Eliana Pittman - Quem vai querer (Murillo Mongelo Punch)

Re-edition of one of the greatest classics of the "Father of Brazilian Soul Music".
Tim Maia (stage name of Sebastião Rodrigues Maia, Rio de Janeiro, September 28, 1942 - Niterói, March 15, 1998) was a singer, composer, producer, conductor, multi - instrumentalist and Brazilian businessman, responsible for introducing the style soul in Brazilian popular music and is recognized worldwide as one of the biggest music icons in Brazil. Their songs were marked by the hoarseness of his voice, always serious and loaded, winning and best-selling devoting many successes. Born and raised in the city of Rio de Janeiro, where in his childhood, had contact with people who would be great singers like Jorge Ben Jor and Erasmo Carlos. In 1957, he founded the group The Sputniks, where he sang along with Roberto Carlos. In 1959 he emigrated to the United States, where he had his first contacts with the soul, been arrested and deported for theft and drug possession. In 1970, he recorded his first album, titled Tim Maia, who quickly became a success across the country with songs like " Blue Color of the Sea " and " Spring".
Within three years, released several albums homonyms, making success with songs like "I Do not Want Money " and " I wish both of you". From 1975 to 1977, joined the religious - philosophical doctrine known as Rational Culture, launching this period, the songs " What a Beauty " and " Rhodesia ". The decadence of his songs influenced by this philosophical school, became disillusioned with the doctrine and returned to his previous style of music, releasing hits like " Discoverer Seven Seas " and " Give Me Reason ". Many of his songs were recorded under the label and publisher Seroma Victoria Regia disks, being one of the first independent artists from Brazil. Earned the nickname " the liquidator Brazil " his friend Jorge Ben Jor song in W / Brazil. In the 1990s, several problems have plagued the singer's life: problems with Globo and poor health due to constant use of illicit drugs and to increase their degree of obesity. Unable to conduct a performance at the Teatro Municipal de Niterói, left in an ambulance , and after two cardiac arrest, died on March 15, 1998. It is his legacy to the broader history of Brazilian music, and his work came to influence many artists, as his nephew Ed Motta [citation needed]. Rolling Stone magazine ranked Tim Maia as the greatest Brazilian singer of all time, and also as the 9th greatest artist of Brazilian music. 
https://wikipedia.org

<a href='https://theartistunion.com/tracks/64088a'>Download for free on The Artist Union</a>

Tim Maia - Sossego (Rafael Cancian Re-Edit)

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Máquina (Bernardo Pinheiro Edit)

Released in 1983 as part of the "Dádiva" album, "Rio Babilônia" is not as famous as the "Taj Mahal / Filho Maravilha / Pais Tropical" song, which was the highlight of this LP. 
It is nevertheless a joyful love message written byJorge Ben to his incredible hometown. Here is my drummed up edit of it.

<a href='https://theartistunion.com/tracks/879b93'>Download for free on The Artist Union</a>

Free Dwnld

Jorge Ben - Rio Babilônia (V4YS Flamengo Edit)

Libra Discotheque Meet Claudia - Ana Cor De Cana

NYC Friend (Bernardo Pinheiro Edit)

ig - @tahiragruv
https://www.djtahira.com/

Capa/Cover - @jp.collageart

Edit from Um Toque from Sonzeira 
Album: Bam Bam Bam

Sonzeira - 1 Toque (Tahira Rework)

My reworkof Gal Costa, out today Hot Digits Year Six compilation.
A big thank you to https://soundcloud.com/fingermanedit for welcoming me on board his super funky label:)

https://www.junodownload.com/labels/Hot+Digits+Music/?order=date_down

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Vibes4YourSoul - Acaraje(Hot Digits)

Composição: Jorge Ben
Alô, Alô, Como Vai? (1980)

Download for free on https://hypeddit.com/track/88ztjj

Free Download

Olha a Pipa - Jorge Ben (Lysia Vani Edit)

To be officially released in February 2022, as part of Tudo Azul EP on TSTD, my revisit of this 1972 track from Gilberto (actually a cover of a track written by Gordurinha & Jackson do Pandeiro), where lyrics are a funny critic of the supposedly the one-way cultural relationship between the US and Brazil in the 60s/70s.

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Só ponho bebop no meu samba
Quando o tio Sam pegar no tamborim
Quando ele pegar no pandeiro e no zabumba
Quando ele entender que o samba não é rumba
Aí eu vou misturar Miami com Copacabana
Chicletes eu misturo com banana
E o meu samba vai ficar assim

I’ll only put bebop in my samba
When Uncle Sam picks up the tamborim
When he picks up the pandeiro and zabumba
When he understands that samba isn’t rhumba
Then I’ll mix Miami and Copacabana
I’ll mix bubblegum and bananas
And my samba will go like this:

Bop, Bebop, Bebop
Quero ver a grande confusão (I wanna see the great confusion)
Bop, Bebop, Bebop,
É o samba-rock, meu irmão (That’s the samba-rock, my brother)

Mas em compensação
Quero ver o boogie-woogie de pandeiro e violão
Quero ver o tio Sam de frigideira
Numa batucada brasileira

But in return,
I want to see the boogie-woogie with pandeiro and guitar
I want to see Uncle Sam play the frigideira
In a Brazilian batucada

Get It Here

Confusão (Tudo Azul EP - TSTD08)

Contact/DJ booking/remixing: vibes4yoursoul@gmail.com