ATARDE is the pseudonym of Leonardo Celsi, an artist from Ancona born in 2001. He approaches music from a very young age thanks to his parents, both violinists. He starts playing the drums first, then the piano, thanks to which the first songs come to life. Influenced by various artists such as Queen, Elton John, Lucio Dalla, Hozier, Milky Chance, Twenty One Pilots (the band who made him discover the ukulele) and Calcutta, who inspired him in writing the first texts in Italian. 
He publishes his first cover on Soundcloud in December 2020, followed by some tracks written and produced by himself such as "loml", "cartelloni" and "compton" throughout 2021. The first release for a record label arrives in October 2021, resuming a soundcloud track, “loml”, co-produced with Fudasca and published for Pezzi Dischi under exclusive license
to Island Records / Universal Music Italia. His first live experiences are with a band formed together with some friends, in which his songs plus some covers were played. As a soloist he is presented in acoustic, ukulele and vocals or accompanied by recorded base and guitar. 
In 2021 he played with Celestopoly and Bartolini at the Brainstorm Summer Festival in Fusignano and at the Beat Festival in Empoli.

The Techdirt Podcast, hosted by Michael Masnick.

Anetha is a French artist, DJ, producer, label manager, talent agency co-founder and a trained architect.

Transmitting the glossy textures of techno, trance and experimental music, Anetha whips up bouncy basslines, stomping kickdrums, glorious melodies and a sprinkling of melancholic motifs, sharing her sound in seminal clubs and legendary festivals worldwide. From the industrial setting of Berghain, the sleek surroundings of Hï Ibiza, the dome of Gashouder and the open-air haze of Stone Techno, Anetha has garnered a loyal audience across the Americas, Europe, Australasia and beyond. Delivering lush and luminous productions and DJ sets, the Bordeaux-based artist works with attention to detail, creative construction, and nimble mixing — as one would expect from an artist with an architectural background.

2024 marks the release of Anetha's long-awaited album on Mama told ya. The ten-track LP honours her ephemeral taste in electronic music, welding a palette of post-club, techno, trance, experimental, nu-wave, rave, and DnB, and features Anetha's own voice, literally and figuratively. The album tells the story of Anetha's trajectory so far and explores ecological awareness, femininity, toxic masculinity and unwarranted opinions in the music industry. In true Anetha style, she conveys these themes with playfulness and a touch of irony across the album.

Several releases colour Anetha's discography, from her debut EP 'Ophiuchus' on Berlin-based label Work Them in 2015 and a myriad of EPs, singles and remixes on imprints like Anagram and OAKS and her own label, Mama told ya.

Launched in 2019 and co-founded by Anetha and her skilled, close-knit team of friends and family, Mama told ya platforms rising stars and encourages them to express themselves through music, no matter the stage of their journey. Limited edition and earth-friendly merch, including clothing and fragrance, extends the realm of Mama told ya alongside label showcases.

And then, there's Fané.e. It's a new label from Anetha and the MTY family. Every release follows a seasonal schedule, where tracks will be available to download and stream for a finite period until blossoming once more the following season. The label aims to share high-quality, genre-fluid productions without the restrictions of a vinyl-led imprint and to cultivate a more environmentally friendly way to consume music. 

In 2020, Anetha launched the talent agency Mama loves ya to nurture emerging artists worldwide. When it comes to sustainability, the agency walks the walk. Mama loves ya works with the carbon management project Greenly, helping offset, reduce and compensate for its carbon footprint and decrease CO2 emissions. Actions include implementing eco-riders and operating an open calendar on the MLY website, showing promoters where and when each artist is due to play, thus reducing travel distance between bookings.

Born in Bordeaux to nu-wave and electroclash-inclined parents, Anetha moved to London and then Paris, where she studied and graduated in architecture. There, she co-founded the label and party series Blocaus in 2012, honing her skill as a DJ and shaping her profile on the Parisian scene for the guts of ten years.

Now, Anetha has evolved into a fully established and globally recognised artist, blurring the lines between art, music and fashion through her artistry and relationships with fashion designers Marine Serre and Rombaut. If anyone can balance the tasks of touring, producing, and co-managing two record labels and a talent agency with poise, it's Anetha. 

Booking: joy@mamalovesya.co
Management: jules@mamalovesya.co

INTREPID SKIN /// MOTHERLODE /// HERRENSAUNA 
 @intrepidskin  ///   @herrensauna 

BOOKINGS: 
Worldwide: chris@elitemm.co.uk
South America: larissa@liminal.ag

Bitches Love Acid

Patrick Franke – Field biologist + recordist
Vice-chairman Wildlife Sound Recording Society
Board-member Finch Research Network

Bookings : marcus@lb-agency.net
Managment: mt@tailored-communication.com
Checking Promos here Monthly ;) 

• Berghain • MUTE • Leisure System • 
https://linktr.ee/JakoJako

PLS use this messenger ONLY for Promos and Music you'd like to share with me ;) THX

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

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