Dance For Me Now

EVERY TINY THING IS RELATED

Austin's Not Gone Cake

HE IS OKAY IN THREATENING PLACES

WORLD SCARES, SUNSET RETURNS

MAD MINDS RIDING AGAIN

The crazy are the people who try to quarrel the nations.

All tracks from this playlist will be sent to rotation on our radio http://mitota.club
☀ About it: http://stopcran.ru/blog/2022-04-27-243 ☀ Thanks for sharing!

The new issue of Meticulous Midgets Magazine 2022 is ready:
https://meticulousmidgets.bandcamp.com/album/meticulous-midgets-2022

HIT-PARADE: all №1 (april 2022) & MM news

August friends

April Friends

Torn

Would you chop down the forest
would you freeze the bog
would you sell the sun

Recorded  and mixed by Darren Flynn
Drums Steve O'Keeffe (https://www.bluesconfidential.com 
Blues Confidential/The Pale) 
bass guitar Bernard Byrne (The Pale)
Lead vocals. guitar, art Suzanne Ledwith
Information about fairy/ringforts and why I prefer them to a new road.
www.rte.ie/brainstorm/2021/072…ions-rural-ireland/
Halloween link: https://www.rte.ie/brainstorm/2020/1020/1172649-irelands-gate-to-hell-oweynagat-roscommon-otherworld-halloween-folklore/

Change of Address

Money Mad

"You’ll own nothing And you’ll be happy EP" already available for preorder download on Bandcamp.
Although most of the tracks will be posted on Soundcloud, you have the option to support the artist with a cup of coffee or a lager. I assure you I'll drink it:

https://sugaarpan.bandcamp.com/

From July on, available on Spotify, Apple Music, Youtube, etc.

2nd Track from "You’ll own nothing And you’ll be happy EP"

You’ll own nothing and you’ll be happy.
You’ll sign over your right to possess.
You’ll live on universal basic income.
You’ll rent whatever you need and a drone will bring it to your door.
You’ll have a brand new social contract.
You’ll have minimal responsibility.
You'll be entertained.
You’ll be a child until the day you die.

You’ll own nothing And you’ll be happy EP

Madrugada

So Scare

תפילה נגד האנושות

#16 (Number 16)
Written, Performed, Produced & Mastered
by Andrew Borderick Copyright 2022 AB Music
A rock soundtrack inspired by a favorite Melbourne Band 'ROCKET SCIENCE'

#16 (Number 16)

music : Deepman
words and voice : Luciole Langevine

Aux amis, avec ou sans visage,
Sur tous les continents !
Écoutons ce rythme battre, ensemble,
Le poul de notre sang.
Issu des mêmes racines,
Celles qui nous rassemblent,
Écoutons le pulser, libre et sauvage.

Aux amis, avec ou sans visage,
Sur tous les continents !
Écoutons le rythme battre, ensemble,
Ce rythme, le poul de notre sang.
Issu des mêmes racines,
Celles qui nous rassemblent,
Écoutons le pulser, libre et sauvage.

Aux amis, avec ou sans visage,
Sur tous les continents !
Écoutons battre ensemble le poul de notre sang.

Aux amis, avec ou sans visage,
Aux amis, avec ou sans visage,
Libres et sauvages,
Libres et sauvages.

translation :
To our friends, with or without a face,
On all continents!
Let's hear this beat beat together
The pulse of our blood.
From the same roots,
Those who bring us together,
Let’s listen to it pulsing, free and wild.

To friends, with or without a face,
On all continents!
Let's hear the beat beat, together,
This rhythm, the pulse of our blood.
From the same roots,
Those who bring us together,
Let’s listen to it pulsing, free and wild.

To our friends, with or without a face,
On all continents!
Let's listen to the pulse of our blood together.

To friends, with or without a face,
To friends, with or without a face,
Free and wild,
Free and wild.

Aux amis ! - Deepman & Luciole Langevine

Garden Of A Thousand Candles

In the garden of a thousand candles
Dreams awake you
Silently stare at the walls
Gold adorns you
Fantastical colours
Dreams await you
Lead where you dare

In a little field beyond Granton Meadows
There's a spot of heaven under yonder tree
Step aboard my time machine 
The future looks a silent Spring
Listen to the spirits come walk with me

Look around there were trees there were fields
Seems so serene beyond finite ideals
What happened to the simplest of times?
Blood, fire and steel
The old ways die
The old ways die

In the garden of a thousand candles
Dreams await you
Silently stare at the walls
Gold adorns you
Fantastical colors
Dreams awake you 
Lead where you dare

Over and over dreams falling over
Over and over lead where you dare

Pete Austin is The 1969. Playing electric and acoustic guitars, bass guitar, piano and mellotron, lead and backing vocal. Mixing and drum loops.
Released January 2022. Recorded throughout 2021.

