Label heads at @World-Famous-Headquarters

Bookings: will@sleepinggiantmusic.com // All other inquires: griff@potentialfun.com

Promos / demos: worldfamousheadquarters@gmail.com

Gordon Huntley & Erick Muise joined forces as Botnek back in 2008 in Halifax, Nova Scotia through a shared love for house music. With a shortage of inspiration in the form of nightclubs and generally an unlikely scene for the quiet seaside Canadian town, Gordon & Erick bonded over Ableton tips, dance music blogs and late night radio shows on BBC Radio 1. Soon after forming a strong friendship through similar musical interests, the project was formed, which led to a string of releases with a number of up & coming fidget & electro house labels. The guys landed a couple of key remix opportunities from this early buzz around the project from names including Crookers, AC Slater, Felix Cartal & Jack Beats. In this first chapter of their careers, the duo toured first in Europe and Asia, in clubs such as Fabric, Sub Club, and Bootshaus.

It wasn't much longer until Dim Mak Records & Steve Aoki were interested in signing the project to the label. From the signing to Dim Mak came a number of singles & EPs, tours in America, and their viral edit of Martin Garrix’s hit “Animals”. The duo gained far more attention from this than ever expected, and started the next chapter in their career. Shifting styles into more main stage ready Electro House and Big Room, the duo began touring internationally. More singles for Dim Mak followed, along with another viral remix.  This time for The Chainsmokers' “#SELFIE”, which really put Botnek on the map. Collaborations with Zedd, 3lau, Loudpvck & Snails soon followed as well as an even heavier touring schedule. Since then, Botnek have toured the globe in almost every continent, have played on some of the biggest festival stages in the world including Tomorrowland, Ultra Music Festival, Coachella, Electric Daisy Carnival & more, and have done a Las Vegas residency with Steve Aoki.

Almost a decade later, in the summer of 2017, the Botnek boys reached a major turning point. The once dance music class clowns felt an urge to evolve their sound; to shift the project away from the festival Big Room sound, and back to the roots of the project.  After years of touring, both Gordon & Erick realized they had almost subconsciously stopped creating the kind of music that had originally fueled the formation of Botnek in the first place, all those years ago in Halifax. It was time for the next chapter in their careers and they decided to take a leap. They released a song called "Don't Need U" on their own independent label imprint World Famous Headquarters. The track had the quirky house sound they bonded over when they first met and shared such a deep love for. From there, the duo has released a number of tracks in this musical vein, each one a deeper dive back into the diverse & ever-expanding world of house music.

In 2018, Botnek decided to take things a step further with this World Famous Headquarters imprint by launching a monthly radioshow. They launched World Famous Radio in partnership with SiriusXM’s Insomniac Radio, as a sort of homage to the radio shows they first loved on BBC Radio 1. After fully realizing the amount of talent existing amongst their peers and the next generation of young producers, the guys opened up the doors of the World Famous Headquarters label to outside artists for the first time in the fall of 2018. The label's sound will consist of Botnek's filter of wacky house music inspired by those early fidget & electro house days Gordon & Erick are still so inspired by today.

BΔSTILLE

For more information please visit:

http://www.bastillebastille.com


d00mscrvll out now 
https://hypeddit.com/diplo/d00mscrvll

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

BeksOneR Cunt. 
From Newcastle.
Take Acid , Drop E & Smoke BuD.
musikk.

Rest in Peace Mitchell Powell <3 


The well recieved "Carparks and Cigarettes" acoustic/hip-hop track will go on to see Mikka teaming with hometown spitter "Treble1" for what seems to be the beginning of a full length album. Broadening the horizon with concrete plans to collaborate with Dubstep, House & RnB artists, stir in a Metal producer, shake another Hip-Hop cardinal in the mix (all yet to be announced) and winter 2012 is looking like quite a treat isn't?

Awakening from the back of tour vans, strangers floors and ash littered rehearsal rooms for most of his teenage years, ‘Mikka’ has bitten off his fair share of the east coast touring lifestyle. Leaving the turbulent on road shambles he finally lands back into his humble hometown of Newcastle.

The transcending singer/songwriter has set to stage alight with an acoustic account of his shifty backstage stories, the vicissitudes of romances, homesickness and displacement, and the intervention of family and friends along with everything in between.

The wayward gentlemens' solo performances to date, have been described as mix of strong and subtle melodies grounded by punchy rhythms. The overall sound is a paradox to the heavy, distant, aggressive playing technique enforced in his past projects.

His most upto date projects are featured on sound cloud. Check out his array touch on genres @ www.soundcloud.com/mikkaxxxv

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