um tedio enorme

hyperreality

https://soundcloud.com/c-line-mathieu-40742579 for https://soundcloud.com/juliettehenriu

https://www.retreatradio.net/radiant

Tracklist:
Used tracks;
‘hoe ver nog’, Benne
‘<sntm’, Céline Mathieu
‘woonstschennis’, RIP DRARI
‘FUCK MAU’, RIP DRARI
‘Lortzingstrasse’, a piano rehearsal by Esther Blokbergen
‘For Céline to recover 1’, uo ray’m
‘For Céline to recover 2’, uo ray’m
‘For Céline to recover 3’, uo ray’m
‘Finite-CM3’, JAUME (Céline Mathieu and Levi Lanser)
‘Groupuscules’, RIP DRARI
‘Avenue du Gros Tilleul’, Céline Mathieu
‘03 instr’, RIP DRARI
‘Das Lernen lernen’, RIP DRARI
All voice (aside from the opera singing), written and read by Céline Mathieu

for radio, for Juliette

Radiant #10 w/ Céline Mathieu (26/11/23)

back on @noodsradio w/ a very special [and quite rare] guestmix by 
Luciano Maggiore

•Carlfriedrich Claus- Chenmitz (exc.)
•Jennifer Veillerobe - Luftlocher A1
•Michael Wolfart - 3+3+2   7
•V Mediale Musik, female entities (1970)
•@toshiyatsunoda - Taku Unami - Wovenland - In a farmland
•2.51 15'657" John Cage, for a speaking percussionist (realization Bonnie Whiting, exc.)
•Michael Barthel - Alber Pogo (exc.)
•Songs and prayers from the Izaiho ritual, Kudaka Islands, Yukenegamiashibi
•@senufoeditions - five wooden frames
•@claradeasis_ - Do Nothing - Nothing Lasts II
•Paul DeMarinis - Music as a Second Language - Fonetica Francese
•@gnaleniotna - Idiophases (exc.)
•Brézil Central - Songs and dances of the Kaiapó - Mekragnoti, Pêche rituelle avec lianes
•@franciscomeirino - undetected (untreated recordings from on-site testimonies archives) The Basement
•@dddakim - Results in 34 fragments - 34

Luciano Maggiore is a Palermo-born, London-based musician whose work is characterised by the use of speakers and several analogue/digital devices (samplers, CD players, walkmans, tape recorders) and addresses the performativity of the musical act, the perception of it, and the obscurity that emanates from it. His main interests include mechanisms of sound diffusion, performance, repetition, endurance, non-human animal languages, dance, folklore.

OOH-sounds w/ Luciano Maggiore 26.11 _ Noods Radio

MIX for DEARDOGS 

bimestral on LYL radio
https://lyl.live/episode/deardogs-4
https://deardogs.bandcamp.com/

Tracklist:
EVOL - punani rubberist
TOSHI TSUCHITORI - unebi
MARIACHI (NINA GARCIA) - fu/mi
RYU HANKIL - ⑥_catalysis_6
MINORU SATO & AMI YOSHIDA - 1997
ANNE GILLIS - rymoborus
LUCIANO MAGGIORE & LOUIE RICE - phone work
PETER ABLINGER - against nature (2020) many a
PETER ABLINGER - against nature (2020) drawing 2 (narrow)
JOHN WALL - stünde null (i)
JUNKO - full void
KIERAN DALY - twmvcseq - 2opfm
TAKAHIRO KAWAGUCHI - 116 water drops per minute
SAM RIDOUT - aspect
COSMOS (AMI YOSHIDA & SACHIKO M) - tears 3
FELIX HESS - 21-10-78, about 11.45 pm, brachina creek, finders ranges, south australia
MILFORD GRAVES - nothing 13
ROBERTA SETTELS - p1 - information
TOSHIYA TSUNODA & TAKU UNAMI - jinmu-ji temple, evening cicadas - playback speed at 1/3 + strange sound 2012 co. armagh n.ireland

Mix for Deardogs (LYL Radio) 12.12.23

This month I have Rock in my pocket. I tried to find for you what people do in 2023 with a voice, a guitar, a bass, a drum... and a lot of inspiration! 


After Eight w/ Aymard (15/12/23)

Odpływ: #30 <3

some memories and melodies of anybard, who, as always, is attempting to establish connection with ghosts on the channel. chamber music, demos and walkie talkie singing. 
all music by spellcaster / h hartvig

the shadow channel w anybard w/ Spellcaster

LYL Radio - April 2024

Scène XXVIII - 09/05/2024

At the core of 'Everyone is here' lies Kajsa Lindgren's usual process, defined by one simple question: “How can you make something of your own by manipulating time and space?” The Swedish composer joins Warm Winters Ltd. after recent releases with Hyperdelia (WOMB, 2018) and Longform Editions (Undercurrents, 2019). 

This album's 20 tracks are based around archival recordings that Kajsa stumbled upon in her grandfather's old basement and around memories of places or sounds from her childhood. Slowly, the album moves through time, at first reinterpreting recordings from the 60s and 70s, eventually showcasing some of Kajsa's latest compositions for voice and field recordings. Some pieces utilise very specific recordings - “Trio for cello, piano and violin” is based on an audio snippet of Kajsa's “mother, uncle and grandfather making an appearance as a trio in Swedish radio sometime during the 70's” - while others - “Anna”, inspired by memories of the Lindgrens' family boat called Anna and the sensation of being rocked to sleep by the Baltic sea waves - are more related to memories, places or objects. 

But 'Everyone is here' isn't a mere timeline of sounds or melancholic dive into previous decades. The album is a meditation on themes of inheritance, family and closeness. The composer describes the process of collecting old sonic material as “comforting”, especially in relation to her relationship with her grandparents, parents and family friends. “[The process] has given me an intimate understanding of them as human beings. We’ve all been kids, becoming adults. Trying to figure out who we are, what we want, what makes us happy and sad in life. There’s a great sense of connection and humility in that.” 
credits

Full release arriving on November 15, 2019 

Composed and mixed by Kajsa Lindgren (@kajsalindgren)
Mastered by Sean McCann 
Painting by Jörgen Lindgren 
Cover artwork design by Richard Greenan 
CD and cassette design by Anne Lippert, David Stichling 
Photography by Hampus Andersson & from family archives

Everyone is here

Kajsa Lindgren - How it sounded in my mind

Record label and music studio based in Bratislava, Slovakia

contact [at] warmwinters [dot] ltd

SoundCloud doesn't feature the full catalogue, only the latest selected tracks. Please visit Bandcamp for the full discography
https://warmwintersltd.bandcamp.com

Kajsa Lindgren - How it sounded in my mind

Warm Winters Ltd.

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