The Garden of a Thousand Candles

Video :
https://youtu.be/6Z9-ao44qxM

J'ai été un ovule de lumière.
J'ai été une barrière hautement imaginaire.
J'ai été un spasme de jour et de nuit.
J'ai été glaciation initiatrice.
J'ai été les essentielles relations.
J'ai été une scansion d'ignition.
J'ai été la hache sur le cou.
J'ai été toutes ces balles dans la tête des élites.
J'ai été donc aussi le gong des bombes.
J'ai été chevelure sous la paille.
J'ai été une sous humaine, une femme.
J'ai été un daim à tirer.
J'ai été parfois des crevasses ironiques.
J'ai été l'esclave porteur de genèse.
J'ai été bactérie plus que maniaque.
J'ai été un compost de cyborgs.
J'ai été notre droit à l'apocalypse.

Qui si ce n'est moi, digère les riches ?

Griffes

We did it again. I'm proud to introduce a brand new release, another collaboration with a timeless, spaceless Mistress of Vocal Time and Space. Nearly needless to add I'm talking about Myrh (@myrhyum). We started this collaboration more than one year ago, but I've been having tons of issues, so... Now it's out, and we hope you all will enjoy it.
Allow me to bore you with a few words about how we did it. Myrh originally sang along a looped section of another (still incomplete) song of mine, featuring the guitar part that eventually turned out to be the initial guitar solo in this final version. I had only Myrh's vocals, a tempo and a few bars of a guitar solo. I added a track of sampled tablas: at first I thought of it as a mere tempo reference, but it sounded good, so I kept it. At this point, I had a vision of how the piece had to sound. I pictured Myrh's vocals flowing inside a starship running through darkened depths, backed by an invisible ensemble of musicians playing some kind of an alien raga.
I found the starship on my internet browser. I downloaded an audio file called 495-AAB from archive.org (https://archive.org/details/Voyager1/495-AAB_8min10sec.wav). It was recorded on the spacecraft Voyager 1 ( launch date: 09/05/1977) and it's in the Public Domain. I did some sound design on it, and it became an awesome drone for the song, perfectly fitting Myrh's vibe. Then I recorded a few parts using my children's toy-instruments: vibraphone, oud and tambourine. A few months went by before I could start working on the organ, and a few others as well before I could record another couple of tracks with bağlama and lyra. I eventually completed the guitar solo, then added bass guitar and sampled drums. Once again I had to stop, for a considerable amount of time, before I could do some editing, the final mix and the mastering.
My humblest and heartfelt thanks to Myrh for allowing me once more to collaborate with her, for her limitless patience with my inconsistent workflow, for this gem of a song that I tried to decorate with (more or less) alien sounds and noise. One last word about this somehow arrogant use of the tag SpaceRaag: I'm absolutely aware of lacking of sufficient musical knowledge in order to compose or perform an actual raag; this is merely a spontaneous creation, I only tried to mess around with these harmonies springing from Myrh's sublime vocals and my own science fictional sonic vision.

Myrh (@myrhyum) : vocals & their premix
Teth Sin : electric guitar, sampled percussions & drums, toy-oud, vibraphone, tambourine, organ, bağlama, lyra, bass guitar, sound design

Lyrics by Myrh (@myrhyum)
Original composition, arrangement, mix, mastering & cover artwork design by Teth Sin
Cover artwork is a rework of the following picture, in the Public Domain: https://upload.wikimedia.org/wikipedia/commons/d/d9/Krishna_and_Radha_dancing_the_Rasalila%2C_Jaipur%2C_19th_century.jpg

Dance For Me Now | Feat. Myrh

Written by Terry Reeves
Terry Reeves: Vocals
Hans Albers:  All instruments, Arrangement & Production

SC Version Video: https://youtu.be/uHu4SAWhysc  
Dark Version Video: https://youtu.be/AZQoKfJCTYA 

You may be wondering how this song acquired the title it did.  These very words were actually said to me by one of my wife Jo's three long-standing and very close friends.  Over the years, they had all entered into long-term partnerships which, for differing reasons, ended very sadly, resulting in them being left on their own.  So I was, in a manner of speaking, last man standing.

When they needed a male presence, I was volunteered to help in a variety of ways, e.g. being a pretend boyfriend when one of them was being pestered by someone in whom they were not interested.  There are many more instances I could recount, some of which were definitely in the ‘very unusual’ category but I was always happy to be of help if I possibly could.  Besides which, they often turned out to be exceedingly amusing.

