
Lemon Rock Pie
Bad Kind
Easy From Now On
Outer Body Llama
Kickabout
Electric Child Freakshow
Eponymous Outtakes-20th Anniversary EP

Chemically Enhanced Music.&#x272a;  Experimentation with sound.

EDM / DUBSTEP / HOUSE / ELECTRONIC/ TECHNO / GLITCH / VOCALS

need a drummer and pianist to my psych band

DeepBrianFromBosis is the project by Nick (Noitrik) and Alex (D.O.D),
in 2004 they started Djing and producing using live synths,drum machines and samplers,then in late 2005 laptops were used to create the music aiming to make dark/deep psychedelic.
They played their 1st live set in November 2006,since then have been playing in many countries accross europe like : Italy, Spain, France, Holland, Germany, Slovakia, Portugal,
Lithuania.....
Their 1st released track was with Peak Records on the comp Epeakurean in Dec 2008 (The Thickens Plot), then appearing on Phar-Psyde Records on New Front Ears in 2009 with the track"Un-easy",then with Sacred Media on Missing Pieces Of The Puzzle (Sensitized),in 2010 with Wonkay records on Poodle Scum(Irregular Regularities)in 2012 with Temple Twisters (Depth Deception) and upcoming with Alice-D records (Fickle Fandango)and currently working on their album.more clips to be uploaded soon  : )

Brighton based 2econd Class Citizen makes folk music for the digital age. Sometimes psychedelic, often complex and always moving, his sound is hard to define but easy to fall in love with. 

With a series of critically acclaimed releases garnering praise from luminaries such as Ninja Tune legend DJ Food (who went so far as to invite him to collaborate on a track for his own album),  2econd Class Citizen’s music has long been astounding listeners in all corners of the globe. Cementing the affection of his loyal following through frequent European Tours and remixes for artists such as The Herbaliser, Dj Food & Dday One. His new record A Hall of Mirrors, on Dday One’s US label Content Records, is his most accomplished music to date… 

Produced and recorded in the disparate locations of his hometown of Brighton (UK) and Innsbruck (Austria), it features collaborations with a succession of underground heroes such as Mykah 9 (Freestyle Fellowship),  Canadian singer Graciellita and Bobbie Watson from psych folk legends Comus. In addition it features an array of talented Austrian and Uk musicians on Piano, Cello, Violin and guitar… 
The album builds on his trademark sound - lush instrumentation, dusty break-beats and shimmering melodies that veer from ethereal to menacing with surprising deftness. 

A Hall of Mirrors is the latest instalment in a distinguished career spanning over a decade. Highlights include his astonishing debut album A World Without, released on DJ Scientist’s Equinox Records (Berlin) featuring singer/songwriter Ceschi Ramos from the US and rapper/wordsmith James Reindeer. A Gate-fold 12” vinyl release of his second album The Small Minority followed, and an array of EP’s, limited edition vinyl postcards and digital releases such as his ongoing “Old Folk Wine” series of psych-folk re edits. 

In his live sets 2econd Class Citizen recreates the complexity and depth of orchestration he has become known for, using sound editing software, live drumming and scratching to keep a strong improvisational aspect, and often embellishing performances with the introduction of guest musicians and vocalists. 

In addition to frequent European Tours with the likes of Ceschi, Glen Porter & Buddy Peace he has performed at festivals including Glastonbury and Soundwave (Croatia), sharing stages with the likes of Hidden Orchestra, Buck 65, B Dolan, Dj Food, Loka, Dosh, The Q4, Gong and many more.


With a ‘revolutionary voice’ (Il Messagero), ‘an extensive vocal range’ (Le Figaro) ’marked by intelligence and taste’ (New York Times), ‘an interpreters knowledge that amazes’ (Corriere della Sera),  ‘exquisite timbre, polished musicality and sweetness of emission’ (Le Monde de la Musique),  this is a voice, 'superbly produced in every facet' with its sound coming "directly from the heart" (The Australian). Combined with her ‘obvious humanity’ (The Age), Markella Hatziano, 'authoritative of voice and of dramatic presence’ (La Repubblica) is unequivocally a ‘star of dazzlingly bright magnitude’ (Daily Telegraph)

Markella Hatziano made her professional operatic debut at the National Opera of Greece at the age of 23 singing Eboli in Don Carlos. She debuted on the international stage at the Opera Company of Boston singing Suzuki in Madama Butterfly, Neris in Medée, Amneris in Aida and Azucena in Il Trovatore.

She achieved international recognition in December of 1993 when she stepped in at the last minute to sing the gargantuan role of Didon in Les Troyens in concert performances with the London Symphony Orchestra and Sir Colin Davis. “On this evening a star was surely born” Opera Magazine.

