80's Gen X New Waver Mobile Disco/Club Spinner in High School & College; Silicon Valley CA Product Engineering Executive/Solid State Drive Geek; Spent most of my allowances on extended, remixes and hard to find esoteric 12" dance vinyl records, used to frequent record stores in SF Bay Area (Amoeba, Rasputins, Tower, Record Factory, Star, etc.) on weekends and after class.  Still love to visit record stores & dig through bins of used records when i go on business trips. Recorded 100's of mixed tapes for classmates/friends and hours & hours in front of the turntables. Count the BPMs, find the intros and breaks and move on the next. Enjoy Generation X underground Club Music. Happy listening! Cheers! 💾🎧📻

MIKE SERVITO | THE BUNKER NEW YORK | BEYOND BOOKING

[Bookings: North America-Worldwide] 
Michelle Erfer | Beyond Booking 
michelle@thebunkerny.com

Venmo: @Mike-Servito
Paypal: mike.servito@gmail.com
CashApp: mike.servito@gmail.com

for all booking contact:
scrnobrnja@gmail.com


In Flagranti (Sasa Crnobrnja & Alex Gloor)

The duo has always made a great case demonstrating how “inspiration” from the creative works of others can truly be made into something new and totally distinct from the source material.  But whether you know the source material bears major influence on what their interpretation is going to even sound like to you.  In other words, you could be hearing the same song as another listener is, but if you’re familiar with the source material, you’re going to also be hearing that, while someone who isn’t familiar with it won’t.  Most of their listeners have no idea this is even going on, or could even be allowed.
I figure I follow In Flagranti quite closely, but I only make a connection here, or a connection there.  Sometimes this happens immediately, other times it’s taken years to notice.  Most connections I will never even be aware of, and I don’t listen for them, they just stand out to me or they don’t.  Sometimes I only discover the source material long after I’ve been familar with In Flagranti’s take on it, which you’d think would detract from the latter, but for me, it only adds to it.  In Flagranti’s musical interpretations show a certain ethic and a philosophy that parallels their approach to visual content.  It’s so “meta” that I’m at a loss to describe it, except to say what I often do:  Warhol would be In Flagranti’s biggest fan if he was around to witness them. – truckerdisco.wordpress.com

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from—it’s where you take them to.”

Jim Jarmusch’s Golden Rule #5

Follow my jounral of tracks on telegram: 
https://t.me/slowdoses

Formerly: The Black Madonna. Currently: Too blessed to be stressed.

Godspeed, my debut album, out October 18th 🕊️


MGMT info@goodlife-management.com
US/South America bookings: bshprits@teamwass.com, ehancock@teamwass.com

EU + rest of world bookings: jim.oregan@teamwass.com

SMART BAR. STRIPPED & CHEWED. ARGOT. KIND OF A BITCH.

DJ, producer and Co-Owner of the label Maeve. 
For Bookings: 
info@sweatlodgeagency.com

·▄▄▄▄   ▄▄▄·. dpleated
██▪ ██ ▐█ ▄█  queer √ creatine √
▐█· ▐█▌ ██▀· l,i,q,u,i,d,i,t,y,
██. ██ ▐█▪·• gender euphoria
▀▀▀▀▀• .▀  citizen of Floptropica

BOOKING

Americas:
ryan@liaisonartists.com
Aus/NZ: 
vic@astralpeople.com
Europe /ROW: 
john@higher-ground.de


MANAGEMENT / REMIXES / PRESS 
Luke Williams: 
luke@thisismusicltd.com
Simon Gold: 
simon@thisismusicltd.com

windywindywindy is following