The scorching sun, the dazzling scenery, and getting drenched in sweat every day make me wish autumn would come quickly. But as soon as I see signs of autumn, I start to miss the summer that I used to hate.
In fact, maybe I do like summer.
Thank you for the thousands of memories.

The Summer That Goes Away

The Summer That Goes Away（夏よさよなら）

I NEVER USE ANYTHING LIKE SUNO AI.
EVERY SUNDAY UPLOAD THE  LATEST TRACK
Composition and Sampling collage by Synline
Instant theatrical music tweets everyweek. 
”The song that is born today can only be born today.” That's why I keep writing it down in the computer every day like a diary.
Music is a kind of feeling I can not express in words. I will write that feelings with Synthesizers. 
I am glad I can share it with you.

I think, as Ryuichi Sakamoto said, AI should be used not for composing music but for solving global issues such as weather forecasting and population problems.

I was interested in music in my early youth... so I soon got my first synthesizer and set up a small home recording studio.
over the years i played keyboards in 5 bands...the direction was rock...pop...blues and soul.
in the meantime i have discovered my enthusiasm for creating my own songs.
it makes me happy when I can compose...arrange...mix...produce and create something new.
it's like a passion to experiment with different styles of music... and it gives me a lot of joy.
the only limit is your imagination...
is my motto.
and everything is possible...you just have to try.

music is pure magic...and part of the soul...
no one can escape her
let the music guide your mind...and that's the only way you'll get the freedom...you've always wanted

أنا حساب اختبار ضمان الجودة والنص الذي أكتبه هنا هو لأغراض الاختبار، وآمل أن كل شيء يعمل كما هو متوقع.

I’m a QA test account and the text I’m writing here is for testing purposes, hopefully everything is working as expected.

I am a piano tuner/technician for almost 50 years and a composer singer songwriter for that many years as well. I live in Las Vegas and tune for many  concerts and have probably tuned upwards to 25,000 pianos in my career and all by setting an F to F temperament! I have recorded 13 releases as my 13th has 16 tracks and soon 17 as I cannot make CD'S anymore due to modern technology which from where I sit is not good!  is where you can see more about me and my newest song DEAR ICIE is about my love of my life my wife of 23 years! Sadly she passed away in September of 2023. I have 2 songbooks VOLUME 1 and 2 that can also be bought there too with 92 glossy songs in each.

𝚃𝚞𝚗𝚎𝚜, 𝚗𝚘𝚒𝚜𝚎𝚜, 𝚋𝚎𝚊𝚝𝚜, 𝚍𝚊𝚏𝚝 𝚜𝚝𝚞𝚏𝚏

Welcome to my page!

I've been playing guitar for many years, even though I'm not very good at it, with the support of my wonderful band members.

When I first heard the sound of a Hammond B3 when I was young, I felt something modern in the linear, expressionless sound emitted by the electronics, and then with the advent of the synthesizer, I felt infinite possibilities that could not be expressed with existing instruments.

In 1988, I discovered the joy of using MIDI files as a way to express my music on my ATARI 1040ST computer, and I became obsessed with it. Fortunately or unfortunately, that obsession continues to this day.

All music posted on this Soundcloud is created using only a mouse on a computer's piano roll screen.

The only exception is that I actually play the guitar part on No. 16 (OnMyouJi).

Assembling music on a computer allows you to listen to the melody objectively, so there is the joy of unexpected discoveries.

That's the most interesting thing, and I learn a lot. It can be tiring sometimes, but...

Music has a mysterious power that reminds you of your past self when you listen to music you listened to repeatedly in the past for the first time in a long time.

I think everyone has experienced that.

I hope that the music I post here will help you remember who you are in the future.

Comments on the songs will encourage me in the future. Please feel free to write anything you want.

I may not be able to reply to comments right away, but I will definitely reply, but I may not be able to reply to messages. Please understand.

Thank you.

