Andy McArthur Started his house music pursuit with Peterborough’s most renowned Deep House Sound System SafeAndSound, With his brother Iain McArthur and friends.
The McArthur brothers began playing for the likes of Grooveyard sound system in the late 90’s, following on to hold residencies for Dizzyfunk House Music Collective and Dig Deep events and continually rocking the dance floors at free parties for the legendary Nottingham based Sound System Smokescreen. 
In 2001 the pair along with the other members formed SAS sound system and began playing at venues up and down the country in doors and out! Then onto Prague and Goa in India. They frequently hook up with the likes of DiY, Rugkutta, Duvet Crew, Wireless, Shrewd, Babble, and Deep Cartel and Others from the UK free party seen.
SAS stopped doing parties ever sins the sound system was stolen by the Welsh Police...
Andy and Iain still like to play their favorite tunes and rock dance floors in bars, clubs and Fields whenever possible. Andy is currently hosting a SAS night in the Voodoo lounge Stamford Linc's first Sat of every morning month.  safe x 

Born in Spain and bred in South London, Bear is a dynamic product of the UK’s rich house and garage legacy, drawn to the deeper, more subterranean sounds of Ibiza’s underground.

Over a 15-year DJ career, she’s carved out a distinctive sound, effortlessly blending vinyl and digital to take dancefloors on seamless, genre-spanning journeys.

Whether digging for gritty, groove-laden gems or elevating the room with vocal-led heaters, Bear’s musical fluency and intuition allow her to read the crowd and ride the energy with precision.

A familiar face on London’s underground clubbing circuit, UK festivals, Ibiza, Australia and beyond, her depth and versatility have earned her a trusted place behind the decks and in the hearts of dancers wherever she plays.

From regularly playing alongside pioneers in the scene such as Jeremy Sylvester, Mike Dunn and lighting up the Defected Basement, to signing with Soul Revolution Records, DVINE Sounds and becoming a regular in the infamous booths of Pikes Ibiza, Bear is a selector and music maker who commands attention while staying grounded in community. Alongside this, she’s also runs OSO:DEN - a platform, party, and label dedicated to shining a light on underground talent.

By championing both fresh sounds and timeless classics, she fosters connection and continuity, bridging generations on the dancefloor and keeping the culture alive while pushing it forward.

From events in the early 90’s, managing London's Uptown Records in 1995, launching the House Music Awards in 2004 to compiling, mixing and launching the first Housexy compilation for Ministry of Sound in 2005, Paul Farris has enjoyed a remarkably multi-faceted career within the music industry. 

Aside from being a world-class house music DJ, he’s also been a dance magazine contributor, promotions company owner, radio presenter, producer, event manager and label owner. He’s been a resident DJ for Defected records throughout the label’s founding years, held long term residencies at Ministry Of Sound, Kindergarten Klub and Sounds Heavenly and managed the legendary independent London record store Uptown Records during it's first 8 years.

Paul now lives in Brisbane Australia, DJ's selectively in Brisbane.

DJ/Producer, owner of Glasgow Underground


Bookings ~ Track Premieres ~ All Other Enquiries
lookbusycollective@gmail.com

Catch us broadcasting every Saturday on Manchester's underground station Disc Break Radio.

Radio www.discbreak.live/

You can also find us playing across the UK in various Clubs, Bars and Festivals as well as on podcasts or radio shows such as RhythmCast, Berlin Boombox, Crossfade, Dream Chimney, House Salad and Making Waves Underground.

Our Club Nights and Festival appearances have supported and booked DJs that include Dam Swindle, DJ Sneak, Dusky, Paul Woolford, George Fitzgerald, DJ Haus, Brawther, Robert Owens, Mella Dee, Slam, Horse Meat Disco, MK, Booka Shade, Chaos in the CBD, Darius Syrossian, Green Velvet, Purple Disco Machine, Basement Jaxx, John Digweed, James Zabeila, Palms Trax, Jamie Trench, Oli Furness and Ejeca.

This project is our creative platform to celebrate and share our collective love for House, Funk, Soul, Disco and any oddity or curve ball we come across in-between.

The Littlemen are a duo from Nottingham, England. Both have been DJing on the UK free party scene, clubs and festivals since 1993, Steve as a part of the legendary Smokescreen Sound System and Gav as a member of the Giddy Fruit Collective.