She has been singing her core dramatic mezzo repertoire of Dalila, Amneris, Eboli, Azucena, Didon, Marguerite, Charlotte, Santuzza and Judith with opera houses including the Liceu in Barcelona, Teatro Real in Madrid, Teatro Colón in Buenos Aires, Covent Garden, Teatro alla Scala, Salzburg Festival, San Francisco Opera, Baltimore Opera, Opera Company of Boston, Bayerische Staatsoper, Trieste, Deutsche Staatsoper, New Israeli Opera, Teatro Sao Carlos in Lisbon, Norwegian Opera, the Festival de Radio France in Montpelier and Maggio Musicale Fiorentino.

With her core concert repertoire of Verdi, Chausson, Ravel, Berlioz, Beethoven and Mahler, she is appearing with virtually every major symphony orchestra, including the Chicago Symphony Orchestra, the Vienna Philharmonic, the Cleveland Orchestra, the Los Angeles Philharmonic, the Boston Symphony Orchestra, the New York Philharmonic, the London Symphony Orchestra, Orchestre de Paris, the BBC Symphony Orchestra, BBC Symphony Orchestra of Wales, Mozarteum Salzburg Orchestra, Royal Philharmonic, Philharmonia Orchestra, and Oslo Philharmonic.

Markella Hatziano’s discography includes the Verdi Requiem with the London Symphony Orchestra: Gramophone Magazine “The best of the quartet is undoubtedly Hatziano who, in her first major recording, fulfills all the hopes one has for her, singing with firm tone, warm, well-schooled style, no mannerisms – her ‘Liber Scriptus’ cannot be faulted”.

Her recording of the Macbeth of Ernst Bloch with the Orchestre de Montpelier was awarded the Grand Prix de l’Académia Charles Cros.

She collaborates with great conductors including, Zubin Mehta, Mariss Jansons, Bernard Haitink, Christoph von Dóhnanyi, Seiji Ozawa, Kent Nagano, Sir Colin Davis, Esa-Pekka Salonen, Claudio Scimone, Jacques Delacote, Michel Gielen, Michel Plasson, Andrew Davis, and Semyon Bychkov.

"The most beautiful aria of the evening came from Markella Hatziano, singing Neris's 'Ah, nos peines seront communes.' The purity of her voice, profound grief, and introspective thought it communicated were most affecting" Christian Science Monitor
 
“The evening’s finest singing came from the the Dalila of Markella Hatziano...Hatziano created a long, elegant line with a velvety tone...she unveiled an instrument of considerable size - one that reached big climaxes without a hint of strain, that was filled with feeling and that was compellingly seductive.” Baltimore Sun
 
“ a bright-colored but substantial mezzo of attractive quality, the registers well blended...singing with seduces Samson (and us!) with sunny charm, good command of legato and ready use of caressing mezza voce of a sort nowadays seldom heard in this, or any other ‘international’ house. A real treat!” Opera
 
“Markella Hatziano, a statuesque Dido, was magnificent, with a voice of sumptuous richness and steely strength, focused extremely accurately...She looked like the Queen of Carthage as Jacques Louis David might have painted her.” The Independent
 
“ In lustrous, forwardly emitted, amply voiced, beautiful tones and with a powerful feeling for phrases and words, she sang with grandeur in the civic scenes, with delicacy in the love scenes, finally with noble anger, passion, and despair.” The Observer
 
“Markella Hatziano combined openhearted expression with a startlingly radiant voice.” Montreal Gazette
 
“...This voice is superbly produced in every facet and its sound comes directly from the heart...She caresses her music with such warmth that even though the language might be foreign to the audience, the meaning comes through loud and clear...Through 13 splendid songs by Franz Liszt, she overcame the composer’s penchant for keyboard dominace - a showman-like performance by Steven Larson - to deliver a beautifully rounded collection, highlighting in works such as Der du von dem Himmel bist, the gypsy rhythms of Die drei Zigeuner, and a powerful conclusion in Die Macht der Musik... Her carefully measured mezzo easily filled the concert hall, even when the intimacy of her performance demanded a mezza vode, while her grandest moments on high were never out of focus or character.” The Australian
 
“Deep and dignified of voice, she makes a Dalila who is regally self-composed, confident of getting Samson’s locks wound round her little finger... the sound is grand, unhurried, rich in color...” Financial Times
 
“Markella Hatziano is a formidable Dalila, her lustrous mezzo meshing vengeance and desire with a firm line of gleaming tone. Mon coeur s’ouvre a ta voix had an irresistible sumptuous appeal. She acts with a smouldering economy.” The Stage
 
