Lize Records // Label and artist collective based in Berlin.

Lize Records is a Berlin based label and artist collective. It stands for a close-knit group of friends who started a label out of their idealistic love of music.

Austrian DJ and producer duo based in Berlin.
Owners of Perfumed Freedom records.

booking: j@solid-am.com

follow us on instagram for latest news: https://www.instagram.com/foehn_and_jerome/

#fortheloveofhouse #perfumedfreedom

Based in Berlin for over a decade, dynamic Austrian duo Foehn & Jerome have drawn influence from their surroundings, holding down a residency at Club der Visionaere with their Perfumed Freedom events, cementing themselves in the thick of the melting pot scene of the city. In the next period of their career they will explore new territory, extending the Perfumed Freedom umbrella to a record label, releasing music from themselves and other artists they admire, and a fresh label alongside Alexander Skancke and Henriku, titled “TBH”.

After becoming flatmates in Berlin 2011 they began their joint quest holding down a residency at Vienna hotspot Grelle Forelle for the “Cafe Sturz” events, during this time they hosted the likes of Zip, Sammy Dee, Vera and many more. They then moved their attention to Berlin and ever since have been residents at Club der Visionaere, with some early events under various names before starting their anticipated Perfumed Freedom parties in 2018, allowing them to grow an extensive community through the years, and still going strong to this day inviting artists such as Daniel Bell, Thomas Melchior, Mathew Jonson, Eli Verveine, Losoul, Rhadoo, Vale Colvin, Felix Hk, Idit Frenkel amongst many other fantastic names.

Their intricately arranged productions have led to Foehn & Jerome landing music on integral labels throughout the years, all of which have inspired their journey. You can discover their music on Sammy Dee’s iconic Ultrastretch, Barbera Preisinger’s Slices Of Life in collaboration with Alexander Skancke on “Public Trouble”. Other bodies of work have been released on Det Gode Selskab, Kopf Bei Fuss, with their earliest work on their co-founded label “Untitled 100” with Argenis Brito and Thomas Grün.

Essentially the lifelong works of the pair will now all be directed under the Perfumed Freedom brand, growing a platform to express themselves, gathering ideas, innovative music and their creative vision under one roof, allowing it all to come into fruition.

Booking: samseverino@gmail.com or booking@clockartrecords.com

For bookings please contact Laura Callegaro laura@elitemm.co.uk
mobile: +44 7966614990
office phone: +44 (0) 1273 55 40 22

• Soundarchitect • Composer • DJ

Cio D’Or is an artist, composer and DJ who seamlessly bridges the worlds of techno, art and composi,on. Her artistic drive and creative process begins with an idea that emerges from silence and aims to convey something inexpressible and indescribable. Her work testifies to the timeless possibilities of music and movement.
Cio D’Or’s sound is characterised by attention to detail, weaving together ethereal textures, subtle rhythmic complexity and an undeniable emotional depth, creating a balance between architectural precision and fluid, cinematic immersion. Each element is placed with intention and shaped by a keen awareness of structure and space.
Her releases on Semantica, Prologue and Kynant are timeless expressions of her minimalist and cinematic approach to electronic music.
Known for her dramaturgically structured DJ sets and cinematic productions, she has performed at Berghain, Dekmantel, Bassiani, De School and festivals worldwide.
Cio D’Or’s sound blends architectural precision with immersive atmospheres, informed by influences from Eno to Vainiø, from Bach to Stravinsky, and rooted in decades of sonic exploration. Her music continues to evolve. Her lifelong study of music does, too.

Artist Curriculum Vita 
Education
1977–82 first piano lessons, autodidactic learning of xylophone, congas, kalimba, guitar,
1982–85 Private school for contemporary dance, Martha Graham technique, Berlin  
1999–today Studies in music production, sound creation, composition, dramaturgy, video scoring, photography and visual media. Skills include vinyl mixing, electronic music techniques, MPC 2000 sampling, field recordings, synthesizers, keyboards and music software – developed both on journeys and in the studio.

