I'm glad to show you my last song "Lost"
I hope you enjoy it
You can check my Facebook's page:
https://www.facebook.com/pages/Gourmandiz/590619350965175?fref=ts

Let's Roll

Lost(Feat Willy Wanker)

This famous song can be heard at the end of "The thin red line" movie and also at the end of the french movie "99 francs".

My video link : http://www.youtube.com/watch?v=Y80rnaZmeAQ&feature=channel_video_title

Thin red line version : http://www.youtube.com/watch?v=05BtmSXUQ8A&feature=related
99 francs version : http://www.dailymotion.com/video/x5jgdh_99-francs-scene-de-fin_shortfilms

FREE DOWNLOAD // Honiara's Choir of All Saints – God Yu Tekkem Laef Blong Mi ( The Gambler remix)

Dancing Swan Revised Mix

Sound work for my graduation's final dissertation:

Ou quand une histoire du paysage s’écoute










1970 / Environments#1: The Psychologically Ultimate Seashore ........................... Irving Solomon Teibel
1970 / Songs of the Humpback Whale / ‘Track 1’ .......................................................... Dr. Roger Payne
1986 / Dawn Chorus / ‘Kansas Frost’ .......................................................................... Gordon Hempton
2001 / Rainforest Soundwalks / ‘Seyak, Butcherbird’ ............................................................ Steven Feld
1987 / National Parks and Sanctuaries / ‘Algonquin Provincial Park’ ..................................... Dan Gibson
2005 / Untitled#141 ...................................................................................................... Francisco López
2006 / Storm / ‘No Man’s Land’ ......................................................................................... Chris Watson
2007 / The Short Night / ‘Finisterre’ ......................................................................................... BJ Nilsen
2001 / Substrata² / ‘City Wakes Up’ ........................................................................................ Biosphere
2007 / Wind (Patagonia) ................................................................................................ Francisco López
2008 / Berlin Backyards / ‘07’ ............................................................................................. Gilles Aubry
1958 / Imaginary Landscape .................................................................................................. John Cage
1970 / Hymnen / ‘1’ ........................................................................................... Karlheinz Stockhausen
1973 / Nexus 1 ................................................................................................................... David Dunn
1990 / Long Aeolian Piano .......................................................................................... Gordon Monahan
1914 / Veglio di una Città ................................................................................................. Luigi Russolo
2006 / Harmonic Bridge ...................................................................................................... Bill Fontana
2009 / Evaporation .......................................................................................................... Jana Winderen
2012 / SolarSonical Insects .......................................................................................................... SA/JO
1997 / Suitcase (Sleeping) ................................................................................................ Roman Signer
2000 / Guitar Drag ..................................................................................................... Christian Marclay
1982 / The Burden Of Dreams ........................................................................................ Werner Herzog
1924 / Pini di Roma / ‘I pini del Gianicolo’ .................................................................. Ottorino Respighi
1963 / Doctor Who Opening Theme ..................................................................................... Ron Grainer
1966 / Revolver / ‘Tomorrow Never Knows’ .......................................................................... The Beatles
2010 / A Glimpse of Glory / ‘This Mighty Sight’ ............................................................................ Lustre
2012 / A Breath Of The Wide Valley / ‘When the Wind Blows Over the Hills’ ................... Basarabian Hills
2012 / As The World Survives We Will Die Off As A Moment in Time / ‘Progression’ ............ Cursed Altar
2009 / Sorh EP / ‘The Leaden Sky Torn’ .................................................................. Woods of Desolation 
2002 / Haunted Shores / ‘The Haunted Shores’ ..................................................................... Himinbjorg
2012 / Suffocating in the Swarm of Cranes / ‘Beneath the Crown of Cranes’ ................. Downfall of Gaia
2012 / Spirit of the native Land / ‘A Day in the Forest’ ................................................... Basarabian Hills


durée: 8’56’’

Ou quand une histoire du paysage s'écoute

This piece is an extract from an installation I'm currently working on… (further development will come soon on my website http://www.victortsaconas.com)

Souvenir sonore

"Vortex" taken from the album Lost Themes, Out Now. 

