It’s so magnificent, the melody and the singing superb! I'm a fan!

Cool Track…. 🌍☮︎👍🐞🍀2024

The chorus on the guitar is a very nice touch. your vocals sound great too.

Wonderful song, lyrics and guitar work. You are playing in the champions league  of music🫶🏻

The way your voice comes in with the guitar is giving me Scott Walker vibes...I love that warm tone you've got on the guitar...Great vocal and I love the title, thats a great way to look at things!

This is a collaboration with Taylor Brysiewicz.  Upon discovering an adequately functioning upright piano in the basement of the conference room at the Banff Centre (where we were both visiting for a conference on Random Algebraic Geometry), we decided to play some improvisational piano duets which led to this collaborative composition.  Taylor had the foresight to take a quick audio memo on his phone where we recorded a few excerpts alongside some commentary about the chord progression.  After returning home from the conference, Taylor turned our fragments into a completed piano part.  I then added a flute part while trying to maintain the impromptu spirit of the original, namely, by locking in some of the improvised phrases from my early takes (as opposed to indulging in my normal habit of making dozens of rounds of revisions).

Composed by Taylor Brysiewicz and Skai Eriksson
Piano performed by Taylor Brysiewicz
Flute performed by Skai Eriksson

Song art created in Mathematica (it is the level set of an algebraic function with randomly sampled coefficients, hence fitting into the theme of the conference that gave occasion to the collaboration).

Random Jam in Banff (flute and piano)

Chartreuse Dreams

"How could you have been so indifferent to my suffering, How could you have said you loved me so dearly and the next day treat me with such inhumanity, Nothing excuses your cold silence, it's proof of how cowardly you are, your hands were all over me, just the time to cage me..

Heartless (remix Sans Coeur)

Heartless (collab Audiobake)

Wind Quintet #2

In music, the term “arabesque” refers to a highly ornamental melody whose free unfolding expresses a slowing of time within the composition. Unlike the straight line, which is the most direct path from A to B, the curving movement of the arabesque creates an effect of circular phrases that conjure perpetual melodies. Debussy referred to "arabesque" as a piece of music with exquisite detail and clear repetitions of ideas and artistic balance. This term is used for various kinds of melodic, contrapuntal, or harmonic ornamentation. Several composers including Claude Debussy and Robert Schumann have used this term as a title for compositions. The term "arabesque" is taken from the Arabic art and architecture which was very ornate. THANK YOU FOR LISTENING!

Arabesque

Beautiful Things Everyday

Lofi Menta - bass @user-672449547
Torben Schmitt - guitar
Hendrik - basic track, brass, keys, final mix @cosmic-ratzzz
joerxworx - alto saxophone ............. Thanks to be involved !

Lunatics 129 / Mexican Road Trip / Lofi Menta / Torben Schmitt / Cosmic Ratzzz & joerxworx

Can You Feel It? 

I FUCKING FEEL NOTHING

I'll Follow You Down

Colors - Roger TASTET 02/2024

Made with Logic Pro and Notion 6
Strings V.S.L
Guitars Amplesound
Organ B3
Sax N.I Session Horns Pro
Horns V.S.L
Drums Apple Logic
Synthezizer Omnisphere

Couleurs (Colors)

A psychedelic rock tour de force!! This is a co-write with Catherine Rose, who made excellent contributions to the lyrics.

Special thanks to my musical collaborators for using their considerable musical talents to help me bring the vision for this song to life

Rich O’Brien - Vocal, Guitars, Production, and Mix

J.J. Terrell -@j-j-terrell - Organ

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1– Bass

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken Karasek - Drums and Percussion

Beautiful Things Everyday

Paul Haas

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