Back Pocket Whiskey Boys was formed this summer by two blonde hillbillys and a canadian. We came out with a couple jams for the boy n girls to enjoy this summer..more to come! Gigs very soon, come dance!

Redd Kross have always been too good, too perfect, too true, to believe. Mythic. Could this tuneful hardcore punk EP really be the work of a brother band with the 15-year-old on vocals and guitar and the 11-year-old on bass? Did Redd Kross really open for Black Flag? Could Jeff and Steve really have been born and raised in the Beach Boys’ hometown of Hawthorne, California, and did Jeff really see the Beatles live in 1966? Did one of them, dressed in Gene Simmons makeup, really kill a Bruce Springsteen impersonator onstage? Is that really their hair? Could Researching the Blues, their first studio album in 15 years, be not just the hottest thing since Cher went solo but the best start-to-finish Redd Kross record ever?

Somehow, the answer to all the above is improbably, wonderfully, beautifully YES. Long have Redd Kross rocked, and long have critics, devoted fans, Rodney Bingenheimer and fellow musicians from Seattle (Nirvana) to New York (Sonic Youth) to Driftwood, Texas (Butthole Surfers) to Hollywood (everybody) bowed before the Kross and their self-aware pre-spandex Glam bubblegum garage psychedelic Cheap Trick/Kiss/Revolver post-Kim Fowley rock and roll. Degenerate, sweet: tongues in cheek, song-long winks.

Commercial success may never have been theirs (if time and space had been aligned correctly, they’d have been blitzing ballrooms in the early ’70s instead of opening for Stone Temple Pilots in the early ’90s), but Redd Kross have endured and endeared because they’ve always had the best possible attitude: smarts, smiles, and total commitment to live hair-spinning showmanship.

Like fellow legendary Great American John Waters, they’ve devoted their career to making subversive entertainment in a high pop celebrity style, reintroducing in their especially golden late ’80s/early-’90s period such forbidden classic-rock tropes as melodies, harmonies, ripping musicianship, and primary colors-stuff that had (largely) been ditched in the underground rock’s post-punk, No Wave, hardcore, and sensitive-egghead scenes. Redd Kross then spent the ’90s making one great misunderstood record after another until enough shit had caked the fan that in 1997 they pretty much called it quits.

But you never quit being brothers. And so here’s the next Redd Kross album-produced and mixed by younger brother Steve earlier this year after it was mostly written by older brother Jeff in 2007-08, and recorded in that same period with the band’s current lineup, who’ve re-engaged in live performance since being lured back into action by an excitable Spanish promoter.

They’re too nice to say so themselves, but attention must be paid to this band, to this great album, Researching the Blues, which, like a pair of great pants, is tight and the perfect length. By the time you’re two minutes and 51 seconds into the second song, “Stay Away From Downtown,” and the band is breaking into the sha-la-las, you will be running around the room with your hands in the air. As the fourth song, the Brian Wilsonian “Dracula’s Daughters,” ends and the dynamic mid-’60s Beatles jingle “Meet Frankenstein” launches into its first chorus, you will be mass-texting all of your friends with the good news. By the final four songs-”The Nu Temptations” (Stooges-worthy riffs! Cowsills counter-harmonies! And more!), the “Surrender”/Noel ‘n’ Liam rockers “Choose to Play” and “Winter Blues,” and the stunning summer psychedelic power pop that is the closing “Hazel Eyes”-you will know the truth. You tried the rest-but now you’ve had the best. The McDonalds were educated at Rock ‘n’ Roll High, and they’ve stayed true to their school. Here’s to their beautiful reunion! Redd Kross Forever!

The Pocket Twos have been making music for almost 5 years now, we are a ska/reggae/soul/Jamaican rock&roll outfit based in Bristol, you can usually find us gigging in and around the southwest.

Keep up to date with all things Pocket Twos by following us on twitter and give us a 'like' on FB.
We will keep this page up to date with fresh new sounds so dont stray too far.

 ENJOY!

@thepockettwos Give us a tweet


http://youtu.be/fo3XZzgqR7M

i love to make music!  hope you enjoy, 
you can also check out my youtube channel here with a few music videos
<a href="https://www.youtube.com/results?search_query=lucky+pocket" rel="nofollow" target="_blank">lucky pocket youtube</a>

Tour & Info: sunsquabi.com | https://sunsquabi.komi.io
BOOK: kup@goldengateagency.com 
MGMT: jason@mammothmusicgroup.com
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There’s a place, deep in the cosmos, where jam bands and electronic dance music intersect with rhythm-driven funk. You’ll feel like you’re floating here but not lost completely to the atmospheric elements. Instead, you’re tethered to an avant-garde spaceship with Colorado-based SunSquabi on the frequency. This cosmic wonderland is a melting pot of a variety of musical genres and it represents the future of music. 
A three-piece suit - SunSquabi has been catching the eyes and ears of music fans around the world with their ever-evolving sound in the studio and on the live stage. SunSquabi has gained national attention for their unique way of producing music. The band’s live show can be described as an ‘Electronic Hydro Funk Experience’ that is different every single time out. SunSquabi continues to break down and analyze the expectations of what a “Live-Electronic” band should be.

Hi and thanks for checking out my page.

The style of music here: indie-folk/pop, americana, soul.

Steph Casey is a singer-songwriter who lives on the Kāpiti Coast of New Zealand. Her sound is a mix of indie-folk and alt-country, and her debut album landed in the top five of the NZIM Album Charts. Her songs have been licensed for NZ feature films and Government videos.

In June 2019 she released the single At a Bar Downtown which the Official NZ Music Chart included in their “Ones to Watch” platform, which flags NZ tracks that are surging on radio, download & streaming platforms.

The single was followed by her second studio album The Seats in My Car (released July 2019). The album was recorded at The Surgery, Wellington, by multi-award-winning engineer Lee Prebble (Trinity Roots, The Black Seeds, Phoenix Foundation). Casey is backed by a stellar cast of New Zealand musicians including Caroline Easther (The Chills, The Verlaines, Beat Rhythm Fashion) on drums,  Alan Galloway (Let’s Planet, Galloway) on electric guitars, Murray Costello (The Mockers, The Wooden Box Band) on bass, and Alan Norman (The Warritahs, Rag Poets) on accordion and Hammond organ. The album received a five-star review from music.net.nz and a favourable review from respected NZ music writer Graham Reid. 
For reviews, videos and upcoming shows visit www.stephcasey.com

Sorties I Culture I Bons plans à Bruxelles / Nightlife I Culture I Hot spots in Brussels.

Pocket Magazine destiné à une population cosmopolite qui aime s'informer, se divertir et sortir à Bruxelles: Une info utile dans un contenu pratique avec des rubriques tendances!


Enjoy the city now!

www.Clubbruxelles.com

A bit Prog a bit Rock a bit Metal metal band hailing from the manchester area! Hot pocket Face are loud proud and not from stroud! We enjoy walks in the contryside and petting the granny.







Pocket Underground is an event production/DJ crew based outta Los Angeles and San Francisco.  In addition to our in-house roster of amazing DJ's, we also book and manage talent, and produce, manage and collaborate on events and festivals, most notably The Woogie Stage at the Lightning in a Bottle festival.

The mixes here are from the Pocket family of DJ's as well as from our podcast Beat Soup.  Enjoy!

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