Whilst DJing at the same events they decided to put their heads together in the studio and around 1999, formed The Littlemen. Since then they have racked up over 40 releases and many remixes on respected labels such as Drop Music, Aroma Recordings, Funky Piranha, Tango Recordings, Lowdown Music, Muzique Boutique, Amenti Music, Nightshift Recordings, Blockhead Recordings, Umma Recordings, Procreation Music, Kolour Recordings, Shrewd Music and their own imprint, Mobile Trax, creating a reputation throughout the world for their deep, funky and contagious house sound. Their music has been licensed to compilations on labels such as Om Records, Sony Music, Cafe Del Mar and Salted Muic to name a few, by DJ’s such as Mark Farina, Collette, Miguel Migs, Sneaky Sound System and DJ Heather . As well as their production work together they have also released material independently, Gav, as Little Man Big, and Steve as Steve Littlemen. They have also worked with members of Brown, To-ka Project, Inland Knights and Lo-Motion on labels such as Drop Music, Tilted Recordings, Viva Recordings, 20:20 Vision, DiY Discs, Myna Music, Guesthouse and Aroma Recordings.

Together, The Littlemen continue to be heavily involved with Smokescreen and their local party scene but also have played some of the best clubs in the UK like Ministry Of Sound, Fabric and The Sub Club. You can also find them performing gigs in Asia, all over Europe, the USA, Australia and New Zealand, South Africa and beyond.

https://drop-music.bandcamp.com/

DJ’s, Producers and label owners, Andy Riley and Laurence Ritchie (AKA Inland Knights) have created a brand name that most House heads have heard of.  Whether you like it deep , tech or more funky – when you think about Drop Music or Inland Knights a certain style of House comes to mind that is uniquely their own. Andy and Laurence’s reach is global, and their label’s continue to produce some of the finest House music 15 years after they started back in the UK, within Nottingham's party scene.

Andy and Laurence  met in ’93 and cut their teeth Dj’ing for Smokescreen, the renegade sound system from which they drew their early inspiration. Smokescreen consisted of dj’s, lighting people, sound people, a truck, a P.A, a generator and general helpers. Old warehouses, woodland, fields, quarries and houses were utilized with the sole intention of having a good time…. for free! By the mid 90’s smokescreen could guarantee a crowd of hundreds in attendance at their parties(which were most weekends), and their club nights became local institutions that ran for years with packed dancefloors. Into their 21st year, Smokescreen are still going strong and are still hosting quality club nights and parties in and around the Midlands.

By ’98 Laurence and Andy had made the inevitable step into production and the same year their fledgling label, Drop Music, was born. With the release of ‘Inland Knights vol 1’ , Riley and Ritchie undertook a busy schedule to write tracks for Drop  (almost all of the early output was Inland knights, despite many monikers). Drop Music has gone on to become one of the most highly regarded House labels in recent years (with 80 plus releases to date), and Inland Knights have gone on to become one of the most respected and prolific production outfits in the House community, carving a unique and distinctive House sound, and regularly taking on remix and Ep duties for fellow labels and producers. Highlights include the acclaimed ‘Mohammed Ali’ remix for Faithless on Cheeky Records, CD compilations and remixes for NRK and Om Records, three Ep's on 2020 Vision, Inland Knights first full length album entitled ‘Creative Spaces’, and more recently, Inland Knights album to mark 10 years of Drop Music entitled ‘Dust till Dawn’, not to mention countless Ep's on other labels over the years and a 30-minute live mix on Radio 1’s ‘Essential Selection’ show. More recently, the pair released 'Inland Bytes', a retrospective look at Inland Knights career so far.

Currently, as well as remix, production and label commitments, the pair maintain a busy international Dj schedule which takes them further and further afield as their reputation grows. Bookings have included regular slots at UK clubbing institutions such as Fabric, The End, The Egg, The Cross, Turnmills, Shindig, Back 2 Basics,  Sanky's, Chibuku Shake Shake, Ministry Of Sound, Cargo, Déjà Vu, The Arches and The Sub Club in Scotland, as well as smaller more intimate venues nationwide. Countless international trips have seen them tour the Globe. Most weekends Inland Knights can be found DJ'ing up and down the UK or Europe with regular international tours a permanent fixture in their Diaries.

Follow Us On:
Soundcloud http://soundcloud.com/inland-knights
Twitter         https://twitter.com/#!/Inland_Knights
Facebook     https://www.facebook.com/inland.knights
Band Camp https://drop-music.bandcamp.com/

For Bookings Please Contact:  
Paul@elitemm.co.uk (Worldwide)
shannon@aptentertainment.com (Americas)

A seasoned veteran of Canada's east coast music scene, Jay has spent most of his entire life manipulating sound in one way or another. With over twenty years of experience both behind the decks and in producing his own tracks, Jay Vasseur has the ability to combine all genres of music into a unique style of his own with blends that are smooth, seamless and always captivating. 
Jay specializes in house music, but has very eclectic tastes in music. You can expect to hear anything in a typical set, ranging from deep to chicago to progressive to electro to tech house or all of it mixed together. When in the mood, you may hear a downtempo, liquid dnb/dubstep or breaks set, as well. If it's worth hearing, you'll hear it done right.

DJ MACKY.... is following