This piece is loosely based on a korvai that BC Manjunath taught in the 2020 International Rhythm Course. The left hand is consistently a 5-beat pattern, while the right hand is doing its own thing. 

The tuning is The Janus Scale, the same 11-limit tuning from Paul Johnson that I used for my last piece, Floating, but this piece is centered a tritone away on B-flat instead of E. Since it's called The Janus Scale, I wanted to write a contrasting piece to pair with Floating. 

During this pandemic, I've been very fortunate to be able to study with teachers like BC Manjunath, Jacob Adler, Michael Harrison, and Ned McGowan, who all encourage their students to explore. I wrote this piece as a final project for Jacob Adler's microtonality crash course, and also in preparation for taking part in the continuation of the International Rhythm Course.

Connect with Whimsically Macabre on Facebook: https://www.facebook.com/WhimsicallyMacabreMusic/

Whimsically Macabre Sheet music: https://pianopronto.com/composers-community/stacy-fahrion/

Polyrhythms for Pianists book: https://pianopronto.com/composers-community/stacy-fahrion/stacy-fahrion-polyrhythms-for-pianists/

Whimsically Macabre recordings: https://whimsicallymacabre.bandcamp.com/
(Polyrhythmic Pieces for Pianists album coming soon!)

Khanda Etude in 11-limit Janus tuning

Compositions for piano with some influence from classical music, American songbook, jazz and other styles.
All compositions written by Anibal Seminara.

Stacy Fahrion is a composer-pianist and educator based in Colorado, and is currently creating music in just intonation that frequently features polyrhythms, polymeters, and isorhythm.

I am the NTT. Stranded Alien is my synth rock project.

I have a side project called the NTT's Funk Odyssey. I have started posting these tunes here with the precursor label - The NTT

Ladat, born Ladislav Tesar, is Litomerice (Czech republic) native, body and soul, who writes and composes his music in Chatel-St-Denis, Switzerland. Ladat is not a band in the true sense of the word, but rather a musical project that emerged in 2019 as an escape from reality, because things go better with music.

Ladat's musical odyssey defies conventional labels and freely blends elements of rock, folk, country, and jazz into a rich and genre-bending style that invites listeners to explore the diverse spectrum of influences that shape his emotional and diverse compositions.
As an experienced composer and lyricist, Ladat weaves stories that deeply resonate with audiences and offers a captivating and immersive musical experience, where each song is an expression of boundless passion, creativity, and an unapologetic celebration of musical diversity.

Since 2021, Ladat has been collaborating freely with the Slovenian A7 Recording Studio and musicians around guitarist and drummer Blaž Pavšič, such as Uroš Mohorič (guitar), Gregor Alič aka Hanson or Peter Beznec (bass), and singers Anton Premec, Kristina Jelić, Maja Štebih, Hana Pavšič or Oliver Neff aka Titanic Jack.

This is where I'm posting all the woodshedding.  For finished products head to my Bandcamp page: https://mollygrowler.bandcamp.com/