Mighty sound! Reminds me of how the Art of Noise operated with vocal sounds.

the shimmering haze
above
the wet stone

haiku by Fukuda Chiyo-ni http://haikukan.city.hakusan.ishikawa.jp/english/about/index.html

picture by Olga Thelavart https://unsplash.com/@olga_o

For more information visit http://www.naviarrecords.com/about/naviar-haiku

harming himself

halF shimmerinG [naviarhaiku398]

More on this 505th weekly Disquiet Junto project – Line Out (The Assignment: Share a track, get feedback, and give feedback) – at: https://disquiet.com/0505/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0505-line-out/

There’s also a Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

The image associated with this project is by Alex McConnell, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/7Enqhx

https://creativecommons.org/licenses/by-nc-sa/2.0/

Justify (disquiet0505)

[disquiet0508] Sheepish

This wouldn’t sound out of place as a chart run down backing track, that’s the idea anyway.  I wrote this on the iPad using Korg Gadget v2, im heavily influenced by 80s bands like New Order, Heaven 17, Howard Jones, OMD etc

Nasty Glass (Final Edit - 4m53s)

release date : 29/10/2021  
More on this 513th weekly Disquiet Junto project – Ghost OST (The Assignment: Play that spooky music) – at: https://disquiet.com/0513/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0513-ghost-ost/

There’s also a Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Night Steps (disquiet0513)

Musing on time with the modular. Pinging an LPG, and a ladder filter while also tuning the ladder filter with a Turing machine. This was then processed in Ableton with Audio Damage's Other Desert Cities delay.
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More on this 515th weekly Disquiet Junto project — Talking Cure (The Assignment: Write music for a psychotherapist’s waiting room) — at: https://disquiet.com/0515/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0515-talking-cure/

There’s also a Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

weighted (disquiet0515)

Part 3 of this assignment (after recording bits of ‘nature’ and of ‘civiliztion’ in parts 1 and 2): Combine sounds of nature and civilization.

Going through the recordings people submitted for parts 1 and 2, I really fell in love with the sounds of Sandhill Cranes someone recorded for part 1: https://soundcloud.com/morgulbee/chatters-and-honks-disquiet0516
I combined these chattering birds with the sound of chattering  students in a college atrium: https://soundcloud.com/lazenbeeindustries/civilisation-disquiet0517aiff
And added a bit of these (delightfully odd) vocal samples as well:
https://soundcloud.com/psycolapso/voice-and-communication

So, what’s going on here? Are there birds in this atrium? Are the students and birds talking to each other? Are the chanting?

More on this 518th weekly Disquiet Junto project — Inside Out (Co/Exist 3 of 3) (The Assignment: Combine sounds of nature and civilization) — at: https://disquiet.com/0518/

Extending Boundaries (Disquiet 0518)

20211203 What Can Only Be Heard Without Listening [disquiet0518]

This was composed entirely with samples from two field recordings focused on the distinction between nature and civilization:
 https://soundcloud.com/bellyfullofstars/planetraincoyotecricketchime-disquiet0516-outsidein-coexist-1-of-3
 https://soundcloud.com/mikey_a/melbourne-lane-disquiet0517

Auxy 6.6 project: https://app.auxy.co/projects/RW1vawDyoUN91_N4UpeNpQ==

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More on this 518th weekly Disquiet Junto project — Inside Out (Co/Exist 3 of 3) (The Assignment: Combine sounds of nature and civilization) — at: https://disquiet.com/0518/

This is the third and final stage of a three-part project sequence. You needn’t have participated in either of the two preceding stages to do this one. Thanks to Alan Bland and Mark Lentczner for having proposed the project.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0518-out-and-in-co-exist-3-of-3/

20211203 What Can Only Be Heard Without Listening [disquiet0518]

This week's Disquiet Junto prompt was to take the sounds of “nature” and “civilization” as recorded by other members of the Disquiet Junto and combine them into one single piece of music/sound. 

I picked two sounds at random: Bick Brannigan's recording of Ginger represented the sounds of nature (https://soundcloud.com/bick-brannigan-840174692/ginger-disquiet0516) and undermulden's Christianshavn Rush Hour represented civilization (https://soundcloud.com/undermulden/christianshavn-rush-hour-disquiet0517).

I listened to the two tracks in isolation, trying to pick out the interesting bits to make the sections of the song. The white noise of the rush hour made an excellent hi-hat, and a low motorcycle vroom provided us with a bassline and transitions (it was also incredibly hard to mix!).  Ginger's excellent sense of melody put her in the lead. I used Melda's MUnison plug-in to simulate double-tracking, which really made the dog's barks "pop" and be in the front of the mix. Neat trick!

I livestreamed the process, and will try to get the video up on YouTube ASAP!

* * * * * *
More on this 518th weekly Disquiet Junto project — Inside Out (Co/Exist 3 of 3) (The Assignment: Combine sounds of nature and civilization) — at: https://disquiet.com/0518/

This is the third and final stage of a three-part project sequence. You needn’t have participated in either of the two preceding stages to do this one. Thanks to Alan Bland and Mark Lentczner for having proposed the project.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0518-out-and-in-co-exist-3-of-3/

There’s also a Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Gingerly Driving (disquiet0518) - Nate Trier

paris 1 20 bpm 13125 take 1

gravel 30 bpm 12225 take 1

Resounding through all the notes
In the earth's colorful dream
There sounds a faint long-drawn note
For the one who listens in secret.
  -- Friedrich Schlegel

Image: 19.682036,-98.846494

20211203 What Can Only Be Heard Without Listening [disquiet0518]

wagneric

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337is (three three seven is)

337is (three three seven is)

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