פליישמן ורועי- שעה ראשונה- 16-12-21

I had the pleasure to jam over to melondruide’s hypnotic track

https://soundcloud.com/melondruie/cold-sun-disquiet0525

As a warm, earthy contrast to the original icy synths I added some hand percussion 
I went for my Hand pan (Hang) cause it’ sin C minor as the original track, and just added some phrases on a little Indian Talking Drum, but this time I think there’s a nice bed for a 3rd contributor.
I added some rhythmic delay here and there (talking drum and original track)

@melondruie


Photo by DD (Paris 13ème 2021)

For this junto challenge:
https://llllllll.co/t/disquiet-junto-project-0526-magic-number-2-of-3

About The Sun (disquiet0526) with Melondruie

The Assignment: Record the second third of an asynchronous trio. The stereo (non-split) version can be found here: https://soundcloud.com/undermulden/lamps-with-nate-trier-magic-number-2-of-3-disquiet0526?si=e911468210b14fec8c749d41d54141ed&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The track is developed from Nate Trier's wonderful Baridrone Horn(disquiet0525): https://soundcloud.com/triermusic/baridrone-disquiet0525?si=c1ea24eff3a1492ba222021c0da9dd3d&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

More on this 526th weekly Disquiet Junto project — Magic Number (2 of 3) (The Assignment: Record the second third of an asynchronous trio) — at: https://disquiet.com/0526/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0526-magic-number-2-of-3/

Disquiet Junto Project 0526: Magic Number (2 of 3)

Lamps with Nate Trier Magic Number (2 of 3) (split) (disquiet0526)

Great task

My approach:
A note from my guitar
EBow used
Through Strymon Volante
Try to destroy Loop
William Basinski

On a dark day like this

Long Time To Fade(disquiet0530)

This started as a live recording of me playing double bass during a rainstorm.  I then mangled it until it reminded me of how it felt in the trailer (and later house) I grew up in while rain pelted the tin roof during rainstorms.

Cordova (disquiet0530)

Minimal Peace  (disquiet0530)

Disquiet Junto Project 0530: Minimally Viable Music
The Assignment: How much less is just shy of too little?

It was one of those bad news fridays, when the Disquiet Junto Corporation called and ordered a completely new sound and music strategy – to be delivered preferably on the same day. I asked my team: What do we need, what could we leave out? They decided for two basic waveforms and a scale; I voted for an additional sample, because samples are cool – and this one (a 'step' noise) could be played in various pitches and re-used as some percussion. "Remember: We don't need bells and whistles", I said, "So please forget all these chord progression nonsense, the envelope stuff, the filter shit and fancy fx!" Then I went out for a coffee in the old town, and when I came back to the agency, this is what they produced on a mini keyboard.
Nice job, people!

--
Major thanks to Saga Söderback for having come up with this project.

More on this 530th weekly Disquiet Junto project — Minimally Viable Music (The Assignment: How much less is just shy of too little? ) — at: https://disquiet.com/0530/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0530-minimally-viable-music/

Low Hanging Loops [disquiet0530]

Disquiet Junto Project 0531: Noise Sculpt
The Assignment: Listen for a mirage of your music within white noise.

I listened to an audio recording I made at a beach recently. Unfortunately, it was breezy, so I got bad wind noise occasionally on my phone's mic... But there's nothing more soothing to the soul of the sound than the North Atlantic's waves rolling to shore; an immersive sound in late evening. 

Thought of putting it thru some bitcrushing - heavy aliasing and digital quantisation errors cause little "pins and needles" appear in the sound.

So I took my partially-complete disquiet0353 piece (Warp & Weft / The Assignment: Read loom-woven fabric as a musical composition - disquiet.com/0353/). I used an extreme configuration of SonicPhoto.exe from skytopia.com as the source material here, over the source image from disquiet0353 (see https://imgur.com/a/f24WsDu). A very fine piece of software, well worth investigating. 
PaulStretch then of course accentuated it's vibe.
Put the result thru D16 Decimort, into alot of effect layers across 8 busses, playing alongside a Reaktor Prism patch, and an Arturia SEM track into a nice delay (PSP StompDelay).

Hope you enjoy. Thanks for listening!

Soak (disquiet0531)

a little noise from iVCS3
a little quanta from audiodamage
merged into aum
reverb from Eventide Blackhole

That's it

peace

not our world part I & II(disquiet0531)

Among the themes Don DeLillo explores in his excellent novel White Noise is the miasma of uncertainty: a deep foreboding that eclipses human existence like a noxious cloud. The genius of the novel, which some argue to be DeLillo’s best work, is represented by moments of dry humor and domestic banality that poke through its chemically worrisome haze. Consider this passage by the story’s narrator:

“I opened the refrigerator door, peered into the freezer compartment. A strange crackling sound came off the plastic food wrap, the snug covering for half eaten things, the Ziploc sacks of livers and ribs, all gleaming with sleety crystals. A cold dry sizzle. A sound like some element breaking down, resolving itself into Freon vapors. An eerie static, insistent but near subliminal, that made me think of wintering souls, some form of dormant life approaching the threshold of perception.”

This is the intention Suss Müsik took with this week’s Junto assignment. The goal was to create a “cold dry sizzle … insistent but near subliminal, approaching the threshold of perception.” A disquieting yet enveloping calm. Various forms of white noise were recorded and altered using VCV Rack modules, with an external Chase Bliss Dark Worlds pedal adding extra tones. 

The piece, titled DeLillo, was recorded live to 8-track and mastered quickly. 

It must be mentioned that, as of this writing, the world is undergoing significant trauma. Suss Müsik is reminded of another passage from White Noise that feels oddly appropriate: “War is the form nostalgia takes when men are hard-pressed to say something good about their country.” 

May peace be with us all.

More on this 531st weekly Disquiet Junto project — Noise Sculpt (The Assignment: Listen for a mirage of your music within white noise) — at: https://disquiet.com/0531/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0531-noise-sculpt/

DeLillo [Disquiet0531]

Hals Galow

Ambient electronica, Berlin School, Chillout & Kosmische Space Musik from Munich, Germany. ► Soundcloud is my musical diary - expect lightfooted drafts, soundchecks, playthings & misfits here. ► Go Bandcamp for finished pieces & more serious musical works.

Low Hanging Loops [disquiet0530]

Krakenkraft & Etherkraken