"Hunty" is part of the "Místní Fauna" compilation, which was released on the @yukumusic label on November 17, 2023.

In Czech, "Místní Fauna" means "local wildlife", and these 10 tracks capture the aesthetics of 10 different artists — either Czech natives or creators residing in the country.

Click here to purchase the track: https://yukumusic.bandcamp.com/track/hunty

M​í​stní Fauna

Hunty

Hunty [YUKU "Místní Fauna" V/A]

https://soundcloud.com/andriy_k
https://soundcloud.com/relatedarticles
🛒 https://relatedarticles.bandcamp.com/album/tilo
🔊 https://youtu.be/IwrvdpkSHVM

Cusoon dj is the moniker of Andriy Kostyukov (otherwise known as @andriy_k), who is a Kyiv-born and Prague-based producer and dj. Andriy skillfully combines experimental club music with a deep listening downtempo specter of sound. Andriy has shared stages with: Upsammy, M.E.S.H., Evita Manji, Interplanetary Criminal, Exael, Neu Verboten, Maoupa Mazzochetti,Katarina Gryvul, Diana Azzuz, Jay Glass Dubs, Oliver Torr, Granul & Ursula Sereghy. He is a co-organizer of the Motsion — one of the first musical events that began charitable activities in Kyiv after the beginning of the full-scale Russian invasion of Ukraine.

In productions, Andriy has established a strong musical position between tripped-out techno and brain-dance bass music. Through his new moniker ‘cusoon dj’, he draws from previous releases as Andriy K on the Odessa label 'System' with the EP 'Regression Authistics’, and ‘Shelest Dub’ on the Portuguese label 'Surf' - sustaining his main sound concepts through glitchy rhythmic abstraction, while exploring club experimentation, more dynamic structures and psychedelic sound design.

Tracklist: 

1 - Vhid
2 - Tilo
3 - Blud
4 - Massa
5 - Nich

PREMIERE: cusoon dj - massa [Related Articles]

Send request : info.seeksicksound@gmail.com or join our discord : discord.com/invite/suVpRBStmu www.instagram.com/seeksicksound/

Alohn - Insekt traverse, 2024 
Buy: https://traversee.bandcamp.com/album/alohn-insekt

traverse is back with a 4-track EP from French producer Alohn. Blending together ambient, idm, bass music, and downtempo, the artist merges electronic waves and acoustic samples to drift into hypnotic states. 

The release is topped with remixes from Nantes-based DJ and producer Soa420, who recently released her first productions on French labels Bardouin and Hidden Rhythms, and our beloved Laenz who has previously contributed to traverse.

« Swarming grains and
Crushed samples

Sooting chords through
Crispy breaks

Haunting subs with
Bouncy ants

An old prayer for
Glitchy bells

Insekt. »

Music produced and mixed by Alohn (Alexis Tytelman)
Artwork by Maureen Caron
Mastering by Daga Audio
Digital distribution by MusicDeli

@ahlonne
@tra_verse

[Premiere] Alohn - Horloge Du 3ème Âge (out on traverse)

Plot Twist

CCL - Strange Attractor

Hailing from Amsterdam via Catalunya, Will & Ink label head Yaleesa Hall kickstarts Timedance's 2025 run with a hefty arsenal of sound system artillery, expertly sprinkled with rude UKG and electro-laden pulses

Infused with the perfect dosage of driving grooves and earth-shattering low frequencies, these four big and bad cuts are sure to shake the bodies and eyeballs of bass-weight maniacs, breakbeat explorers, adventurous DJs and dancers alike.

Still Here

With a stream of fascinating appearances Cleyra’s singular production has caught the ears of some of the most adventurous DJs and heads around the world. One of Bristol’s best-kept secrets now lands on Timedance with their sumptuous debut EP ‘remember this body?’. Charged with a juxtaposition between feverish peak time and dreamy downbeat, the producer here displays a sonic palette which is as eerie as it is advanced.

On ’remember this body?’ Cleyra offers a kaleidoscopic view of their diverse approach to crafting songs, nourished with a deep, emotional and seductive energy. Across five tracks we take a deep dive into Cleyra’s idiosyncratic worlds. Subdued pads carry us through lucid-dream-inducing soundscapes where strangeness and elegance go hand in hand. Then come playful twists, as a harder side to their sound is unleashed, engineered to alight the sweatiest and most mutant of dancefloors.

On the flip side, Cleyra takes listeners on a breathtaking ride over the course of a 17-minute epic ’There Is Nothing Happening Between Us’, navigating between mournful ambience and heads-down pulsating Techno with a grace and delicateness rarely heard. The track fades before bringing things home with lush, dubbed-out, synths, suspending time with a poignant elegance.

remember this body ?

Betcha Wouldn't Hurt Me

Tumble Turn

MR006 crashes in straight from Brno, carving out a sonic current mirroring the ever-mutating scene. COUNT’s latest EP, a playful yet razor-sharp exploration of sound, provides a pack of oddly satisfying rollers. Spanning a spectrum of 140+, this four-track offering blends three originals with a remix from HEDO HYDR8 

THIRD TAKE starts off with CONVULSE, a pacey breakbeat track created to shake the early (and quicker) hours of the morning. The project then takes a more introspective approach as FIREWALL BLOCK rolls into the #2 stop. With a similarly quick BPM register, FIREWALL BLOCK employs traces of dub and jungle along its varied storyboard. Coming up next is BLACKTAIL, a headbanger turned electro track suitable for a variety of people, places, and things. Bring up the caboose* is a remix from HEDO HYDR8. This time it's a fully pumped up techno remix of the aforementioned track.

*a crewed North American railroad car coupled at the end of a freight train (for our European listeners)  

COUNT
@count2count
www.instagram.com/_countt

Markham Road Records
@markhamroad
www.instagram.com/markhamroadrec

THIRD TAKE

FIREWALL BLOCK

Premiere: COUNT - FIREWALL BLOCK | Markham Road Records

IPULATE

The debut co-op release by DIRTY GLASSEZ and N95 brings together the best of both worlds, combining a melancholic atmosphere with ghetto tech/footwork aesthetics.

CLOUDTEK reworks the aesthetics of the digital positivity and glossy futurism of the 2000s into a more mature, minor key form. Simple ringtone vaporwave melodies take on a thoughtful sound, shimmering in an ambient haze. Drums borrowed from ghetto genres add a special energy to the music.

At the intersection of two extremes — lively ghetto and airy futurism — cloudtek emerged, manifesting itself in a scattering of contradictory genres
—
Links:
DIRTY GLASSEZ
instagram.com/dirty_glassez
@dirtyglassez
vk.com/dirtyglassez
t.me/dirtyglassez
N95
instagram.com/n95n95n95n95
on.soundcloud.com/C1iCDCDXFwvJDw3QA
vk.com/n95n95n95
t.me/n95n95n95
—
Fuselab
https://soundcloud.com/fuselab
https://fuselab.bandcamp.com/music

DIRTY GLASSEZ, N95 – 0003 [Fuselab]

BUMP LIKE (JerseyClub) (Sped Up)

WhyPeopleWar Fundraiser for Ukraine: https://whypeopledance.bandcamp.com/

The Why people dance question was asked for the first time in Lithuania back in 2013 but it gained a worldwide echo in its 8 years of existence. Run by @pauliuskamblevicius with the help of @experimentsserial and a network of collaborators, the online electronic music platform and label keeps its heart open for new friends and treasure finds but its filter tight and deep underground. Tune into WPD channels on Soundcloud, YouTube and Bandcamp.

PREMIERE: cusoon dj - massa [Related Articles]

whypeopledance

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