Fast forward a few years to when I was diagnosed with MS, which brought about a condition called Trigeminal Neuralgia, causing pain the like of which I’d not known before.  After a spell taking hefty painkilling drugs that basically turned me into a kind of zombie, my MS specialist suggested ‘Gamma Knife Procedure’.  

This involves (and I kid you not) a metal helmet being screwed directly into your skull at four strategic points, rendering your head totally immobile so that radioactive rays can, with pinpoint accuracy, be fired at your Trigeminal Nerve.  It is indeed a singular sensation to feel blood trickling down your face as said helmet is fixed into place but the benefits that ensued were more than worth the temporary inconvenience.  I was pretty much pain-free for the next two years, after which it did return but all things considered, was extremely pleased with the result.

To celebrate, a dinner party was thrown in my honour, a splendid time guaranteed for all.  It was here that Jo’s friend, whose husband had sadly died, uttered the immortal phrase.  It caused much laughter, as it rightly should have.  I wasn’t in the least offended and, anyway, my very first thought was “What a great title for a song”.

Once again, deep thanks are due to Hans for not only producing two brilliant versions of this song but videos to go with each (links above).  The man has a depth of talent of which others can only dream, myself included.  Thanks so much for listening.  (Terry Reeves)

I was invited to a party
I tingled with the chance
To talk about the future
Step in and out of the past
Who’s that man in the corner?
Wearing a helmet on his head?
This is just my day wear
The gamma ray gun Doctor said
(I heard someone say)

Why ain't you not dead yet?
Why are you still here?
Why are you the only man?
Who smiles and has no fear?

We talked about the weather
And laughed about the grass
The world is tasting plastic
And it doesn't seem to last
Who's that man in the corner? 
With the radiation smile
The glow won't last for ever
Why not enjoy it for a while?
(I heard someone say)

Why ain't you not dead yet?
Why are you still here?
Why are you the only man?
Who has ten layers of veneer? 

We shared some special moments
And showed the battle scars
A pigment of growing older
Figments hidden in a jar
Who's that man in the corner? 
Four holes drilled into his head
Tried to screw me to the wall
Keep me standing and out of bed
(I heard someone say)

Why ain't you not dead yet?
Why are you still here?
Why are you the only man?
Who we seem to volunteer?

Why ain't you not dead yet?
Why are you still here?
Why are you the only man?
Who floats in this atmosphere?

Why ain’t you not dead yet?
I may not be really here
If my name gets mentioned 
I want a smile and not a tear

Keep smiling, I want to smile
Keep smiling, Give me a smile
I want to smile, I want to smile
Yeah, smile...

WHY AIN'T YOU NOT DEAD YET? - Cripple Club & Hans Albers (Video links with description)

You can purchase the track here: https://suzanneledwith.bandcamp.com/track/particle-guitar


Steve Pumphrey's inventiveness, musicality and virtuosic guitar playing have infused Particle Guitar with celestial splendour.

Privileged to have had this track mixed by Damian Chennells https://soundcloud.com/damianchennells
Mastered by Ciarán Cullen
https://suzanneledwith.bandcamp.com/releases
Art concept by SuZanne Ledwith
Photography by something&knot Productions 
Graphic Design by Simon

Are you a fixed star of unknown location
Strumming a particle guitar celestial creation
Are you the beat of a solar storm, travelling earthbound
Of elemental form worshipping sun dog
To the sounds of the whistling sun

Strumming a particle guitar

Are you a shooting star
In an absent moon sky
Dancing past Jupiter and Mars
Through a billion and one stars
Are you the s e e ds of a 
Cosmic explosion
The pulsing beat 
Of a supernova

Strumming a particle guitar
Whistling son, is that you I hear?
Son? Is that you?
Strumming a particle guitar

Particle Guitar

Going to on the album as a filler track – I mean instrumental – on my final album coming out, Adon Willing in the very near future, and then I must focus on other Spiritual endeavors! I will still be on here from time to time, however.

Featuring Rabbi Yitzchak Breitowitz 

https://www.youtube.com/channel/UCnwd_5P2_hGVNkQfScEmP_w

He Is Our Great Reward

I was thrilled to receive the invitation to team up with a couple of my label mates @Daginga and @Yuki_T on the Psylicious Radio record label showcase episode, and to record a set along with these talented guys.

Featuring 3 Patronus Records DJ’s, and clocking in at 6 hours of hard hitting psychedelia, I highly recommend heading on over and checking out the full show on the Psylicious Radio channel and experiencing the utter mayhem & madness for yourself. https://soundcloud.com/psyliciousradio/presents-04-03-22?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

This 2 hour performance was my contribution to the sonic debauchery & general lawlessness. 

Big thanks to Psylicious Radio & Patronus Records for having us on!

