as evil as evil can be

I love 70's American West Coast music. It's the music that inspires me. I also like Ennio Morricone's style. I play electric, classical, acoustic and 12chords guitar. Also, Bass
Youtube channel: https://www.youtube.com/channel/UCeCBZ4l-tqzB1iYK4sdhYzw

Trying to bring the world together through music 🤍 127 🖤
For any questions hit me up @ huntermalcom1@outlook.com

225 tracks of Progressive Grunge Melodic Post Instrumental Psychedelic Groove Rock. A melting voyage of blending genres and sounds. A magical journey of exploration and creativity forever pushing the boundaries of normality.

Progressive Art Musician for Aedos Cluster of the Waterfall and Labobros. Director for the new web series called Rompecabezas/Puzzle. Artist for Rhoon Records

These Guitars Say Sorry is the banner for a diverse range of artists, from UK singer-songwriter These Guitars Say Sorry to classical composer Jeremias Langsämmer along with his ensemble, Icelandic post-rock band Laxá with the Heima Kvartett, ambient artist Siegfried Jünger, and Doom Jazz ensemble The Dark Messiahs. Founded by Jez Stephen, who incepted all the projects, the label has released over 30 albums, crafting a unique sonic identity across genres.

Since 2021, These Guitars Say Sorry has released a track every week, later compiling them into albums available on all major platforms. Explore the catalog on Bandcamp: https://theseguitarssaysorry.bandcamp.com/ and support the work for as little as $1 a month on Patreon: www.patreon.com/tgss.

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.

Making music in my bedroom with guitars, MPCs, plugins, and cheap synths. Big fan of quartal harmony and Stratocasters.

as evil as evil can be

WickedMurder©