The Infinite Moment

frentheln_01

autumn afternoon

‘plaudite, cives!’
Breaking News.
2025 two layers of live performance.

Chaotic social engineering franchise.

First layer tools :
Pam’s, Varigate.
- Basimilus.
- Mother-32 > DSP (stereo delay).
- Morphagene (voice sample) > Zagrzeb (hp out) > Desmodus Versio.
- Drum2 (space snare) > FX Aid (#24 reverb plate classic).
- Plaits (analog high-hat model).
- DFAM > Data Bender > Monsoon (oliverb mode).
Ochd, Tetrapad, Sinc Defero, Mutes.
StMix, Black stereo mixer, Listen IO.

Second layer tools :
Marbles.
- E352 > Beads.
Batumi, Ochd, Sinc Defero, Tetrapad.
Quad Vca, A-138s, StMix, Black stereo mixer, Listen IO.

Recorded, mixed and mastered with Logic Pro.

Associated image : Petrus Major.

Rule by Fear [breaking news]

https://en.wikipedia.org/wiki/Poor_Boy_Blues

Poor Boy, Long Ways From Home (Oct. 2025)

This turned out a bit more Hallowe'en than I was expecting, but given the date, maybe that's OK 😁💀🎃

an autumn nightfall
the skeleton of a huge fish
drawn back by the sea.

Saitō Sanki (1900 – 1962) was a dentist who discovered his passion for haiku poetry in his mid-thirties, when his colleagues at the hospital in Soto Kanda convinced him to write a haiku for a collection. Later, he became one of the most important exponents of wartime haiku: he was imprisoned in 1940 during the government’s World War II persecution of controversial artists, and was officially forbidden to write until the end of the war.

haiku by Saitō Sanki: https://www.littermagazine.com/2023/07/review-sanki-saito-selected-haiku.html

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF skeletoN [naviarhaiku617]

Colla with my demonic friend, Lorzha La Succube, for a shamanic, mystical dark music on poetry.
Lyrics:
Je viendrai en ton jardin merveilleux, Ô ma Déesse.
Vénérer ta beauté éternelle et ton antique sagesse.
Toi qui m’appris pour chasser à bander mon arc d’if,
Et pour séduire à onduler mon corps souple et lascif.

Sensuelle déesse, idole vénérée, guerrière et sorcière.
Je m’offre à ta force et ta sagesse, nue et entière.
Devant toi, je suis pétale lourd de rosée et de désir.
Je m’offre et m’ouvre, esclave de tes envies et de mon plaisir.

Ta poitrine ronde et ferme me nourrit du lait des rêves.
Ta pluie qui arrose mes désirs me bénit et m’élève.
Je danse à tes pieds divins, nue et sans entraves,
Entraînée par le chant mordoré des oiseaux et des gaves

Tes cuisses autour de mes reins, tu fouilles mon cœur.
Tu fécondes mon âme de ta déchirante douceur.
Sous l'arbre ancien, où les rires aux chants s’enlacent,
Je boirai la sève de tes ramilles, pour vivre en ta grâce.

Et je goûterai le venin des songes, puissant et  doux,
Et des visions d’amour s’enrouleront à mes désirs fous.
Je sentirai ton souffle de mousse et d’eau sur ma peau frémissante,
Je me perdrai en toi, dans ta splendeur douce et troublante.

Ton sexe indigo fleurit des ronces parfumées et ardentes.
Je m’y baigne heureuse dans tes ardeurs triomphantes.
Tu malaxe ma chair de pulpe de tes lèvres avides.
Ton regard lubrique et sage me tire dans le vide.

Ma déesse sauvage, dans tes désirs de nuit je suis prise,
Je me fond dans ton souffle, comme le parfum dans la brise.
Je me dissous dans la vapeur du matin primordial
Et ma prière se fond dans notre aube dorée et nuptiale.


Déesse de la Forêt

Fugue No.1 Op.54

quince

Count On Me

From the new album 'Welcome Anomaly"
moodexhibit.bandcamp.com/album/welcome-anomaly

On "Welcome Anomaly" Mood Exhibit returns to electronic sounds with a fierce enthusiasm.
This new album contains some of the boldest and most adventurous electronic music from the mind of ME. - exploring IDM, electro, melodic electronica, and granular experimental, all with an emphasis on detail and evolution.

Mood Exhibit - Tension Code

Valhjim is a music composer with an eclectic approach to different genres: rock, pop, folk, New Age, and experimental electronic music. Greatly driven by imagination and poetic imagery, he combines multiple instrumental textures to fire the imagination of his listeners. 

His more experimental ambience and electronic music is built with layers of suggestive sound textures, rhythms, and melodic lines that stir the imagination into suggestive imagery and worlds unseen, true architectures of sound that open up limitless spaces to explore. Often Valhjim's melodies sail through genre thresholds, crossing over from one genre to another, from neo classcal to electronic, or from jazz to rock or new age.