excellent work with the vocoder-like sound, the chord changes here are really to my liking

i think harmor is an fl synth... in any case it kind of makes me want to get into fl, nicely done i think you have something unique here, very full sounding and makes me want to listen again

It has such "contemporary" qualities, like this is what music these days would sound like. Clever, a bit cheeky, technically fascinating... feels to me like a next generation of sorts. Deeply promising! Love what you've done, Vospi!

Almost 5 minutes and they flew by! Sheeesh...

You have a delightful and playful way of producing music.

Ah... After relistening this amazing track I must admit that during my first listen I didn't notice how great this is. It sounds truly original and very warm. Those piano chords in the background...wow! Taron talks about contemporary qualities which may be a bit over the top as Lyle Mays could have written this track 25 years ago. Although.... the energy of this track feels like 2023. Okay I understand what he is saying. Thanks Taron for guiding me to this track again! Great work Vospi!

man - what a mix from the get go! fullness.

Made with Wave Manuel for OSC 166

Thanks to https://soundcloud.com/the-never-scene for the rad tambourine patch

thanks to that ai that helped me with the cover art

Bodhi Bhāgyá

A snowy dream. 

It's amazing to be able to create something even close to a dream.
My life is fantastic.

===
Writing, production, all sound design, mixing, parts, 3d artwork done by Vospi.

One Synth Challenge #167: "Any One DAW Synth".
https://www.kvraudio.com/forum/viewtopic.php?p=8589617

Vospi - Keep It  // (One Synth Challenge #167 > Harmor)

Entirely made with Bitwig poly grid synth for KVR OneSynthChallenge #167
All sounds by Elvicente

Staying Journey

ZioMau - Wet Shoes

Felt like jumping out of the rut by joining OSC on its last two days! It definitely got me moving, though I wasn't able to dig into the sound design with as much nuance as I wanted (especially since the khs fx were legal!) Perhaps it's for the best. Today I bring some practice writing synthy rock and then noodling with it at dnb tempo. There wasn't enough time to really polish it or solo over it, but I'm still happy. If the mix sucks that's my excuse :D

All sounds generated from 20 instances of ONE. Despite the name, it's... a polysynth. The saws sound pretty good and I would reach for this for chords and distorted leads. Though, creating all the sounds with it seems to make it feel a bit fuzzy and murky, especially when leaning heavily on the onboard FX and unison. A byproduct of using turbo hyper saws for every instrument!

Speaking of FX, most instances use both the chorus and delay. kHs' own Essentials, Slice EQ, Snap Heap and Multipass plugins are used in mixing, mostly some broad EQ and compression to make things gel more instead of using them as creative effects. Except on the drums, where I have kHs Disperser beefing up the impacts. It's tremendous.

Merely One [One Synth Challenge 169: kHs ONE]

24x Octasine
https://www.octasine.com

Reaper stock plugins
http://reaper.fm

Unknown Challenger

Methylation Plague

UC - Methylation Plague [KVROSC 170]

Goodbye summer

Sea of Fallen Stars

Someday again

SONOVELLE

Gisthead - Black Code EP [SR053]

Track 2/2 :
Gisthead - Brightwire [SR053]

OUT NOW : https://sentinelsrecords.fanlink.tv/sr053

Follow Gisthead : @gisthead

💿 Buy Link

Gisthead - Brightwire

bpm: 120 (140 at the last part)
key: F# minor

Vospi - Keep It // (One Synth Challenge #167 > Harmor)

Vospi

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Karin-Maria Brunner

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