“The best of the quartet is undoubtedly Hatziano who, in her first major recording, fulfills all the hopes one has for her, singing with firm tone, warm well-schooled style, no mannerisms - her “Liber scriptus” cannot be faulted.” Gramophone
 
“...she cultivated long, languid phrases that were marked by intelligence and taste.” New York Times
 
“...splendid singing, a gleam hidden within the velvet... Her innate musicianship loomed over anyone the Met has offered in years.” Boston Phoenix
 
“Amneris was sung flawlessly by the alluring Markella Hatziano...not enough can be said about Hatziano;s performance, voluptuous voice, movements, acting” Boston South Look
 
“Among the soloists, Markella Hatziano stands out for her rich, refulgent singing.” The Daily Telegraph
 
“Authoritative of voice and of dramatic presence”  La Repubblica
 
“Grand interpreter, Markella Hatziano, her realizations perfection, also with the gestures, realized wholly the vision of the figuration of Wilson.” La Repubblica
 
“Markella Hatziano brought tears to everyone’s eyes.” Evening Standard
 
“The Greek soprano Markella Hatziano as Dido had a heartfelt and truly imperious eloquence.” The Times
 
“...we gasped at the gleaming voice of Markella Hatziano.” The Times
 
“The storming ovation which overwhelmed her at the end left no doubt that this audience was acclaiming a star of dazzlingly bright magnitude. As imperiou and benevolent queen, infatuated lover and tragic heroine, she encompassed every aspect of the role with singing that was thrilling, moving and profoundly musical.” The Sunday Telegraph
 
“Hatziano’s glorious line and flowing projection contrasted still concentration and admirable dynamic control with demanding extremes of vocal resources.” The Herald Sun
 
“It will be some time before I forget Hatziano’s subtle and affectingly gentle singing in music that needs an artist with her exemplary tact, insight and obvious humanity to bring out its innate beauty.” The Age 
 
“Pure beauty when she really sings...the high notes came forth round and brilliant, free of too much pressure on the voice...Applause started timidly then turned into a storm.” O Globo (Rio de Janeiro)
 
“No one has heard a voice of such richness, fullness and beauty of timbre in this role in at least 30 years...the qualities of voice and spirit no one can learn the Creator has lavished on her in abundant plenty.” Boston Globe
 
“The opera belonged to the Judith of the young Greek mezzo Markella Hatziano who brought meaning to every word and caught the restlessness of the character’s searching for her husband’s past. Her tone is lustrous and even throughout its range; she phrases musically.” The Times
 
“The title roles were most engagingly sung..The Greek mezzo’s healthy, firm, youthful tone is exciting in itself...two absolutely spiffing B flats...ideally even in spread...Her stage manner is also healthy...singing so assured and smooth...her forthcoming Amnerises are awaited with impatience.” The Times
 
“She has a formidable chest register and is not afraid to exploit it to the full, arms akimbo like an energetic copper on point-duty. It recalls the extrovert singing of Cossotto and Gorr; nothing wrong with that...an Eboli from Hatziano in Don Carlos could be exciting.” The Times
 
“purity of line and flawless technique” La Provincia
 
“Markella Hatziano shines above the rest - the ‘Lux Aeterna’ is the high point in this whole recording” Hi-Fi News
 
“magnificent and generous voice whose timbre is robust, but whose texture is velvety” Ambito Financiero
 
Markella Hatziano, a voice that unites in the richness of her registers and her exquisite timbre a maturity and an interpreters knowledge that amazed us.” Corriere della Sera
 
“...Markella Hatziano sang breathtakingly” Rheinische Post
 
“exquisite timbre, polished musicality and sweetness of emission” Le Monde de la Musique
 
“the velvety and revolutionary voice of the great Greek mezzo Markella Hatziano” Messaggero del Lunedi
 
“of the highest class, the Marguerite of Markella Hatziano, who fascinated us with the roundness of emission, the apparent ease of domination over the texture, and most of all with the truth of song that seems to flow incessantly, without pause, and like magic” “...Markella Hatziano sang breathtakingly” Il Piccolo
 
“an artist of undeniable notoriety” La Nacion
 
“Markella Hatziano commanded respect for her vocal color, her extension of register, and suppleness in her dynamic shades” Corriere Della Serra
 
“Markella Hatziano is a magnificent mezzo, with an extensive vocal range, that displays a beautiful homogeneity throughout the tessitura with the low sonorities and the piercing trebles. Moreover, her phrasing is impeccable.” Le Figaro
 