Mixing decks used to perform this set was the Pioneer XDJ-XZ.
https://www.pioneerdj.com/en-us/product/all-in-one-system/xdj-xz/black/overview/

And as always, a deep gratitude for all of the immensely talented artists showcased here in my DJ mix.

All tracks purchased from www.beatport.com, www.bandcamp.com or provided directly by the artist or label.

Sonic portal into the deepest psychedelic realms of sound:
www.patronusrecords.com

Setlist:
1. Gandhabba, Sunday Pirate - Futurismo Tribal (feat. Sunday Pirate) (Original Mix) Reversible Records 
www.beatport.com/track/futurismo-…-pirate/16186699
2. Mutaliens - Deepfields (Original Mix) Looney Moon Records 
www.beatport.com/track/deepfields/16168531
3. Spirit Shifter - Yabba Dabba Doo (Original Mix) World People Productions www.beatport.com/track/yabba-dabba-doo/16172099
4. Zeg & Cirizen - Game On (Original Mix) Patronus Records 
www.beatport.com/track/game-on/15674378
5. Gandhabba & Seishirou - Water Leak (Original Mix) Kunayala Records https://kunayalarecords.bandcamp.com/track/gandhabba-seishirou-water-leak-150-bpm
6. Virtual Light, Ninesense - You Have A Glitchy Face This Morning (Prohecht Remix) Reversible Records 
www.beatport.com/track/you-have-a…morning/15805109
7. Mutaliens - Chasm (Original Mix) Looney Moon Records 
www.beatport.com/track/chasm/16168529
8. Igor Lse - Scott Le Magnifique (Original Mix) Skygravity Records https://skygravityrecords.bandcamp.com/track/scott-le-magnifique-150
9. Digizt - Dirty (Original Mix) World People Productions 
www.beatport.com/track/dirty/16172105
10. Black Noise - Ruby Blue (Original Mix) Nordic Aliens Music https://nordicaliensmusic.bandcamp.com/track/black-noise-ruby-blue
11. Xipe Totecs - Break Your Legs (Original Mix) Patronus Records 
www.beatport.com/track/break-your-legs/15674379
12. Gizmo - Chiromancy (Original Mix) Bom Shanka Music 
www.beatport.com/track/chiromancy/16172091
13. Blastourist - Cortical Train (Original Mix) World People Productions 
www.beatport.com/track/cortical-train/16172101
14. Aram & Xed - Chant of Astrate (Original Mix) Patronus Records 
www.beatport.com/track/chant-of-astrate/16030026
15. Hydra-E - Wicked Visions (Original Mix) Gandaky Tribe Records 
www.beatport.com/track/wicked-visions/16111348
16. Ninesense - Hocus Focus (Original Mix) Reversible Records 
www.beatport.com/track/hocus-focus/16109381
17. Groovebox - Smooth Haze (Original Mix) Reversible Records 
www.beatport.com/track/smooth-haze/15805108
18. Sense Datum & Gizmo - Techzilla (Original Mix) Bom Shanka Music 
www.beatport.com/track/techzilla/16172087
19. Cocodrilo, Akromode - Psyco Logical (Original Mix) Purple Hexagon Records
www.beatport.com/track/psyco-logical/15850165
20. Diksha - Apocalypsy (Original Mix) Psylosophia Lab 
www.beatport.com/track/apocalypsy/15924318
21. Space Heal - Inner Shadows (Original Mix) Paramystical Records 
www.beatport.com/track/inner-shadows/16034078
22. GrooveDrop vs Coska - Psychedelic Experience (Original Mix) Soundblasting Records
https://soundblastingrecs.bandcamp.com/track/groovedrop-vs-coska-psychedelic-experience
23. Nukleall, M-Theory, Stereoxide - Thundernighters (Original Mix) Blacklite Records www.beatport.com/track/thundernighters/15863228

Psylicious Radio Session 03/04/2022 | Guest Mix by Tundra | 148 - 150 BPM

A dumpster truck doing it's thing on a Montreal residential street, on August 25, 2015.

At exactly 03 min, 43 sec, 01425 samples there is a cut I made.

I did it to remove my talking about the recording, saying I'm lowering the rec level because I'm worried it will peak. (In this case it came nowhere near peaking as the bulk of the loud stuff was over, but I could not have known that ahead of time.) So besides removing that section of audio I also increased the amplitude (volume) of what follows by something around 4dB, to try to get it back approximately at the same amplitude it was before I lowered the level.

I do not hear the cut, nor can I see it on the graphic representation in my audio program.  I would be very curious to know if anyone can hear it, or learn anything about software that is designed to recognize that kind or other kinds of alterations to audio tracks.  Leave me a message if you know about that stuff please.  I'd just like a few pointers for doing my own research on the topic.  If it involves advanced math, which I think is likely, I only got to beginning calculus in school, so some stuff I understand the principles involved but I can't do the math.