 Career [Selection]
1976 Conga performer in a jazz band
1981–87 Choreographies modern Ballet, Graham technique in Hanover, Berlin
1983–85 Teacher in modern dance, choreography and gymnastics at VHS Berlin
1984-86 Modern Ballet for André Heller [Fire theatre “Sturz durch Träume“] by L.A. Ellis, as well as in the cinema film by John Frankenheimer„The Holcroft Covenant“
Dance theatre by B. Seidel
2015-today Visual artist for her music: shooting and editing music videos, photographing covers, developing visual concepts
Publications [2000-today]  Musical theatre, 2 films, 3 albums, 14 EPs, international podcasts, various national/international interviews. Labels, among others: Prologue and Semantica

Stage [1999-today]  Over 400 national/international dramaturgical hybrid DJ and ambient performances 

2005 Affiliated member GEMA
2010 Resident Advisor Top 100 DJ worldwide [64th ranking]
2013 Composition „Distanz“ for the Taschenopernfestival in Salzburg
2013 Lecturer Landesmusikrat NRW: “Rmx. Regendered Workshop”
2013 Dommune TV–Tokyo, Japan
2014 PULSA:RE with Brigitta Muntendorf; premiere: Deutschlandfunk
2015 Goethe Institut Sweden„Grammophon“
2015 Lecturer „Loop–A Summit for Music Makers/Ableton“
2015 Film score Ataraxya [1st prize Int.Dig.Animation Nagoya,Japan]   Man on Mars filmmusic
2015 Music for the Haute Couture CHANEL Show Fall-Winter 2015/16 & Karl Lagerfeld Interview   
2016 Dave-Festival, Dresden: Music/Dramaturgy for 2 modern-dancers with visuals in a cinema, assignment Dresden
2020 Extraordinary member of GEMA [composer]

2020–2024 Advanced studies in classical music theory and piano (including fugues). Conceptual and dramaturgical development of projects combining classical and contemporary music worlds, integrating new sound developments, followed by project planning supported by consecutive scholarships. Scholarships: 2× Ministry of Culture and Science NRW, 3× Musikfonds, GEMA
• 60-minute live act with instruments for EU festivals : dramaturgy & composition
• Piano compositions [52 minutes] for film and European stage productions
• Electronic–orchestral interplay [Polar Q, Kynant Records 019, vinyl & digital]
• Music trilogy [Clavier | Orchestral | Ambient, 3 CDs] for publication and stage
• Music portrait of a homeless person
2024 Music for the Haute Couture Show LOEWE Spring-Summer 2025 2025 On behalf of Francisco Tavoni for the exhibition The Source – Astral Projections at the Lindberg Galleries, Melbourne, she created a 40‑minute mix for the sound installation with her sounds and music, including binaural tracks at 4 Hz and 7.5 Hz.
2026 Guest Curator for Electronic Music at the Art Festival Hanover Herrenhausen, Germany

Press Comments [Selection]
n.n.
Minimal Collective (Text: Brent van den Elshout)
In a world driven by volume and spectacle, Cio D’Or stands apart, mastering the power of the barely perceptible. This editorial explores her philosophy of sonic minimalism—where silence, restraint, and nuance challenge conventional ideas of presence in music. Through her creative process, live performances, and the balance between macro and micro perspectives, we uncover how Cio D’Or transforms the ‘power of less’ into a profound, intentional form of presence.

Orb Mag (Text: Cédric Finkbeiner) 
Designer of an instantly recognizable sound, she produces warm and deep complex structures, constantly on a fence between light and dark cliffs, noises and silences, cinematic settings and authentic presence. Part of a family of intricated sounds brought by artists such as Aleksi Perälä, Alva Noto, and Ryuichi Sakamoto, she’s a high representative of the minimal movement. She honors painter and pioneer Frank Stella’s quote “The aim of art is to create space,” she does through deep refined electronic music compositions and stripped piano pieces, delicate yet substantial.
Intriguing and engaging, her musical minimalism invites the listeners to bridge gaps with their thoughts, making them active in the artistic process and, therefore, contributing to the immersive effect. The mental activity is yet effortless for them: minimalism allows a focus on the essentials, by eliminating the dispensable sonic excesses and by creating space. Such a process brings mental freedom to the listeners, by breaking through the wall that a too-dense track would normally build. On the contrary, Cio D’Or’s music is open, and inviting, with an exquisite balance between artistic depth and hopeful, melancholic intelligence.