“The Greek mezzo-soprano Markella Hatziano accomplished a remarkable task in her performances, convincing as much for her vocal gifts as for her precise interpretative work. An artist of undeniable notoriety. She obtained a resonant success with La Mort de Cleopatre which offered her an opportunity to display her great vocal abilities and her astounding temperament.” La Nacion
 
“Markella Hatziano realized her part irreproachably with an immaculate luxuriant voice.” Kleine Zeitung
 
“Markella Hatziano sant the Judith with considerable power of voice.” Süddeutsche Zeitung
 
“... outstanding performance” Wiener Zeitung
 
“fiery temperament” Los Angeles Times
 
“...there was fine singing from the Greek Amneris Markella Hatziano, whose rich, resonant voice did much to fill out her generous performance: certainly, a singer to watch.” Opera Now
 
“Markella Hatziano sings Lady Macbeth with rich mezzo tone and an understatement which is chilling." Classics Today
 
“Markella Hatziano and Rene Pape, the evening's mezzo-soprano and bass, were strong presences." New York Times
 
“Markella Hatziano was again a dream of a Suzuki." Boston Globe
 
"From Greece, a new Callas?" London Daily Mail
“on this evening a star was surely born.” ~Opera Magazine

Booking: nicorus81@gmail.com

Promo and Press please at : nicorus81@gmail.com


NEXT GIGS:

10.10.25 Renate BLN (TBC)
15.08.25 Stroboklo @ Bucht der Träumer Festival 
10.08.25 Shlomsen Bday @ Sisyphos Tunnel <3

PAST:

21.06.25 - Fête de la musique (Nahrendorf-Wendland)
31.05.25 - Somewhere on the Water in Neu Darchau at Kulturelle Landpartie (Wendland)
29.05.25 - Somewhere on the Water between Hamburg and Neu Darchau
09.05.25 - Südpol HH
18.04.25 - Sisyphos Dampfer (BLN)
07.02.25 Four Play Main Floor Opening @ Kit Kat (BLN)
06.02.25 Doron Bday party @ Süss war gestern (BLN)
01.02.25 Südpol expedition (HH)
05.10.24 - SISYPHOS Dampfer Frühstück set before Shlomsen. 
28.09.24 - Beat Boutique (Hamburg) 
13.07.24 - Festival DAWA @ Labastide de Sérou (Ariège, France)
21.06.24 - Fête de la musique @ Nahrenforf (Wendland)
25.05.24 - Sisyphos Dampfer (BLN) 
18.05.24 - Klp (Neu Darchau) 
17.05.24 - Kulturelle Landpartie @ Gledeberg (Wendland)
16.05.24 - Yuna Ep release party on digital diamonds @ Renate (Berlin)
11.05.24 - Hai in den Mai Festival (NRW)
05.04 - Chill Up @ Kho Phangan (Thailand)
30.03.24 Room service @ Kho Phangan (Thailand)
27.03.24 - OXA Beach @ Kho Phangan (Thailand) 
05.10.23 Süss war gestern (BLN)
02.10.23 Tangsehler Hoffest (Niedersachsen)
30.09.23 Secret Location (BLN)
09.09.23 Sisyphos Dampfer
21.06.23 Fête de la musique@Nahrenforf (Wendland)
17.06.23 textures@secret place (BLN) 
19.05.23 B2B Shlomsen @ Sisyphos Hammer Halle (BLN)
28.04.23 Seawatch@Hafenklang (HH)
15.04.23 Birgit & Bier (BLN)
15.04.23 Golden Gate (BLN)
13.04.23 Wilde Renate (BLN)
11.03.23 Sisyphos Dämpfer (BLN)
09.03.23 Süss war gestern (BLN)
20.01.23 Beatboutique (HH)
25.11.22 Frau Holle (HH)
01.10.22 Bassportation 10th Birthday (ULM)
24.09.22 TBA Keller revival (BLN)
24.09.22 Ritterbutzke (BLN)
17.09.22 Sisyphos Strand (BLN)
10.09.22 Birgit und Bier (BLN)
20.08.22 Somewhere in Ardèche (FR-07)Mr Zag Zag Bday <3
09.07.22 Sisyphos Dampfer (BLN)
24.06.22 Birgit & Bier (BLN)
21.06.22 Fête de la musique (Wendland)
27.05.22 Südpol (HH)
14.05.22 Sisyphos Hammahalle (BLN)


Please check my Releases on:
Spotify: https://open.spotify.com/artist/5xJn1rkhl5FYOmqa23I4Bg
Beatport: http://www.beatport.com/artist/nicorus/344229
Bandcamp: https://nicorus-music.bandcamp.com

BIO:

Music, a living part of culture, thrives through skilled DJs who go beyond beat matching. A great DJ weaves a narrative, transporting you to uncharted realms. Nicorus, hailing from Occitanie, France, immersed himself in alternative sounds before the electronic era. From Punk to Dub, Hip Hop to electronic music, he evolved as a versatile creator.

