In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Cas Haley first gained national recognition in 2007 on NBC's America's Got Talent, where he performed a stunning acoustic reggae cover of The Police's 'Walking On the Moon'. His performance quickly went viral and helped him secure a well-deserved second place on the show.

Since then, Cas has been on a musical journey that has taken him around the world, blending Southern soul roots with reggae-inspired rhythms in seven original albums. His latest project, "BOOTS ROCK REGGAE, VOL. 1," is a unique collection of America's favorite country and rock songs, reimagined with Cas's signature style. By bridging his country roots with his love for reggae music, Cas is creating something truly special and unforgettable. Join him on this exciting new musical adventure and experience the magic of his music for yourself.

A platform for Reggae music worldwide. Empowering Artists / Building Community.

𝙁𝙤𝙧 𝘼𝙡𝙡 𝙄𝙣𝙦𝙪𝙞𝙧𝙞𝙚𝙨 𝘾𝙤𝙣𝙩𝙖𝙘𝙩:
rootfire@rootfire.net
𝐖𝐞𝐛𝐬𝐢𝐭𝐞: https://rootfire.net
𝐅𝐚𝐜𝐞𝐛𝐨𝐨𝐤: https://www.facebook.com/RootfireNet/
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Ultra Records has been known to push electronic music’s boundaries. For over a quarter of a century, the iconic record label has been instrumental in elevating up and coming artists to the global mainstream as well as bringing fresh genres and sounds to the forefront of the dancefloor. Founded in 1995 and since the label’s first release with house music icon Roger Sanchez, Ultra has been home to some of the most legendary names in electronic music including, MK, Benny Benassi, Armin van Buuren, Steve Aoki, David Guetta, Calvin Harris, Black Coffee, deadmau5, Carnage, Deorro, Kygo, Tiesto, Kaskade, Louis the Child, SOFI TUKKER, Anabel Englund and many more.  

In addition to creating and releasing numerous platinum hit singles, award winning remixes and chart topping albums, Ultra Records has built an incredible portfolio of digital media properties including its YouTube channel (28+ million subscribers), Facebook page (2.4+ million Likes), Instagram channel (550k+ followers) and Twitter (600k+ subscribers). 

At the end of 2021, Ultra Records was acquired by Sony Music and David Waxman, who previously held the title of head of A&R and General Manager, was appointed as President. In this new chapter of the label’s story, the core of its ethos will remain the same: Ultra Records will continue to deliver exceptional electronic music to the masses.

Fat Wreck Chords is an indie label co-founded in San Francisco by NOFX frontman Fat Mike (Michael Burkett) and Erin Kelly-Burkett, in 1990. The first wave of bands signed to FAT (No Use For A Name, NOFX, Propagandhi, Lagwagon, and more) shaped what became known as the Fat Wreck sound. FAT continues to be an artist-friendly label and has a unique business model of signing bands to one record deals. Going on its third decade, FAT boastfully remains a 100% independently owned and operated company.

Cathartic track selections of love, lost love, and desire.

More mixes available: http://www.mixcloud.com/djDanceFloorChampion/
 

While a great artist's music can tell most of their story, there are always details that take time to work their way into the fabric of songs and become synonymous with the personas that capture fans.

Devin Miles' musical journey has just begun, but he's already figuring out how to tap into his particular perspective to bring elements other rappers might not imagine. Devin lives for creation. 

Whether sitting at the piano–the instrument his played since an early age, turning the heads of friends and family who inspired him to pursue music–or studying Renaissance art, Devin's days are full of unexpected creative forces. While some rappers might dream of hopping on stage with their chart-topping idols, Devin would rather the impossible chance to bring out Ray Charles and jam on the keys. 

His music serves up the crossroads of influences, reflecting the current landscape while allowing Devin's smooth flow, particular musicality, casual cool, and still-developing story to shine through.

This imagination and eclectic perspective–born in a household where music of all types was a constant factor–are the fuel that feed Devin's artistic growth. 

Though his hometown Pittsburgh doesn't possess the storied hip-hop history of some of America's other big metropolises, its recent string of successes in building stars through the independent grind has prepared the 22-year-old for the work necessary to rise from internet buzz to real world notoriety.

He might not be able to resurrect Ray, but Devin is well on his way to leaving a mark on independent hip-hop and climbing to heights beyond the confines of any one genre.

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