Thanks : )

P.S. For complete transparency's sake, the picture is a few years younger than the recording, and the operator is probably not the same, I'm not sure.

Dumpster Truck sur Dorion 2015

Gay Dumpster Truck sur Dorion

Original Concept / Composition / Production : Chris Dargay
Original Guitar Leads : Matt Michener
E.O.S. 2022

Nexus (M) *leads

Pierre Bordetti productions (c) 03/2022.
Composed, arranged, performed, and produced by:
Pierre Bordetti

"The threat" "La Menace"

Instrumental Jazzy tune 

In 2022, when the whole world should be concerned about 
the state of the planet, the simple madness of a man makes us fall 
into horror and destruction.

En 2022, alors que le monde entier devrait se préoccuper de l'état 
de la planète, la simple folie d'un homme nous fait basculer 
dans l'horreur et la destruction.

The Threat

Massive thanks to Fady for reaching out with this incredibly produced track for me to add vocals to. Fady's music was instantly inspiring and the song basically just wrote itself. And big ups to Bitzone for lending his ear and sonic artistry to mix and master this track into vivid color. 

Track Credits:

Fady: Music, Production
https://soundcloud.com/fadysporz
https://thesporz.bandcamp.com
Bitzone: Samples, Mix, and Master
https://soundcloud.com/bitzone
the Couch King: Lyrics and Vocals
https://musiciselation.bandcamp.com

Lyrics:

Time trials 
And I’m still miles 
Away Off course 
Of course I’m Falling off 
The track and This time 
I ain’t coming back 

Always
Starting in last
Place
All days
Speedily passed
I race 
To catch up but I can’t keep pace
I chase 
A taste of what it’s like to get a head
Instead
Led off course by centrifugal force
Falling off the edge
Again it’s got me feeling 
Better off 
Dead
When reeling
From being made to 
Head
Back on track
From the invisible hand 
Never giving me slack
As the power ups stack
Bullet bills speed boosting up to the pack  
Yet still producing the deducing  
16th place I can’t crack 
 
Time trials 
And I’m still miles 
Away Off course 
Of course I’m Falling off 
The track and This time 
I ain’t coming back 

Never
Finishing in first 
Or third 
However 
Quickly I burst
Or swerved 
Past peels or fake item 
Box a hazards  
Still out maneuvered and 
Staggered 
Disoriented wheels don’t 
Matter 
When I 
Can’t get a
Grip
As the
Realization 
Of the final lap
Lets the cup 
Slip 
From hopes 
Final dash 
I crash 
Afraid to hit the gas
Hidden shortcuts and cheat codes 
Not given 
Even if I was to play the villain 
Driven 
There’s no opportunity to surpass 
When my previous finishing position 
Was coming in 
Last 

Time trials 
And I’m still miles 
Away Off course 
Of course I’m Falling off 
The track and This time 
I ain’t coming back 

13th place
Thought I was in the chase  
14th place
Slippin’ but thinking keepin’ pace 
15th place 
And still got one in the rear view mirror 
16th place 
Wasn’t a fall from grace is getting clearer

13th Place

Fady, Bitzone, and the Couch King - 13th Place

Bringing Back some track made with Traxx, few years Back. 
Sounds Okay, I  thought you may enjoy it :)

Music Mix & Featuring by Traxx
Vocals & Lyrics : Special Cecilia

WAY OKAY

Autumn Sunset - Fleursonseaux
All rights reserved - © Copyright

Autumn Sunset

Written and read by me (Robert Horne)

Jake fines himself teleported to another land and given a choice to become a Defender!  Whatever that is?

Soul Reaver, Chapter 9  -  Jakonnun, the Defender

(Written by Terry Reeves)
Terry Reeves: Lead & Backing Vocals
Gary Reeves: Drums
Hans Albers: All other instruments, Arrangement & Production

When you take into consideration that modern footballers have infinitely better equipment and technical assistance at their disposal, George Best's stats (not that I’m a great fan of these) show what a great player he was. I certainly never saw a player who could do what he could with a football. He was the first footballer to transcend the sports pages and become what we now term ‘a celebrity’. Today’s players are protected from the pressures he experienced but George was always surrounded by people who merely wanted to bathe in his reflected light and take advantage of his generosity. His slide into alcoholism is well documented but, had he played under today’s conditions, his life may have been totally different.

