20211203 What Can Only Be Heard Without Listening [disquiet0518]

This was composed entirely with samples from two field recordings focused on the distinction between nature and civilization:
 https://soundcloud.com/bellyfullofstars/planetraincoyotecricketchime-disquiet0516-outsidein-coexist-1-of-3
 https://soundcloud.com/mikey_a/melbourne-lane-disquiet0517

Auxy 6.6 project: https://app.auxy.co/projects/RW1vawDyoUN91_N4UpeNpQ==

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More on this 518th weekly Disquiet Junto project — Inside Out (Co/Exist 3 of 3) (The Assignment: Combine sounds of nature and civilization) — at: https://disquiet.com/0518/

This is the third and final stage of a three-part project sequence. You needn’t have participated in either of the two preceding stages to do this one. Thanks to Alan Bland and Mark Lentczner for having proposed the project.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0518-out-and-in-co-exist-3-of-3/

20211203 What Can Only Be Heard Without Listening [disquiet0518]

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

mikey_a is an ambient and soundscape artist living in Melbourne, Australia.
Though now producing mainly in the box with a mix of VST and field recordings he still likes to occasionally crank out some of the physical treasures he's owned since the '80s: a Korg MonoPoly, a Roland TR-606, TB-303, S-10 and D-110 along with a TEAC 3440 reel-to-reel.
He is a frequent contributor to the Naviar Records' Haiku Challenge and Disquiet Junto projects.

A drummer/percussionist/tinkerer who creates electronic music consisting of percussive textures, syncopated rhythms, and an odd sense of humor.

Consistency is not an absolute necessity, although I sometimes maintain a steady output of material. Most of my compositions are uploaded to the Sinnysounds accounts, although this account will continue to receive occasional releases.

All music is released under the Creative Commons. Feel free to remix, sample, create derivative works, and/or cover any of these songs. You can even message me on Soundcloud for the chord progressions and/or original stems. Music is meant to be shared collectively, not owned.

Electronic music, field recordings and weird electroacoustic sounds.

During the early 1990s I studied Mathematics and Computer Science. The world wide web was still largely text-based and mostly empty. Today things are obviously different, though I still thoroughly enjoy art, design, cinema and music in all its forms. I have traveled all over the world for nearly two decades, visiting just over 140 countries. Japan is my favorite. All of this I attempt to incorporate into my music and art.

Haphazard/precise maker of music/noise.
Veers ambient.

Double LP Conjunctions with @megmulhearn on Fallen Moon Recordings
https://fallenmoonrecordings.bandcamp.com/album/conjunctions

LP Aura on @triplicaterecords:
https://triplicaterecords.bandcamp.com/album/aura

EP brokendatapool on @couriersound:
https://couriersound.bandcamp.com/album/brokendatapool

20x20 Project: blue is the color of my true love's light
https://20x20project.bandcamp.com/album/blue-is-the-color-of-my-true-loves-light

More sounds found on:
Mailbox (UK)
Past Inside the Present (US)
@verses_records (US) 
@romeda-records (UK) 


Happy participant of:
 @disquiet
Cities And Memory (https://citiesandmemory.com/)
1esf5m (http://1esf5m.buzzsprout.com/)
Phonography on Aleatoric Forest (http://phonography.radio.af/)

#ambient #experimental #fieldrecordings #musiqueconcrete #foundsound #foundobjects #abstract #ambientglitch #piano #electroacoustic #electronica #glitch #soundtrack #chill #brokendatapool #courier #chairchimes

Resounding through all the notes
In the earth's colorful dream
There sounds a faint long-drawn note
For the one who listens in secret.
  -- Friedrich Schlegel

Image: 19.682036,-98.846494

RabMusicLab produces instrumental music of various genres from classical to electronic without shying away from excursions into pop or experimental music. The tracks are published for the pleasure, entertainment and inspiration of every listener.

RabMusicLab loves to participate in the Disquiet Junto Projects of https://soundcloud.com/disquiet to fuel his creativity . All tracks that have "disquiet" in the title were created as response to these projects. Further informations can be found in the respective track-information,

All images used are photographs by RabMusicLab, unless otherwise indicated in the track-informations.

20211203 What Can Only Be Heard Without Listening [disquiet0518]

wagneric