the guitar reminds me of 'crash', in a way ('crash' from david cronenberg, well.. doomsday...).... it has a great tension, ein Widerstreit.... in time, in ticks.. chimes... very disturbing....

Wonderfully experimental. A crazy creation of sounds and their overlays. Full broadside! For me, this production has a sonic and visual impact. Inspiring. 🪐

i like the way it floats--inevitable progress towards something unfamiliar--

Tic toc goes the clock, nice original work here, tension... I l ike it! Here's my latest, please take a listen when you have time: on.soundcloud.com/2Lhg2oHwmpxdZtFw6

23 langgezogene Stimmen - erik wycisk + r.s.stropharia (24.10.2022)

Sardinia Sketches: Cows - Day Time

Wind chime, electric guitar, effect pedals, unsynchronized loops, two tube amps. All sounds, mixing and production: VSS. Image: miniature installation, photo (VSS). 
Listen to a  Remix of this Track: https://soundcloud.com/velvetsomethingsuperdark/deeper

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Doomsday Clock

Sundog

Furioso

From The FREE Blink Twice album "Hauntology" - https://moodexhibit.bandcamp.com/album/blink-twice-hauntology

Blink Twice - Vile Bestiary

A new track from the New album....https://nomatesensemble.bandcamp.com/album/i-am-never-freer-than-when-i-am-with-you     
Daiphanousness features the following artists

Adam Meredith - Voice/Ford XD with XF front mods
Ariad Music - Piano
Axel Weiß - Synth
Banalytic - Hybrid Modular, Digital, Analogue Sounds
Belial Pelgrim - Digital Strings
Chicago Word Brigade - Electronica
Dane Renshaw - Cymbals
Dani Kirby - Voice
Frank Wilke - French Horn
Glenn Ward - Electric Guitar
Loop(c)y - Electric Guitar
Oily - Meows/Squeaky Toy
Paul Miller - Phat Electro Bass/Keyboards
Raul Mainer - Drum Programming
Rosin Dust - Violin
Scratch Kelly - Beats

Mat Ward - Arrangement/Digital Orchestration

Diaphanousness

One More Life

where the playground once stood

I recorded some toy glockenspiel on top of my telecaster. On the other track good old electric guitar feedback.

Tulppaanit

“Calibration” is probably the most personal track I’ve made. It’s minimalist and shapeless — more like a sound essay than a piece of music.

I created it during one of those moments when everything inside feels scattered: anxiety, disconnection, noisy thoughts. In such moments, I go to the ocean. I sit on the cliffs, listen, and let the scale of the sea dissolve my inner tension.

This track is the sound of that recalibration — field recordings of my footsteps, the sea, and the voices I encountered on that walk. Nothing here is taken from libraries — it’s all recorded by hand.

It’s not about melody or harmony. It’s about texture, space, and coming back to what really matters.

Calibration

Handmade (Experimental) (Ambient) Sound (Art)

Velvet Something Superdark is 1/2 of  https://soundcloud.com/snow_omen

Doomsday Clock

Velvet Something Superdark

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