INTERIEUR

your eyes
so black
your hair
so sad
your mind
so black
your smile

so why x3
why
am i not good enough to care for

do i not meet ur expectations
cause you meet mine
yeah you meet mine

your eyes
so black
your hair
so sad
your smile
your smile

your eyes
your hair
your smile

(prod.firzadwinda)

golden girl

Pages

Boson Spin - Early Thursday morning 230720

Inspired by the band, weather report.
Been in a key phase learning my instrument keepin it nice and simple wish i had a sax
Gm11/F
F#m11/E
D#sus2
D6
G#6/C
G#m11/F#
D6
D#sus2
 
then i just mixed around the progression whatever feels right for you

12th Fairway

Picture reference: https://www.goodeveca.net/nimrod/bowden.html.

Claudio Ferrari: electronics - percussions - vocal intrusion.
Alessandro Bona: flute - bass flute - sopranino recorder - reeds - electronics - percussions - bunch of keys - tuner.

It may appear that, in trying to make machines play games, we are wasting our time. This is not true as the theory of games is extremely complex and a machine that can play a complex game can also be programmed to carry out very complex practical problems.
(From the pamphlet accompanying the Nimrod, sold to Festival of Britain attendees).

Nimrod

Sonopoetry and field recording by https://soundcloud.com/ilaria_boffa

Field recording: recordings taken at the 'Anello dei Colli Euganei'. The deafening noise is the sound of leaves (only) rustling in the wind.

Sonopoem: 
'Translations

A clear geography of silver poplars 
ashes and maples surrounds this fluvial area.
A narrative of rustles, chatting loudly.
Translations. What we hear and the language
that makes it audible imply investigations 
on others’ listening modes.
We question affectivity, objects’ reverbs 
crashing into beings beyond us.
Inside those cubic metres of soil and air
noise spacialises, builds and hits. 
It neuroshapes and impacts the plasticity 
of things.
We translated our voices into exact
references and wording. Now, hear.'

Translations

Poetry and words: Scott Alan Simpson:
https://scottalansimpson.com  He's also an actor from Atlanta, US.

Trackpicture: Arlene Adler.
Music: flowermouth.

Sarah

Sarah (feat. Scott Alan Simpson)

Riding Peacocks And Dragons

Using an envelope follower following the earlier two tracks, I separately recorded, on my modular, a sine wave and a distorted square wave. These were then further manipulated in Ableton. In addition, an instance of Audio Damage's, Phosphor 3 was added playing a MIDI extraction of the square wave's output.
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More on this 474th weekly Disquiet Junto project – Police Action (3 of 3) / The Assignment: Complete a trio by adding a track to an existing duet by two other musicians – at:

https://disquiet.com/0474/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0474-police-action/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Half StereO-PaRtial Twist-FolloweR (disquiet0474)

Disquiet Junto Project 0474 – Complete a trio by adding a track to an existing duet by two other musicians.

How do I start? Singing is always dangerous, if you are not a singer… No… okay, this way: Some children can only be loved by their parents… one must stand by one's misdeeds … my microphone was broken … the true beauty of music is that it connects us, yes, this is it! 

I startet with the playlist https://soundcloud.com/disquiet/sets/disquiet-junto-project-0473 and went to "around the middle of it" and started listening until I found something I liked: https://soundcloud.com/disquiet/sets/disquiet-junto-project-0473 by https://soundcloud.com/daniel-diaz (guitar) and https://soundcloud.com/ray_cobley (synth). The strange mixture felt right and asked for some voice.

So I improvised with the text given by the titles (and some extra text). I did two takes. I added as much plugins as possible to hide the fact that I can't sing. As you can hear: Neither can I sing, nor am I able to hide it with production gimmicks.

Anyway, after slicing my vocals I somehow liked it. Yes, you will have to listen to it 20 times, drinking some high octane booze, but then you will discover the hidden beauty of this track. Thanks, guys, I really had a lot of fun with this!

More on this 474th weekly Disquiet Junto project — Police Action (3 of 3) / The Assignment: Complete a trio by adding a track to an existing duet by two other musicians — at:
https://disquiet.com/0474/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0474-police-action/

Diaz/Cobley/Krakenkraft: Would Somebody Please Do Something? [disquiet0474]

Ambient electronica, Berlin School, Chillout & Kosmische Space Musik from Munich, Germany. ► Soundcloud is my musical diary - expect lightfooted drafts, soundchecks, playthings & misfits here. ► Go Bandcamp for finished pieces & more serious musical works.

Diaz/Cobley/Krakenkraft: Would Somebody Please Do Something? [disquiet0474]

Krakenkraft & Etherkraken