Record Label

A Wicked Discourse indeed.
The constant purveyance of enlightening sounds that stimulate as they nourish the soul.

Samuel Fach was born and raised in Gießen, a small city in central Germany. With plenty of time on his hands and an inquisitive mind, he began to explore electronic music. After years of discovering and learning about many varieties of music, he began to DJ in the year 1999. Through further expanding his knowledge and skill of DJing, he found an urge to express his own musical creativity, and so he began producing under the name „Laufmasche“. 
Under this name he successfully released with numerous labels such as; What What, Snork Enterprises and Eminor. Today he lives in Berlin, where he created his new alter Ego „Samuel Fach“ in 2011. His releases can be found on Tonkind, symbiont-music, Default Machine, UnderYourSkin and Amselcom.


ATTENTION: All my tunes are now here: youtube.com/@DaftLimmy

To keep up-to-date with all things DJ Bone, Subject Detroit, ABM, DJ Bone ... Attacks!!! Please check our other Soundcloud account: 
http://soundcloud.com/subjectdetroit

You can also find us on Facebook:

DJ Bone ... Attacks!!! 
https://www.facebook.com/home.php?sk=group_107859342640645

DJ Bone 
https://www.facebook.com/DJBone313

Subject Detroit 
https://www.facebook.com/SubjectDetroitRecords

FYI, DJ Bone does not maintain this account personally. It is looked after by the Subject Detroit Web Team. 

If you need to reach DJ Bone, you can email him at: info@dj-bone.com

Thank you!!!

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To some he is the champion of the underground. Others see him for the first time and ask the person dancing like crazy next to them, "Where did THIS guy come from?"

Think of Detroit Techno and DJ Bone might not be high on your list of luminaries because he is 100% independent and does things on his terms and on his terms only. He won't tap dance or bend to fit the "popular" dj mold. Those who recognize Bone know him for his uncompromising and innovative ways.

It's no accident that two letters always precede Bone's name whenever he's on the bill. First and foremost, Bone is a DJ---in the truest sense. When he spins, it's as if the turntables and the mixer become a physical extension of his body. He employs every possible technique in the disc jockey arsenal masterfully: blending, scratching, backspinning, no monitors or headphones; unrivaled in his use of the fader switch and he incorporates them all into every set. From his standing room only residency performances to after-hours spots, he rocks every show as if it's his last.

What the general public and far too many DJs don't realize is that Bone spins as much for his own enjoyment as he does for the audience. It's a compulsion that only those who live for what they do possess and those who don't can never understand: Bone lives to spin-it's a necessary part of his existence. His dedication to the art of dance music and DJing is so untainted and intense that the tales of his confrontational encounters with flashy booking agents and "big name" djs are already the stuff of legend. No hype or trends, just a relentless drive and passion to take the party to another level. That's why he's one of the few spin masters other DJs hate to follow.

DJBone is one of Detroit's most coveted underground vinyl technicians. This very talented and highly sought after artist plays events and clubs worldwide, has held a residency at four of Detroit's top clubs and produces music inspired by the city in which he hales from, Detroit. His record label Subject Detroit is futuristic and unearthly while still displaying the true essence of Detroit's Techno Soul.

Bone experienced the emotion, passion and energy of Detroit Techno first hand at the infamous Music Institute. What he witnessed there, along with the eclectic mix of music filling Detroit's airwaves by the legendary Electrifyin' Mojo and The Wizard, would serve to be Bone's main influences.

Bone began his DJ career spinning groundbreaking sets weekly at The Love Club (The Shelter). From there he gained a dedicated following which eventually led to him playing at three different clubs five nights a week, as well as several underground parties in Detroit. An invitation to provide fortnightly, live mixes for the Deep Space Radio show on 107.5 in Detroit was also extended.

After hearing Bone in Detroit (1996 Love Club Anniversary Party), Laurent Garnier booked him to headline at the Rex Club in Paris. Soon after word spread and Bone was invited to play events all over Europe.

A lack of electronic music which fit his style led Bone to produce his own original songs to incorporate into his funky and eclectic sets. He took it a step further and started his label Subject Detroit focusing on true Sonic Soul.

In late 1997, Bone began his residency at the Motor Lounge in Hamtramck (bordering Detroit on all sides) pioneering an underground Detroit Techno night. Within a month, the number of Bone's weekly session attendees topped 1,000 as well as tens of thousands of others tuning in to his live set broadcast on the radio every Friday from midnight until 2 am (87.9 FM). Always looking to expand minds and move bodies, Bone took on the challenge avoided by so many DJs before him familiar with Detroit by name only. For nearly three years, he amazed his crowds, which included out-of-towners from as far as Japan and Australia alongside his Detroit faithful. Unfortunately, due to Motor's attempt to exploit what Bone had founded and loved, he decided to depart from the club and his residency.

Bone's observation of the trend to book producers to spin, as opposed to actual DJs, prompted him to go against the grain and establish himself as a DJ first and foremost. He believes that an individual's talent should speak for itself and not be overshadowed or misconstrued by hype.

DJ Bone describes himself as "an uncompromising, hype hating, 100% independent, real Detroit native come auditory striker and soul controller that cannot be bought".

"If the gig is set-up with the music as the main focus (as it should be), then I have total control over the vibe. That's my duty. I'm not worried about having a Hollywood production going on or special effects with video images, smoke, etc. Just playing the best possible music as well as I can. I feel the need to constantly progress skill-wise and I feel my 3 deck sets are truly unique. Many DJs have 3 decks in front of them but how often do they actually have 3 records playing all at once (with the levels up)?” – DJ BONE


Musically speaking, I’ve been quiet for a few years. 
I gave myself a few years in solitude to deprogram and let go of some old ways that weren't helping me live well.
I believed I was done with djing, but out of nowhere, the fire reignited and my passion is stronger than ever.
I've been nudged to explore the realms of rave and breakbeat music in a way that I never allowed myself to in the past.
During the past 30 years my musical style has constantly wandered, with acid house and techno being the foundation.
For a number of years I played under a different name and explored the sounds of West Africa and South America, adding a richer more grounded spiritual flavour to my sound.
But now I've returned to the source of the obsession - the rave years of the early 90's, and the sounds I spent endless nights immersed in back then.

Listen to 'The Party is Over' radio - curated by the Keinemusik crue - on Spotify. Updated weekly: goo.gl/MbTbcY

When one could assume, &ME entered the House and Techno world somewhat out of the blue, it is due to his sublime modesty that’s already captured in his alias. His way to become one of today’s most praised and sought after DJ/producers is based on a solid foundation. A foundation comprised of solo-releases, remixes, projects and collaborations that numerous, we’d rather refer to his discography than weary you with namedropping. Besides, all those references would just distract from what truly matters – the music this guy is delivering. Not to underestimate the importance of a project such as Terranova for &ME’s current path, but still the alignment has been made – to focus consistently on his solo-work. And it shows.

There are not many artists around turning in such a slew of globally praised floormaterial like &ME did over the last years. Just think of his last offerings on Keinemusik, a collective of Berlin based DJs and producers, including Rampa, Adam Port, Reznik & artist Monja Gentschow, he helped founding in 2009, namely “After Dark” and “Woods” or his “Vermillion”-remix for Damian Lazarus – all serious bangers, played by every renowned DJ worldwide. Everything is falling into place for the fella. His DIY-approach to handle things, his easy going attitude, his reputation as a gifted producer and DJ extraordinaire, his ability to link innovative production with consensual reception, making him one of the most unique and original figures in the game.

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