Alexander Robotnick is the artist name of Maurizio Dami, an electronic musician, DJ and producer living in Italy.

For more than a decade, Alden Tyrell has been tirelessly crafting away on a range of electronic sounds. Recalling the motifs of Detroit and Chicago clubs and radio stations gone by, combining robotic basslines with rich synth lines and doing it all alongside peers like I-F and Legowelt, it's not too bold to say Tyrell is one of the leading names in his field, despite his modest claims only to "push buttons until I hear something that rocks."

From his Rotterdam base, there have been hot anthems like 1999's 'Love Explosion' landmark collaborations with old school heroes like Egyptian Lover and plenty more pumping electro-fried offerings on esteemed labels like Clone and Viewlexx. Often taking his live sounds and arpeggiator love on the road, highlights have included appearances at festivals like Lowlands and BLOC as well as clued-up clubs all across Europe and the States.

But the Dutchman's investment in his art also runs deeper: a large part of his time is spent mastering music for Clone Records, the associated Dutch imprints as well as for a range of international labels. Tyrell's unassuming approach - "I just want to enjoy myself in the studio...if people enjoy what comes out the other side then I very much appreciate it" - coupled with his love of crafting the past in the here and now; combing elements of futurism with streaks of retroism, are the things that make him quite the indefinable talent he is.

For all bookings contact Octopus Agents: 
nick@octopus-agents.com

Giorgio Moroder - the father of Disco

Casablanca Records

Genres and Styles:
Disco, Electronic, Hi-NRG, Synthesizer, Pop, Rock, Dance, EDM

Moroder is frequently credited with pioneering synth disco and electronic dance music.

Soundtracks: 
Metropolis, Scarface, Midnight Express, Cat People, Electric Dreams, American Gigolo, Flashdance, The NeverEnding Story, Top Gun, Over The Top, Grand Theft Auto III (Flashback FM), Grand Theft Auto: Liberty City Stories (Flashback FM), Racer

Giorgio collaborated with Daft Punk in 2013
(My name is Giovanni Giorgio, but everybody calls me Giorgio - "Giorgio by Moroder"),
he is officially the oldest DJ in the world and currently working on his new album called "Déjà Vu" featuring Britney Spears, Sia, Charli XCX, Kylie Minogue, Mikky Ekko, Foxes, Matthew Koma, Kelis and Marlene.
Stay tuned.

#74isthenew24
#Righthererightnow
#Dejavu
#Diamonds
#Dontletgo

With his release “Dynamism” in 2009, Equitant has proven once again how to re-design and significantly alter his musical approach uniting a cold mix of electronic body music and darkened techno. The concept for “Dynamism” is an ever-changing activity, various theories or philosophical systems that explain the universe in terms of force or energy. This is a process or mechanism responsible for the development and motion of a system.  “Dynamism” is more or less where his 2008 EP “Mekanik” left off. Just as heavy and just as aggressive.

2008 saw a revivification of Equitant’s style and sound, with the “Mekanik” EP release on Black Montanas/Black Leather Records. This EP brought forth a new chapter in the sound structure and design of the music. The music took on a distinct and aggressive techno-EBM sound…like switching on a kind of techno-EBM engine.

Equitant’s antecedent sound started out as an ambient synthesizer project in 1993, then evolved to a cold mechanical direction of electronic music with traces of techno-electro elements in 1999. From 1993-2003 Equitant released a vast collection of demos issued on his label Black Montanas, including his first full length album “Zurich” in 2002. Followed by the “Kompressor” EP in 2003. In 2005 Equitant signed with the Dallas Texas based “Tarot Productions” label. The result was the simultaneous full length releases of “Zeit” (recorded in 2002) and “Konstruckteur” (recorded in 2004). Both albums fused a cold delivery of electro, and abstract techno, unveiling a futuristic simulation for all the masses. The follow-up to “Konstruckteur” was the long awaited “Hauptstadt” EP released in 2007 on Black Montanas. After a much-needed break musically, Equitant released the experimental “Technik” full length album on Black Montanas in early 2008. A release strictly influenced by the infamous “Detroit Electro” sound.

In July 2009 Equitant produced a track called “You Know What I Want” for Yasmin Gate’s debut release “YG” on David Carretta’s “Space Factory Records”, along with other collaborators: DJ Hell, Christian Prommer, Keith Le Rouge, Pillage, Douglas McCarthy, T.Raumschmiere, Ikki. Equitant also teamed up with Yasmin Gate for a full collaboration as “Equitant & Yasmin Gate” in 2009, releasing the illustrious “That’s All” EP and “That’s All The Remixes” on Black Montanas.

From 2003 to the present Equitant has constructed countless remixes for many renowned artists in the electro/techno/EBM scene. With worldwide underground electronic labels like: Space Factory, Black Montanas, Black Leather Records, M-tronic, Punch Records, Alfa Matrix, Advanced Synergy. Artist remixes include Jonathann Cast, Millimetric, Yasmin Gate & People Theatre, Adriano Canzian, Mt. Sims, Elite!, Reizstrom, Red Industrie, Kaball, Struck 9, Strange Connection, Grandchaos, Xander Harris, Adán & Ilse + many more.