Nicorus, driven by a passion for diverse sounds, transitioned to Berlin, the epicenter of electronic landscapes. His unique blend of Techno, Tech House, Astro Techno, Deep, Progressive, and Worldscapes caught Berlin's attention, earning him a place in renowned clubs like Sisyphos, Watergate, Ritterbutzke, Kater Blau, Kit Kat and festivals like Fusion festival.

Notably, Nicorus has showcased his musical prowess on the international stage. His sets resonate across borders, from Copenhagen Distortion Festival in Denmark to Israel's Purim celebration, and France's Château Perché.

As a respected artist, DJ, and producer, Nicorus navigates the global stage with releases and remixes featuring artists like Patrik Berg, Groj and Mononoid and shared the stage with Perfect Stranger, Ryan Davis, Dominik Eulberg and Popof to name a few of them. His sets are a journey, from powerful Techno beats to dreamy, psychedelic vibes. Close your eyes and savour the sound. 🌍🎶

ॐ open for bookings in Europe:
- djtranonica@yahoo.de
- https://www.facebook.com/john.heck3
- http://www.sun-department-records.de/booking-contact/

Tranonica is a project that is growing steadily. An ever evolving musician with a great passion in electronic music

ॐ My Music: 
- Psytrance
- Ambient

ॐ Info:

Tranonica has an incredible wide spectrum of Trance music with an atmosphere of levitating and mysterious depth that perfectly introduces the listener into a blissful state of mind. Perfectly balanced between reality and dream, giving you a choice on which side you want to stay. He tells us his musical story written by notes and emotions. However, his journeys are not only flying on a cloud in the blue sky and several of its stages also contains some solid collisions with a wall of juicy, hypnotic and high-octane Psytrance flow speeding like a train, programmed to put every dancefloor of this world on fire.

Known for dramatic performances as well as subtle, varied recordings, Seattle experimental rock ensemble Midday Veil combines otherworldly vocals and cosmic synths with driving, hypnotic rock grooves to produce music that rewards careful listening and defies easy categorization.

The band began in 2008 as a collaboration between Emily Pothast, a vocalist and songwriter who earned an MFA in visual art from the University of Washington before turning her attention to music, and David Golightly, a classically trained pianist whose studies in composition and electronic music included courses led by Karlheinz Stockhausen in Kuerten, Germany. In early 2009, Midday Veil's sound was catalyzed by the addition of Timm Mason, a prolific multi-instrumentalist obsessed with modular synthesis, musique concrète and Middle Eastern guitar tones. In 2011, the band added Jayson Kochan on bass, additional guitar and electronics and Sam Yoder on percussion. Rhythmic duties are currently on the shoulders of Garrett Moore, who replaced original drummer Chris Pollina in 2012, following the recording of The Current.

Midday Veil's 2010 debut studio album Eyes All Around garnered high praise from a handful of tastemakers, however the band's ecstatic improvised cassette releases Subterranean Ritual II (2011) and INTEGRATRON (2012)—recorded in an acoustically perfect wooden dome built with "extraterrestrial guidance" on a magnetic vortex in the Mojave desert—created deep ripples in the experimental underground. 

Produced by Seattle luminary Randall Dunn and featuring original artwork by Robert Beatty, Midday Veil's follow-up studio LP The Current (2013) harnesses the experimental intensity of these improvised releases with a return to the arena of songcraft. The Current found its way onto a number of year-end lists, including a mention by The Wire as one of the top 15 avant-rock albums of 2013.

The band is currently putting finishing touches on a new studio album, recorded with Randall Dunn and due out in 2015.

A strong live act, Midday Veil has toured the US regularly since 2009, notably opening for krautrock legends Faust on a Northwest tour in 2012. The band's festival appearances have included SXSW, Bumbershoot, 35 Denton, Treefort Festival, Hypnotikon Festival and LA Psych Fest.

"Midday Veil consistently produces some of the best experimental psychedelic music I've ever heard, always bending genres and minds at the same time."
-Hammer Smashed Sound

"Sensual and mystical...the rhythms of a world gone completely mad for all the right reasons."
-Tiny Mix Tapes

"mind expansion rarely is this sexy."
-The Stranger 

Sharon Milo is following