I'm primarily a guitar player but I'll try to make music with anything you throw at me. When left to my own devices I enjoy recording minimalist ambient pieces and textural soundscapes. My principal sound source for these efforts is manipulated guitar but I often include electronics and organic sources. I enjoy working on collaborations with other musicians. Please contact me if you are interested.
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I am the co-founder of the 80's indie avant-garde mutant pop band Proof of Utah, the Smiley Turtle Records label and the Smiley Turtle Recording Studio. For a taste of the Smiley Turtle sound check out: https://soundcloud.com/user-745187095
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*** Visit the collaborators' websites:

Louie Simon @lsimon33
Stan Magendanz @stan_magendanz
Wodwo @user-364196783-552705040
Lone Arrivals @tiny_wytch and @tinywytch
Marcin Gruszczynski http://www.fairlyconfusing.net/

I set the words to chords on piano. Kind of singing along. I recorded the Casio electric piano, then my sawed-body Austin bass guitar, both plugged in directly. Bass played with a pick. (a square corner of my old driver's license)

The organ pretty much follows the piano chords. Two different organ sounds were used for each song on The Black Cat Record. The same Casio.

Vocals. I recorded one, then muted it and recorded another. So that the second vocal wouldn't be an imitation. One vocal is only on the left, and the other is only on the right. 

I recorded electric guitar plugged into a Blackstar amp, direct-in. Same pick used. I had a Lyon Disturbed signature guitar with a kill switch for The Black Cat Record, and a Squire with a whammy bar for Hex. Rhythm guitar was usually done twice, and only on the left or right, like the vocals. I like to think the left headphone is a slightly different album than the right.  Microphone used: Shure SM57.

Words: Riley Robinson
Music: Ryan Bulliner

All songs recorded in my room on an Hp laptop, through a Focusrite interface. On Audacity. One piece at a time. 

No A.I. 
No auto-tune. 
No metronome. 
No samples.

- Osatethe

Shout out to Ali Sky, Aziza Eskender, Sofia Marietta. Their YouTube channels inspired me a lot at the time. 

SC shouts:
MNOTR
!mmortal Creatures
Laura Hell



Hanging out in the cloud forests of the Sierra Juárez mountains in Oaxaca, I’m tapping into the sounds of the universe like a mushroom-drunk nahual, reaching into the heart of nature to grasp at the mysteries of existence.

You’ll hear influences from deep time and across as many cultures as I can get my hands on. I get obsessed, man. Seriously, everything else melts away around me. I can spend days absorbed in an idea, like that stone statue guy—but with a stone guitar instead.

My approach to music? About as unpredictable as my ability to remember where I last saw my passport (pretty crucial when you live abroad all the time, right?). My unique way of processing the world often leads to an avant-garde approach to life. And yeah, maybe there’s been a mushroom-induced revelation or two along the way, but who’s counting? I don’t need a million-dollar studio—just a good instrument, a decent interface, a computer, and some monitors that hopefully survive my absent-minded chaos.

I’m a multi-instrumentalist who loves complexity, especially when it sneaks up on you through unexpected rhythms or harmonies from the far corners of the globe. From Carnatic ragas to garage rock grooves—why not just mix every cool sound and see what happens? Maybe I’ll start with a harmonic progression from Bach’s Goldberg Variations and slap it into a Hindustani 7/4 thaal (that’s rhythm, if you’re wondering). It’s a bit technical but, trust me, as cool as—well, let’s just say it’s the kind of vibe that might inspire a dream-like hallucination about nailing the perfect groove. (Music available for film, TV, and media licensing.)

Yeah, I am a Ph.D. trained evolutionary biologist, and... that sounds impressive until you find out I bailed on it the second I landed a good job. I was bored out of my mind. People look at me like a guy who won the lottery and then spent it all on the greatest collection of rare video games (I mean, I’m not that bad, right?). But switching from science back to music wasn’t just quitting—it was finally tuning into something deeper. Music and science might seem like distant cousins, but to me, they’re intertwined—both ways to unlock the secrets of the universe.