LP/CD: http://bit.ly/1uJTy0G
iTunes (Including remixes by Zola Jesus, ohGr, Blanck Mass, Silent Servant, JG Thirlwell, and Bill Kouligas): http://hyperurl.co/LostThemesRemixed

Website: http://www.theofficialjohncarpenter.com/
Facebook: https://www.facebook.com/pages/John-Carpenter-The-Master-of-Horror/180461998405?fref=ts
Twitter: https://twitter.com/thehorrormaster

Tour dates: https://bit.ly/1R0KsHL


John Carpenter - Vortex

College feat. Nola Wren - Save the Day

SAVE THE DAY
(D.Grellier, K.R.Francavillo, C.David)

(p) & (c) Valerie Records 2014

You can buy 'Save the Day' here: http://tinyurl.com/l7j6cpw
Order 'Save the Day' physical here: http://tinyurl.com/3fz36gu

College feat. Nola Wren - Save the Day

"The Origins of Rhythm"
by Paolo Pietropaolo, 2011

Anytime I take the bus these days I notice the unsynchronized wobble of nodding heads, the arrhythmic patter of tapping feet: an outward indication that many of my fellow passengers are locked into private worlds, captive to personal soundtracks.

It’s curious that we so often listen to music as a way to block out the world, since many scientists now believe that music evolved as a way to bring humans together and to help societies function harmoniously. In The Origins of Music, biologist Walter J. Freeman makes the case that “music together with dance have co-evolved biologically and culturally to serve as a technology of social bonding.”

In some cultures, there are no separate words for “dance” and “music”. They are one and the same. That’s always rung true to me, even when swaying and otherwise reacting with my body to classical music, in overbearing concert halls, while feeling the disapproving stares of my neighbours.

I recently produced a series of documentaries about Indian music called The Subcontinental. One of the things that struck me was how much Indian music ties itself to the body with its rhythms. And dance is a big part of Indian music, from folk music like bhangra to the great classical dance traditions like Bharatnatyam, to the modern Bollywood stage.

I’ve long loved Indian music, and one of the reasons is because it always reminds me how much music is of our bodies as well as our minds.

In seeking to understand the origins of music, scientists like Freeman are analyzing the activities of our brains as we sing, dance, play or listen. (Their fascinating search inspired another documentary series called The Nerve.)

But there are other stories, old stories about the origins of music - perhaps none older than the Hindu story of the dances of Shiva and Parvati.

In this sonic exploration of the origins of rhythm, the great tabla master Ustad Zakir Hussain tells that story.

I think of this piece as a “scored story”, somewhere between traditional audio storytelling, and a musical composition with lyrics. In addition to Ustad Hussain, you’ll hear the voices of filmmaker Deepa Mehta and Bollywood choreographer Shiamak Davar. As well, you’ll hear the sounds of Bollywood movie dance rehearsals led by Shiamak, and the sounds of the very first college-level Bhangra dance course offered in North America, underway right now at Vancouver’s Simon Fraser University and taught by Raakhi Sinha.

Taking these words and sounds, and adding others they suggest, I’ve attempted to celebrate the importance of dance - and its implication of people moving together - to the origins of music. 

-Paolo Pietropaolo


The Origins of Rhythm

Born in France in 1990, and since his younger age, Victor Tsaconas have always been fascinated with moving images. He started his academic path with cinema for 3 years before joining the National Higher School of Arts in Dijon (ENSA). During these 5 years, his numerous travels have enabled mhim to deepen his work and research around landscape and sound. He graduated from ENSA with a Diplôme National Supérieur d’Études Plastiques (DNSEP) in 2013, and now continue to explore the connection between sound, landscape and architecture.

Ou quand une histoire du paysage s'écoute

Victor Tsaconas

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