Very cool industrial rock vibe to this, quite enjoyed it... aligns very nicely with the volcanic explosion art

lovely marriage of guitar and synths dude - carrying me along very nicely in deed - as it evolves there's a Death In Vegas vibe to this 👍

Great track, you always know how to cook up a menacing atmosphere 😉👍

Epic ambient sounds & captivating driving beats, love the guitar

Like the construction and sounds. Nice recap and build to the end.

The Ups And The Downs (Such Is Life)

Methods of Curing the Mischiefs of Faction (2023)

Discussing Potato Salad Recipes With A Bunch Of Iowans

H e a R T 1
ORIGINAL SOUNDS COMPILATION
Soundtrack album for "Heat Rock Time"
a graphic novel by Christina O'Higgins

Available now on
Spotify: open.spotify.com/album/7vVcJq0md3Rp0Ti235RebZ
bandcamp: thomasohigginshorna.bandcamp.com/album/h-e-a-r-t-1

All music composed and perfomed by Thomas O'Higgins Horna, with lyrics and vocals by chirimoyachris

Produced, recorded, mixed and mastered by Thomas O'Higgins Horna at Kolima Forest Studios

Album artwork by chirimoyachris

T H E ∙ D A T E (feat. chirimoyachris)

Full album on Bandcamp

T H E ∙ D A T E (feat. chirimoyachris) [from H e a R T 1]

Remembrance

This is a song that JJ came up with on the electric piano and shared with the rest of us. He's done a significant portion of the songwriting for the Eclectic Collective, and always gives us quality songs, to which are easy to add our voices. 
When he sent it to us, he had a rough bass on there that sounded like Lust for Life. Ken came up with a killer and appropriate beat, which, if you can picture Lust For Life, included a lot of accentuated bass kicks. 
So, Josh took and went with that, and came up with a funky bass line. Ken and he kicked it back and forth a few times till they linked up. Then JJ added some funky ass organ and trippy retro synth to spice it up.
 Then it was time to send it to the guitarist. Tez laid down some smoking lead solos throughout, with his signature fiery guitar tone and amazing licks. Then Stephen funked it up even more with a fonky-ass wah guitar track. 
 Ken produced and mixed this one for us, and what an excellent job he did, too. This was so much fun to create. We all hope you enjoy listening to our jam as much as we did playing it.

Home's Album

Tonkas and Matchbox Cars -(Eclectic Collective)

Another track inspired by the surreal novel "Momenticon". Some of you may have noticed that this is a shortened version of the original upload with punchier drums...

All the guitar parts were played on a Deusenberg Paloma, bi-amped into two channels.

The Demise Of Gilbert Spire

Thank you for listen to Stina 
Appriciate it
music/compose/producer/instrumentals/mix/master/vocal/lyrics/
final producer/  Stina Crow 2023

Invisible

No Mo Jo

Full album "THE MYSTIC OPERA II" available on:
- Apple music.apple.com/it/album/the-myst…era-ii/1617105476
- Spotify open.spotify.com/album/50S1unYxcj0SDWPmQPnBDV
- Amazon Music music.amazon.it/albums/B09X11CB13
- Bandcamp davideangelini.bandcamp.com/album/the-m…-album-2022
- You Tube https://www.youtube.com/playlist?list=PL4SKFz1XBRp6F_JVCduNAQNELo-fOfE0K

Written, arranged and produced by Davide Angelini
Album: THE MYSTIC OPERA II
Publishing: 2022
(p)&(c) 2022 Davide Angelini

THE MYSTIC OPERA II

BLUE MARINE (instrumental)

BLUE MARINE - (instrumental)

｢あなたは何もわかってない ~ WEDNESDAY NOON CRAMPS」

Concept music for a graphic novel.

Music written, produced, mixed and mastered by Thomas O'Higgins Horna.

Special thanks to my funky disco heroes: Larry Dunn, Maurice White, Phillip Bailey, Verdine White, Ralph Johnson, Al McKay, Johnny Graham, Fred White, Andrew P. Woolfolk, George Bohanon, Oscar Brashear, Ernie Watts, Dennis Byron, Maurice Gibb, Robin Gibb, Barry Gibb, Alan Kendall, Blue Weaver, Joe Lala, Derrick McIntyre, and Nile Rodgers, which their music served as reference for this work (and also was my jam back in high school).

Cover art: "El Jaleo"(1882) by John Singer Sargent. Edited by me.

YOU HAVE NO IDEA

ＹＯＵ･ＨＡＶＥ･ＮＯ･ＩＤＥＡ

Little Did I Know

I've been on Soundcloud for six years now and it's been great exploring the work of other artists.  There is so much generosity of spirit on this platform, it's just what you need when most of your music is made solo. 

I started out playing classical and Spanish guitar, then took up flamenco to ease myself away from the confines of musical notation. As a result, Latin rhythms often creep into my music. 

A friend introduced me to steel string and electric guitars just a few years ago and I still find the scope they bring dizzying... but what fun!

The Demise Of Gilbert Spire

Wayfarer DG

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