Musical Chairs (2022) - stereo mixdown

Additive sound installation and radio broadcast
(instrumental samples and voice recordings on fixed media, FM radio transmitters and transistor radios, yarn, and empty bullets) 
infinite duration, 2022

concert stereo version

Requiem between a Barrel and a Heart is a testament to the countless lives that are lost every day to weapons, in war zones or in random acts of violence, and recognizes them not through their names, but through the counting of their numbers, as it always happens in times of great catastrophe.

Requiem between a barrel  and a heart

The Daemon Songbook of the Religious Faith of Fish Story Gallery

Fourteen songs by La Chiva & Matthew Lee Knowles [2021-2022]


ALBUM ART
Cover art design by Maanskyn; Tattoo design and execution by ErikMarcelChuckMisterBubblesTime; from an original drawing by La Chiva
credits

Lyrics/performer: La Chiva
Music/pianist: Matthew Lee Knowles
Sound engineer/post production: John-Henry Baker

BIG HANDS

Seven Counting Pieces, Graphic Score by Willyn Whiting.

Performed by The Noisebringers + Colin Frank, October 2022

Willyn Whiting - Seven Counting Pieces (Brice Catherin, Maria Sappho, Colin Frank, Henry McPherson)

L'Indifferenza dell'Amore Cosmico (The Indifference of Cosmic Love)
for flauto d'amore, clarinet, electronics and cosmic rays (2021)  

Ginevra Petrucci, flauto d'amore; Gleb Kanasevich, clarinet; 
Marco Buongiorno Nardelli, electronics   

Recorded live at "An evening exploration of music complexity" presented by the Santa Fe Institute and SITE Santa Fe. Performance at SITE Santa Fe on May 16, 2022 - world premiere

L'Indifferenza dell'Amore Cosmico

Composer: Vincent Ho
From "The Twelve Chinese Zodiac Animals, Book 2: Preludes and Fugues" (for solo piano)
Illustration: Lilith Ohan

Prelude and Fugue No.11 - The Sauntering Dog (performed by Jarome Harlea)

"A brief investigation on distilled melancholias, nostalgias & summer brightness 
or 
the land of belonging placed at the liminal verge of shattering identities."

Premiered by Ekmeles (ekmeles.com/) at the DiMenna Center for Classical Music.

Special thanks to Evan Caplinger for creating the best laugh I’ve had in years and lending your ears multiple time throughout this project. Additional thanks to Marcos Balter, Maximillian Coburn & Zosha Di Castri for providing me with incredibly useful advice for this piece.

Voice I : Charlotte Mundy
 Voice II : Elisa Sutherland
 Voice III : Timothy Parsons 
Voice IV : Gregório Taniguchi 
Voice V : Jeffrey Gavett
 Voice VI : Steven Hrycelak

like a frog on the road to it

recorded live @ ccrma, by david wegehaupt, april 11 2015. 

Peter Ablinger - Posaune und Rauschen (WEISS/WEISSLICH 17j) [2014]

Alphabetosaurus

C53b [cl]

April 13th 2019 - Winnipeg MB. Performed and Commissioned by Amanda Forest, at Solus: an Unaccompanied Clarinet Recital

Amanda associates each pitch of the chromatic scale with a specific color. For example, she visualizes G as a vibrant shade of Magenta.
I can't thank her enough for bringing my work to life.

www.amandaforestclarinet.com
www.willynwhiting.com
https://www.youtube.com/channel/UCbEdxhHz2XrbGmjPekh0rAg

Magenta Variations

Donaueschingen 2007
SWR Orchester Freiburg
SWR Experimentalstudio ; Klangregie : Joachim Haas

Leitung : Sylvain Cambreling

Edition Peters Frankfurt/M.
https://www.edition-peters.de/cms/deutsch/general/komponist.html?composer_id=3425

... auf... 3 für Orchester und Elektronik

Composer of contemporary classical music, he/him, 30, Canada

b. - Winnipeg, Manitoba
BM - University of Toronto
MM- University of Western Ontario
PhD - University of North Texas 

The colors representing each piece here are derived systematically from their titles.

Magenta Variations

willyn whiting

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