I was fortunate enough to meet him on three occasions and on one of those had the pleasure of just the two of us sitting at a table, sharing our love for football. It probably only lasted about twenty minutes but it meant the whole world to me because he seemed genuinely interested in everything I had to say. He even told me he could speak to Matt Busby and get me a trial at Man. Utd. To this day I regret not taking him up on the offer, not because I thought I was the next George Best but to have my hero offer a trial at the club I supported was something never to be forgotten.

Many years later, I reached a time when drink became my escape from everything and looking back, it scares me to remember how easy it was to become so dependent. I was very lucky to have been rescued by a wonderful woman who gave me a true reason to be. If you've never been utterly dependent on something it’s difficult to realise how much it totally controls your life and the experience certainly gave me a window into George’s world.

As far as I’m concerned, he was the greatest football player that ever lived - even the great Pele said, “George Best is a footballer without comparison”. This is why I say, "Come back Georgie!"

Hans’ brilliant arrangement and Gary’s power drumming give musical wings to my honest tribute to George and I owe them both the deepest of thanks for that. If you listen closely, you’ll be able to hear what the man himself thinks about his football career and I totally agree with every word. Many thanks for listening. (Terry Reeves)

An addendum. You all need to know just how good a footballer Tel was. I watched him play schoolboy football and he was always the best player on the pitch, leading his teams to the winning of many trophies. But for injury problems (he had his leg broken twice) he could have played professional football. I had the privilege of playing Sunday League football with him and his skills were light years ahead of everyone else. In one game, he scored with a shot from the halfway line and this was a good 15/20 years before David Beckham did it. He was special. (Gary Reeves)

Yes I drank the bottle dry
Please don't ask the question why
Just accept this drunken man
Drinking for another plan

Couldn't take things in my stride
Second place it hurt my pride
Told to take some time to think
Think I'll have another drink

CHORUS:
Yes he's the greatest, he really has it all
The king of any man who ever kicked a ball
He makes the headlines every time he shows his face
I wonder if they know our hero up in space?
If not it's just a disgrace
He's here
Georgie 
No fear

Tried to force me to retire
From the bottle I admire
Knew I'd lose out in the end
Destroying me or my best friend

Belong to no one else but me
I'm not public property
I know I have myself to blame
Life is not my favourite game

CHORUS

It's not as sad as you might think
Not looking for a missing link
And I don't need an open door 
Cause all I have to do is pour

Georgie, Georgie come back Georgie...

BEST OF BOTH WORLDS (V1) - CRIPPLE CLUB & HANS ALBERS

HELLO ALL, HOPE EVERYONE IS WELL AS THERE IS MUCH GOING ON THESE DAYS/////HERE, I FOLLOWED MY HEART AND CREATED WHAT MY MIND SOUGHT FIT/////I AM A LOVER OF 90'S HOUSE AND CLUB MUSIC///ALWAYS LOVED TO DANCE AND FEEL A PULSATING RIDDIM IN MY CHEST////THE TITLE "RETURN OF VERGE LIKENS" IS AN ALFED HITCHCOCK PRESENTS SHORT STORY....A GREAT WATCH YOU CAN PROBABLY FIND ON YOUTUBE IF YOU LOOK////I HIGHLY RECOMMEND WATCHING IT////BIG UP///BIG LOVE///ROOTS

RETURN OF VERGE LIKENS

Instruments: guitars, bass, percussions, big shaman drum

Name of the World is Transformation

Vocals / Lyrics, Painting: Aine Parkes @aineparkes
Music, Guitars (Jazzmaster, Cheetah), Bass (P), Drums (AD2), Mellotron (Redtron), Piano (AK), Mix & Mastering (DAW): @bonetender

Spotify: https://open.spotify.com/track/2UOH8iWKG7xrLeaWUe8Qwj

======= Lyrics =======

Blindly, drifting,

blaming others for your woes.
Why don't you look in the mirror, deep in your eyes, 
you gotta pay the price.

All the things you've said and done, 
all the things...
What have you done?

Sadly, drifting, 
won't connect with anyone.
Feeling misunderstood and too afraid to try, 
Why don't you see the sky?

So many roads you could take,
A world just waiting for you to wake-

You can't see the forest for the trees oh oh no,
Just about everything makes you freeze so oh oh,
You just keep on keep on running,
Don't look inside your mind.
You keep on keep on running, 
Hide.

But your mind knows, but your mind knows the lies, you know your mind knows why oh oh

Wildly drifting 
madly its lifting, 
step outside just stop the fight,
You know you have to try, 

You know your mind knows why, You know your mind knows why,

You know your mind knows.