Now, three years after the release of “Dynamism”, Equitant has returned in 2012 with his latest release “Body Vehement” (Black Montanas/Black Leather Records) featuring vocals by: Lea X, Yasmin Gate, Bastian & Illumine Concrete. And 2013's “Body Vehement Remixes” (Black Montanas) featuring remixes by: Canzian, Carretta & Workerpoor, Electrosexual, Equitant, Elite!, Alexander Robotnick, The Populists (aka Yan Wagner), People Theatre, Strange Connection + many more.  Equitant’s “Body Vehement” is a cold mix of techno, electro, EBM and disco. “Body Vehement” opens yet another new dimension to Equitant’s ever changing sound.

Over the past years Equitant has been a resident live act at the prominent "Klub Atomix" in San Antonio Texas. As well as other live performances in Texas, Mexico City and Bogota Colombia. The Italian producer Adriano Canzian has described Equitant's sound with three simple words, "Powerful, Sexy, Strong…simply amazing”.

Website: http://www.agurakelectro.com/
Label: http://www.ekproduct.com/

BOOKING - EUROPE/NORTH & SOUTH AMERICA:
equitant@prodigy.net

PRESS 

There is no weak track for me but for the highlight I choose the opening track "Body Vehement (Original Mix)" because as I said it is an emotional, intense and impassioned EBM track. I hear so many things in this album from Giorgio Moroder to DAF and Front 242 and recommend it thoroughly. 

- Brutal Resonance (Danya Malashenkov) 

Every time this artist surprises me with his fresh and minimal EBM vibes. "Body Vehement" is a new exploration of the body-tech fields and a new union with guest singers. Equitant strikes back stronger than before! 

- Sideline Magazine (Stephane Froidcoeur) 

Equitant's Body Vehement shows off his expertise: taking electronic music to it's raw basics, adding a personal touch of hard beats and bass, creating unique melodies and synth tracks with a strong punch, and then either letting them stay monotonic and hard, or adding a layer of atmosphere that not only makes you want to stomp around and dance, but also may let you dream away. This is what Equitant does best and what makes him stand out in the industrial, techno, EBM, Oldschool - EBM scene. 

- Eine Tasse Jager (Ramunas K Fishermang) 

Body Vehement would best be described as existing in the space between heavy synthesizer based ’80s EBM like early Frontline Assembly (think bass and synth on Corrosion era FLA) meets Terence Fixmer or David Carretta’s banging dark techno that sounds equally at home on a white smoke machined EBM night as it would in a intense techno set. 

- Mishka Bloglin (Mike Textbeak) 

The Mcd "Mekanik" released in 2008 was already a terrific piece of techno-body stuff, but the newest "Dynamism" is simply a must have! I got the impression when pushing on the play button of my cd-player that I switched on a kind of techno-EBM engine. 

- Sideline Magazine (Stephane Froidcoeur) 


New Single 
Romina Cohn + Geistech
@space-factory-records
The Beyonder by Geistech 
on @gigolorecords
(The DJ Hell Experience )
https://www.beatport.com/release/the-beyonder/4501106
The Man Out Time Album
https://www.beatport.com/es/release/the-man-out-time/4481621

EL ALMA

https://www.beatport.com/release/el-alma/4199836



geistechofficial@gmail.com 

Biography

Carlos Alberto Cruz, a producer and Dj from Mexico City, in his career Geistech has achieved a hard and dark style based on the IDM(Intelligent Dance Music) and Techno. Taking influences such as Information Society , Duràn Duràn, Level 42, INSX. Ken Laszlo , Howard Jones . 

After starting out as a dj and looking for his identity, he starts doing Techno and industrial sessions in small clubs in Mexico City.

In this period of time he immersed himself in electro doing sessions for artists such as Vitalic, The Hacker, Antony Rother, David Carretta, Terence Fixmer, Tiga and some other established artists from the German label International Deejay Gigolos.

It is at this stage where he begins his path in the production of avant-garde tracks with dark atmospheres, music for the Colombian label Black Leather, the Dallas label Black Montanas and the Mexican record label Dostonos.

In 2016 he began a musical change from Electro EBM to IDM, releasing singles for various underground culture labels in France, Colombia and Mexico, this change positioned him in the sessions of Maceo Plex and Dave Clarke, making music on the digital labels Scient Cult , Audiophile and Aesthetics.

2019 experiments with sounds that fuses various genres making a digital amalgamation between IDM, EBM, TECHNO and ELECTRO, this is where he has the opportunity to work with who is the best exponent and inspiring artist for geistech DJ HELL, releasing a track on the Berlin stamp called Duat ; They drew their plans against us.

Geistech's music covers 3 generations so far, achieving a melodic atmosphere with different shades of electronic music.

Bookings: jessica@blivemusic.art (Worldwide)
diana@provocateur-booking.de (Gsa)

An unequivocal industry visionary, DJ Hell's career has embodied and then transcended his many guises: Anti-Superstar DJ, International DeeJay Gigolo Label Boss, GQ Man of the Year, Playboy, Jetsetter, Bon Viveur, Munich Machine, New York Muscle. Seeing, and envisioning - that is of enormous relevance to Hell. He managed to convey pure artistic prowess as well as pure style during his thirty year DJ career. The individual look, the do-it-yourself approach, the elitism. That's how it grew.

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