Monument Podcast (Text: Joe Mayberry)
What’s better than a mix from electronic music royalty Cio D’Or? Two mixes. This week we present something very special, a tale told across two chapters. As a mainstay of techno for over two decades, Cio D'Or has consistently pushed boundaries, gracing the decks of revered institutions worldwide and crafting a legendary discography with releases on Prologue, Semantica, Hypnus, Time to Express and more.
Across both mixes you will hear Cio’s unparalleled ability for sculpting minimalism and sonic architecture, masterfully recontextualizing familiar and obscure tracks alike, breathing new life into them and unveiling hidden dimensions. She dissects, reassembles and creates intricate connections between disparate sounds, all flawlessly executed with an alchemist’s touch.
Prisma 33 starts at a slower tempo, delicately building into an eruption of psychedelic minimalism. Dada grows with kinetic energy, with Cio sculpting sounds and textures into a deep trip where time seems to bend and dissolve, finishing with an unexpected wildcard that only a master selector could make work.

These are my personal rules based on experience and love for music, promoters and audiences:
Set: 2 hours main time, 3 hours at the beginning of a night***
1 hour live (hopefully from Mid 2026)
Live recording:  
a) I love mixes that I perfect at home for an hour, because the idea, dramaturgy and a mix should, ideally, express something and be timeless.
b) there are far too many mixes online ( I prefer quality over quantity ).. 
Deeply thank you for your understanding! Love, Cio ~∆*

Nima Gorji (OFFICIAL) 
𝕀𝕓𝕚𝕫𝕒 𝔻𝕛 𝔸𝕨𝕒𝕣𝕕𝕤 𝟚𝟘𝟙𝟘
https://ngtrax.com
For bookings and other inquiries:
𝗟𝗔𝗧𝗔𝗠 𝗕𝗢𝗢𝗞𝗜𝗡𝗚𝗦: FAM Bookings
ggarcia.ferrer@gmail.com
𝗕𝗢𝗢𝗞𝗜𝗡𝗚𝗦: ngtrax.com
home@ngtrax.com

SHORT BIO

Born in Iran and a citizen of Denmark since the early ’80s, Nima Gorji is based in Ibiza from where he continues to influence the international electronic music scene with his distinct style and vision. His career spans more than 30 years, having a beautiful beginning in Copenhagen’s club scene around the time when the modern house and techno music were taking shape, capturing people’s attention more and more. In 1995 he began a residency at the iconic Club, now remembered as one of the most known underground clubs in Copenhagen, where he played alongside numerous renowned DJs, slowly building on his name. His relocation to Spain brought him extended collaborations with Ibiza Underground, Monza, FUSE, Pyramid, Zoo project and Next Wave while in 2010 he was awarded “Best Ibiza Resident DJ”.
In 1999 Nima Gorji founded Welt Recordings alongside partner, followed by NG Trax and Need For Sound alongside his partner, relentlessly following his passion for electronic music by releasing numerous personal works as well as promoting other artists. His rich discography also includes materials published through labels like SCI+TEC, Deeperfect, Fuse London, Bondage Music, Out Of Orbit, Love Letters From Oslo, Indigo Raw, Cocoon Compilation , Murmur, Bla Bla Records, ÉTÉ, BodyParts and Melodeum, while others have been dispatched through Bandcamp

Mark started as a lover of electronic house music back in the late 80s. He soon became hooked on the music mainly from Chicago, New York and Detroit. In 1989 he decided to get  a pair of Technics 1210's and started mixing as a bedroom DJ. Not long after he was getting booked play in clubs around the south coast of England. After finding love for Synthesizers Samplers and drum machines he went on to producing his own music and in 1997 he started his own label CRAYON. He became labeled as an abstract Techhouse artist on which he recorded most on Crayon. He also recorded tracks under the name SKYMASTER... a more heavier Techno style project. There were 4 releases on Leftfields Offshoot label. One memorable track was Shooting stars, which became a underground classic amongst the Techno crowd. Mark has recorded for other labels such as Force inc, Minifunk records,Mosaic, Solid Goove ,Offshoot, Euphoria and others. Mark has have travelled as a DJ around the world playing at many nightclubs including England, Spain, Norway, Croatia, Brazil, U.S.A, Canada, France, Slovenia, Denmark, Germany, Australia, Malaysia, Penang and Singapore.