©Aine Parkes & Bonetender 2022 All Rights Reserved

Your Mind Knows

Your Mind Knows (with Aine Parkes)

Sixth and final song from our album, Solution to Life. A concept album about a difficult childhood, wild youth and corruption of adulthood.

llari I. Rantala (I-la-rI) - Vocals, lyrics & Tin Whistle
Kari Karhumaa - Synths, Keys, Additional Voice & Drum Machine Programming
Composed by SÿntaxxËrror
Produced by Ilari I. Rantala (I-la-rI)
Art & Logo by Ilari I. Rantala (I-la-rI)

© 2022 SÿntaxxËrror. All rights reserved.

06. The End

Toujours et Encore (Always and again)

من كلماتي والحاني وتوزيعي بحب مصر بس من غير صوت عالي

بلادي

Alien Mind
Mankind is slaved
Call Me, Call me now
I'm running
Running in the infinite sky
https://open.spotify.com/track/0Yrka53CnFKa4ZUK2GUSSK?si=88175621f778460c

Alien Mind

From The Beast

Kettle Black

KINGOFGUNHILL -  Pillow talking - ft Slyshy x Skandalous

Words and music Antipodeans 2023. Recorded and engineered at Grovehill Studio, and mastered by Dr Hackey at the Hackey Sack

Tumbleweed

Thunderstorm

TOMORROW (pidgin-version)

Seeing no sense to move -
all is here, all is near -
coastal stone sings about the sea,
but didn't knows what is it...

The sky so blue!
There'll be many of us - a double!
Perfect excuse to have a fun,
seeing no sense to move.

Even if suddenly...
even if suddenly...
even if suddenly...
tomorrow will be.

Even if suddenly...
Even if suddenly...
Even if suddenly...
EVEN IF SUDDENLY

TOMORROW WILL BE
Tomorrow will be!
Tomorrow will be beautiful,
tomorrow will be magical,
tomorrow will be wonderful!

WILL BE

Tomorrow will be!
Tomorrow will be!
Tomorrow will be beautiful,
tomorrow will be magical,
tomorrow will be happy!

WILL BE

Seeing no sense to stop -
always something
and the same faces.
The more you know,
the stronger sleeping,
seeing no sense to move.

Tomorrow will be all...
Tomorrow will be all...
Tomorrow will be all...
better than yesterday!

Tomorrow will be all...
Tomorrow will be all...
Tomorrow will be all...
TOMORROW WILL BE ALL

Tomorrow will be!
Tomorrow will be!
Tomorrow will be beautiful,
tomorrow will be magical,
tomorrow will be wonderful!

WILL BE

Tomorrow will be!
Tomorrow will be!
Tomorrow will be beautiful,
tomorrow will be magical,
tomorrow will be happy!

WILL BE

Original text in russian & mp3: http://jasny-svetly.ru/load/9-1-0-112

All project "ТУРЬЯ": http://jasny-svetly.ru/load/9-1-0-112

ТУРЬЯ (2015): Завтра Будет / Tomorrow

When https://soundcloud.com/dneye asked me for a track to play his fantastic guitars on, I brainstormed this 5/4 piece with odd chord set in order to make it difficult to him and thus get the best from his skills. After programming it, I added some organic solos (yep I played keys) to make it seem more friendly ;))))

And he... succeeded in the challenge, overcoming all my expectations !!!

Five by D'n'Eye: guitar1, guitar2, guitar3, guitar4, harp.
Five by E-Ruizzo: piano, bass, mellotron, organ, drums.

Hope you'll enjoy this our first post in the new year !!


High Five !! (with D'n'Eye)

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

in the desolate toasted wastes we set up camp.
lame.
limbs dropping off and skin crisped,lips bursting dry.
limped horses rotted,flies multiplied thriving.

these were the days.

Americium Dream

Firstly being a song with traditional 6/4 signature, I redid the central section in 4/4 to add strength, same as with my previously posted song.

Also, I 'needed' to cut last quarter note to instrumental bridges and play them in 5/4.

After these artificialities, I tried a mild sound to please your ears ;)

Letra (Translated lyrics):

Ven (Come)

Ven… cógeme con tus manos, tan limpias, tan solas, tan blancas, tan suaves, ven…
   (Come … take me with your hands, so clean, so lonely, so white, so soft, come …)
Ven… bésame con tus labios, tan tiernos, tan prietos, tan lejos, tan dulces, ven…
   (Come … kiss me with your lips, so tender, so tight, so distant, so sweet, come …)

Ven… guíame con tus ojos, tan puros, tan ciegos, tan tuyos, tan graves, ven…
   (Come … guide me with your eyes, so pure, so blind, so yours, so serious, come …)
Ven… pídeme lo que quieras y dime que nunca podrías dejarme… ven…
   (Come … ask me whatever you want and tell me you could never leave me … come …)

