A composition for just piano and strings. A journey through a magical forest.

Piano Concerto No.1

Long Distance Cooperation with Ansound / Thomas Sander Jan. 2023
https://on.soundcloud.com/9FxJB

Flusspferd Mit Gewürzgurke / Coop mit Ansound

Riverboats

Inspired by Naviar Haiku 562:
https://www.naviarrecords.com/naviarhaiku562-through-a-world-of-sound/

Thanks to Marco Alessi from Naviar Records for the weekly challenge!

Photo by zenbytes (Bighorn Canyon, Wyoming, USA, 2023)

Samples by 
https://freetousesounds.bandcamp.com
https://99sounds.org/glitch-textures/

discerning ear - Naviarhaiku 562

Outside Agitators

23 12 29

12 short snippets from music I created in 2024, one for each month - and that´s what it is about in the disquiet0678
includes several collaborations: 
4) with Tim Jones aka PENDRO
6) with Eric Jovet aka I, Eternal
8) with Deborah Fialkiewicz
10) with Christian Gonzalez aka Grosso Gadgetto
12) with Kosmische Clutharachán

My Year 2024(disquiet0678)

Wilfried Hanrath - My Year 2024(disquiet0678)

grounded focus

noxpox - Voices Of The Dead! ☻

Aweigh

Working with Martin Howse's TOAD circuit for this as the description of "resonant, clanging and metallic sounds" made me think of bells. By virtue of patching it with other ERD modules to allow chaos a more firm grip on the proceedings, I imagined the resultant sputtering to be in some sort of alignment for the deconstruction of a peel o' bell.

"TOAD can also model a mass-spring-damper system, or series of damped oscillations, which also can be used as a state variable filter.

Here the equation is: x’’=1/m(-(Dx’ + sx) with m as mass, D as damping coefficient and s as springiness. This is a simple equation to begin with, and can produce resonant, clanging and metallic sounds.

x represents the vertical displacement of the spring, x’ is the first derivative of x (which would be speed) and x’’ is the second derivative (which would be acceleration). We patch the equation by feeding the lower derivatives (x’ and x) produced by the first two integrators into the collector. Paying attention to norms, this can be seen in the next diagram. We can use the first multiplier pair as VCA for our input"

Disquiet Junto Project 0682: Unring a Bell
The Assignment: What if you could?

There is just one step to this project. The idea that one cannot “unring a bell” is a fairly common saying, at least in English. But what if you could? What might it sound like? And what use might the unrung bell serve in the making of music. Please record a track in which you try to unring a bell.

More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/


Unring a Bell disquiet0682

An emeraling dream_02

Freestyle and non-genre mostly. I am a composer and sound-designer, but in the first place a musician, mixing free improvisation and composition. I like collaborations; in case you feel inclined towards playing with me, feel free to contact me
Latest release: https://camembertelectrique.bandcamp.com/album/heyla

Wilfried Hanrath - My Year 2024(disquiet0678)

W:I:L