Rhythm is the foundation for Chilean producer and DJ Jorge C.
The strong rhythmic bonds formed from an early childhood fascination and adrenaline from the sound of the drums to the innovations of the electro mono machine still carry an impact on the production of the long time producer.
These connections along with the influences of old pioneers like Eno or Vangelis have shaped an unusual musical palette that is distinct.
The founding of his label ​Ojodeapolo has given him the room to explore his own pathways embracing two worlds from 90s Detroit/Chicago house to future jazz, rare funk and disco. As a performer and DJ Jorge C has traveled to various places in South America like D-Edge at Sao Paulo , Europe playing at Paloma Bar Berlin and also in Japan.
He had releases on labels in vinyl format like: Matrix Recordings (Detroit), DeepArtSounds (Zürich) and Dopeness Galore (Amsterdam). His own label Ojodeapolo.cl has been too a platform to spread his own work and to include the participation of producers around the globe that he respects.

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Bookings and all label enquiries: info@astralindustries.co.uk

Please, no demos.

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Artists: Deepchord, Wolfgang Voigt, The Chi Factory, Heavenly Music Corporation, Waveform Transmission, Sonmi451, Atom™, J.Derwort, Shorelights, Multicast Dynamics, LF58, The Abyss Within Us, Monolake, The Humble Bee, Son of Chi, Lucid Dreams, Mystic AM, Dialog, Sa Pa, Toki Fuko, Rod Modell, Ear to Ear, Pianeti Sintetici, Marco Shuttle.

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AI-01: Deepchord - Lanterns
AI-02: Wolfgang Voigt presents Rückverzauberung live in London
AI-03: Chi - The Original Recordings
AI-04: Wolfgang Voigt & Deepchord - Colours of Time, re-interpreted
AI-05: Chi Factory - The Bamboo Recordings
AI-06: Heavenly Music Corporation - Lunar Phase
AI-07: Chi Factory - The Kallikatsou Recordings
AI-08: Waveform Transmission - V 2.0-2.9
AI-09: Chi Factory - Red Lantern at the Kallikatsou
AI-10: Deepchord - Immersions
AI-11: Heavenly Music Corporation - In a Garden of Eden
AI-12: Chi Factory - The Mantra Recordings
AI-13: Sonmi451 - Nachtmuziek
AI-14: Dots - Dots
AI-15: J.Derwort - Bamboo Music
AI-16: Shorelights - Bioluminescence
AI-17: Multicast Dynamics - Ancient Circuits
AI-18: Chi Factory - Travel in Peace
AI-19: LF58 - Alterazione
AI-20: Waveform Transmission - V 3.0-3.9
AI-21: The Abyss Within Us - Life in a Circle
AI-22: Wolfgang Voigt presents Rückverzauberung Exhibition
AI-23: Monolake - Gobi. The Vinyl Edit 2021
AI-24: The Humble Bee - A Miscellany for the Quiet Hours
AI-25: Son of Chi & Radboud Mens - The Transition Recordings
AI-26: Multicast Dynamics & Sid Hille - Metamorphosis
AI-27: LF58 Live at Brancaleone
AI-28: Lucid Dreams
AI-29: Son of Chi & Clara Brea - The Wetland Remixes
AI-30: Mystic AM - Cardamom & Laudanum
AI-31: Dialog - Dialog
AI-32: Son of Chi & Arthur Flink - The Fifth World Recordings
AI-33: Sa Pa - Atmospheric Fragments
AI-34: Toki Fuko - Spirit Medicine
AI-35: Rod Modell - Ghost Lights
AI-36: Ear to Ear - Live Recordings
AI-37: Pianeti Sintetici - Space Opera
AI-38: LF58 - Radials
AI-39: Marco Shuttle - Sonidos y Modulaciones de la Selva
AI-40: Wolfgang Voigt - Rückverzauberung im Tunnel
AI-41: ???

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