Ven y méceme en tus brazos. (Come and swing me in your arms.)
Ven y guárdame en tu seno. (Come and keep me in your bosom.)
Ven y duérmeme en tu regazo. (Come and get me asleep on your lap.)
Ven… ven… ven… (Come … come … come …)

Ven… cántame con tu risa, tan clara, tan rara, tan fresca, tan triste, ven…
   (Come … sing to me with your laugh, so clear, so rare, so fresh, so sad, come …)
Ven… llámame con tu gesto, tan sabio, tan lacio, tan quieto, tan fuerte, ven…
   (Come … call me with your gesture, so wise, so languid, so still, so strong, come …)

Ven… ámame con tu vida, tan dura, tan libre, tan hueca, tan calma, ven…
   (Come … love me with your life, so hard, so free, so hollow, so calm, come …)
Ven… pídeme lo que quieras y dime que nunca podrías dejarme… ven…
   (Come … ask me whatever you want and tell me you could never leave me … come …)

ER38FI05 RUIZZO©1996 – FRANCÉS RECORDS®2017

Ven (pide lo que quieras)

Little to say about this song; both lyrics and music (all organic but for programmed drums) were done very impulsively, so it may show my primal inspiration without reworks or additions. Hope you'll enjoy it!

Pic from: https://vincentmars.com/2013/11/20/the-sensual-paintings-of-fabian-perez/

Translated Lyrics:

YO PENSÉ (LA SEXTA VEZ) / I THOUGHT (THE SIXTH TIME)

Yo pensé: esa mujer no es peligrosa…
  (I thought: that woman is not dangerous …)
No esperé enamorarme como un idiota.
  (I did not expect to fall in love like an idiot.)
Me pregunté: ¿qué tiene en los ojos que tanto me tienta?
  (I wondered: what’s in her eyes which tempts me so much?)
y me acerqué para hablar con ella y verlos de cerca.
  (And I got closer to speak with her and watch them closely.)

Y si era la primera vez, ¿por qué no extrañaba hacerlo con ella?
  (And if it was the first time, why didn’t I feel strange doing it with her?)
Y si era la primera vez, ¿por qué parecía que era la sexta?
  (And if it was the first time, why did it seem to be the sixth one?)
Y si era la sexta vez, ¿por qué hubo preguntas después de la escena?
  (And if it was the sixth time, why were there questions after the scene?)

Y si fue la única vez, ¿por qué no puedo apartarla de mi cabeza?
  (And if it was the unique time, why cannot I take her out of my head?)

ER41FI08 97-17

Yo pensé (La sexta vez)

Walking Up The Hill.WAV

Александр Тор И БУ - Еще Сильнее

https://soundcloud.com/ilaria_boffa/foreign-crazy-compass-ilaria-boffa

Our joint track with the Italian poet Ilaria Boffa. I don't read poetry - only sing. Her poem "Foreign" in English is read by Ilaria. It's very significant, and i subscribe to every word, as if they are mine!
At the end of the track, Ilaria’s childish voice sounds.

CRAZY COMPASS: Padua, Italy - Moscow, Russia (october 2019)
https://crazycompass.bandcamp.com/track/ilaria-boffa-foreign-with-crazy-compass

Poem, words: Ilaria Boffa @ilaria_boffa
Singing and some induction: Nata Boundariver @CrazyCompass

FOREIGN

Re-imagine, re-design, reset, rewind, restore, rebuild, recover.
Everything I felt I knew is foreign to myself.
Everything that animates me separates itself from itself.
I am the signifier, the signified, the phoneme.

(Ilaria Boffa)

full

Ilaria Boffa - Foreign (with Crazy Compass)

A trip down to Rosarito did not go according to plan. From leaving my phone in a taxi, to discovering my bank account is frozen, getting arrested in the hotel lobby over a little taxi misunderstanding, spending the night in jail, paying the cop forty dollars to let us sneak out the back door, hitchhiking back to the boarder while insanely hungover... You could not possibly fit it all into one song. A vacation to remember.

Overstayed My Welcome

Progressive composition at the junction of genres and a great experiment with instruments
https://open.spotify.com/album/0gx9aL3qFniJoeKJGJ5JqO?si=gfgfrIcXQqCODxCXdMF82A
https://www.instagram.com/terra_sapiens/
https://www.facebook.com/terrasapiens/
https://terrasapiens.bandcamp.com/
https://www.youtube.com/c/HomoSapiens3/featured

Terra Sapiens - Der Schwarze Geist

Rainbow -  - Output - Stereo Out

Music,
centered on dance but I made the circle very,
very wide, from everywhere, for everyone.
Enjoy.
...

Here's the other account, for celebrities, ... this one here is for regular folks:

https://soundcloud.com/ha-kekong

I love you.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Gay Dumpster Truck sur Dorion

Ha Kékong