Only features sounds from a washing machine and drying machine

More on this 583rd weekly Disquiet Junto project, Wall to Wall (The Assignment: The Assignment: Use a building as a filter), at: https://disquiet.com/0583/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0583-wall-to-wall/

Dried Distortion [quiet mix] (disquiet0583)

Track created using software on iPad:
AUM, BLEASS SampleWiz/Phase Mutant, GeoShred, Sugar Bytes Aparillo, iceWorks Lagrange, Rozeta LFO, Altispace2 by Igor Vasiliev, AudioDamage RoughRider 3/OtherDesertCities, rymdigare by Erik Sight, Bram Bos Kosmonaut, Imaginando DLYM, Pagefall Ioniarics, 
Mixed and mastered in Cubase 12 with Ozone 10
Photo by zenbytes (2020, Bretagne, France)

summer night transforms - Naviarhaiku 479

The Assignment: Use probability to remove material from a track.

I made a 3 track piece specifically for this idea instead of using something I already had because I figured it should be done with tracks that always have something happening so the silence is more noticeable/dramatic.  I think the moments where everything cuts out are the most dramatic.  Silence is sort of the 4th track in that sense (or what ever is going on around you when listening).  The piece itself used a fair bit of aleatory.  "Dr Chaos" is a max for live instrument I used with the drum kit.  It plays random samples at a regular beat division (1/8th, 1/16th, etc.). The 2 other tracks are just moving through different interval cycles (minor 3rds and perfect 4ths) at different paces so they create different unpredictable harmonies.  I used Random.org to decide where to cut and how long the cut should be (1-8 beats).  I figured cutting on beats instead of seconds would give the breaks a rhythmic quality.

More on this 586th weekly Disquiet Junto project, Chance the Eraser (The Assignment: Use probability to remove material from a track), at: https://disquiet.com/0586/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0586-chance-the-eraser/

Nothing Hear (disquiet0586)

An electronic sequence created in Pure Data with some additional  detuning.

More on this 587th weekly Disquiet Junto project, Sour Mash (The Assignment: Let something go out of tune), at: https://disquiet.com/0587/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0587-sour-mash/

Sotto Voce (disquiet0587)

naviarhaiku482 – dark and light
dark and light
balanced vernal equinox
marginal breath

Andy Perrin is a writer/photographer/cyclist/teacher who lives in southern Rhode Island in the U.S. He often explores the world around him on one of his bicycles and records moments of inspiration in photographs and words.

Much of his work is rooted in nature and recently that led him to begin to practice haiku. Andy enjoys tight writing that allows the reader to find room for themselves among the words and lines. His poetry and photography has been published by petrichor, Roi Faineant Press, Brimstone & Venus Literary, Full Mood Mag, Spare Parts Lit, Green Ink Poetry, and Quibble Literary Journal.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

dark and light

naviarhaiku482 - dark and light

Disquiet Junto Project 0587: Sour Mash
The Assignment: Let something go out of tune

As Iˋm traveling at the moment all I had was an iPad. I thought about skipping the prompt but then I wanted to do it for the challenge of making it mobile. I used MiRack, a virtual modular system, to make a patch that goes out of tune regularly. To add some atmo, I added the MiRack recording to a granular sampler (Samplr) plus some noises plus me humming live out of tune with the seashore in the background. Hope you like it. Sorry for lo–fi, it's made with cheap earbuds and outside a studio in the hotels garden. Track name references to „Ring my bell“ from the end of the golden era of Disco, which popped up in my mind when I thought about a track name with bells …

Track image made with fotofitti app, nice tool to banksy yourself.  

(Using the soundcloud app to edit this description was shittier than four weeks of soundcloud spam…)

More on this 587th weekly Disquiet Junto project, Sour Mash (The Assignment: Let something go out of tune), at: https://disquiet.com/0587/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0587-sour-mash/

Tune My Bell [disquiet0587]

More on this 588th weekly Disquiet Junto project, Swell Time (The Assignment: Make some surf music), at: https://disquiet.com/0588/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0588-swell-time/

Nawak

swing in the scum - disquiet0588

bar512

Descent/Return Arc of the geilt state of irish warriors returning from battle in the tropical forrest.



1. the last moments of coherence

2. The warrior's mind begins to splinter.

3. Deep Geilt State dissociative

4. Deep Geilt State manic 

5. The return of morning light through forest canopy

2. Domingo do Improviso

ドリームコア

The 1566 celestial phenomena over Basel is quite renowned. Less well-known is the account by Johannes Carinus, also dated August 7, 1566, which describes what may well be the first abduction phenomenon. In a letter to his wife, he recounts:
“In my dream, I found myself aboard one of the black ships we had seen in the sky that morning... I cannot describe what I saw, my mind was too troubled...”
Johannes Carinus continues his story by describing what may well have been the effect of an acceleration.
“…Three times, I felt an invisible hand crushing me. My ears were ringing, I could no longer move…”
He finally ends his letter by describing a state of weightlessness.
“…I was about to lose consciousness when I felt my body come back to life, my mind lighten… and I was floating in the air…”

Le rêve de Johannes Carinus

Ambient electronica, Berlin School, Chillout & Kosmische Space Musik from Munich, Germany. ► Soundcloud is my musical diary - expect lightfooted drafts, soundchecks, playthings & misfits here. ► Go Bandcamp for finished pieces & more serious musical works.

Tune My Bell [disquiet0587]

Krakenkraft & Etherkraken

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Martin Hoogeboom

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