Now, I live in Capulálpam De Méndez, a mystical town in the Oaxacan mountains. The ancient Zapotec culture runs deep here, and creativity flows as freely as the mezcal at the fiestas (and trust me, there are plenty of fiestas).

Art is for everyone, and I’m always pushing to create something that connects—whether it’s a complex harmonic structure or just the right amount of groove to make you forget your troubles (or your keys, in my case).

So if you’re into music that teeters on the edge of chaos but mostly lands right where it needs to be—well, welcome. Just don’t expect me to remember how I got here, or where I left my bag. Seriously, my passport might’ve been in there… Was it the tuk-tuk? (sounds like a joke right... Err.. its not....)


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Relajándome en los bosques nublados de la Sierra Juárez en Oaxaca, estoy sintonizando los sonidos del universo como un nahual borracho de hongos, llegando al corazón de la naturaleza para intentar comprender los misterios de la existencia.

Escucharás influencias de tiempos profundos y de tantas culturas como pueda explorar. Me obsesiono, hermano. En serio, todo lo demás desaparece a mi alrededor. Puedo pasar días absorbido en una idea, como ese tipo de las estatuas de piedra—pero con una guitarra de piedra en su lugar.

¿Mi enfoque hacia la música? Tan impredecible como mi habilidad para recordar dónde dejé mi pasaporte (bastante crucial cuando vives en el extranjero todo el tiempo, ¿verdad?). Mi forma única de procesar el mundo a menudo me lleva a un enfoque vanguardista de la vida. Y sí, tal vez haya habido una o dos revelaciones inducidas por hongos en el camino, pero ¿quién está contando? No necesito un estudio de millones de dólares—solo un buen instrumento, una interfaz decente, una computadora y unos monitores que, con suerte, sobrevivan a mi caos despistado.

Soy un multiinstrumentista que ama la complejidad, especialmente cuando te sorprende con ritmos o armonías inesperadas de los rincones más lejanos del mundo. Desde ragas carnáticas hasta los grooves del garage rock—¿por qué no mezclar todos los sonidos geniales y ver qué pasa? Quizás empiece con una progresión armónica de las Variaciones Goldberg de Bach y la meta en un thaal hindú de 7/4 (es decir, un ritmo, por si te lo preguntas). Es un poco técnico, pero créeme, es tan genial como—bueno, digamos que es del tipo de vibras que podrían inspirar una alucinación soñadora sobre encontrar el groove perfecto. (Música disponible para licenciamiento en cine, TV y medios.)

Sí, tengo un doctorado en biología evolutiva, y eso suena impresionante hasta que descubres que lo dejé en cuanto conseguí un buen trabajo. Estaba aburrido como una ostra. La gente me mira como a un tipo que ganó la lotería y luego lo gastó todo en Beanie Babies (no soy tan malo, ¿verdad?). Pero pasar de la ciencia de nuevo a la música no fue simplemente abandonar—fue finalmente sintonizar con algo más profundo. La música y la ciencia pueden parecer primos lejanos, pero para mí, están entrelazados—ambas son formas de desentrañar los secretos del universo.

Ahora vivo en Capulálpam De Méndez, un pueblo místico en las montañas de Oaxaca. La antigua cultura zapoteca corre profundo aquí, y la creatividad fluye tan libremente como el mezcal en las fiestas (y créeme, hay muchas fiestas).

El arte es para todos, y siempre busco crear algo que conecte—ya sea una estructura armónica compleja o solo la cantidad justa de groove para hacerte olvidar tus problemas (o tus llaves, en mi caso).

Así que si te gusta la música que oscila en el borde del caos pero que la mayoría de las veces aterriza justo donde debe estar—bienvenido. Solo no esperes que recuerde cómo llegué aquí, o dónde dejé mi bolsa. En serio, creo que mi pasaporte estaba allí... ¿Fue en el tuk-tuk? (suena como una broma, pero... ehh, no lo es...).

The Summer That Goes Away（夏よさよなら）

CHIKUSAI