the step sequencer approach was a good decision - i can imagine your song accompanying a documentary about the evolution of cellular life

Disquiet Junto Project 0580: Evo Evol Evolve
The Assignment: Record a piece of music that develops like an organism evolves.

Out of curiosity, I had just bought a sequencer called ZOA, so I decided to go with the "Game of Life" approach of this sequencer (chances are I'm not alone in this). In case you're not familiar with the concept: Conway's Game of Life is a cellular model of evolution in which the life of each cell depends on the life of neighboring cells. In ZOA, each cell is a note and four sequencers play these notes according to additional rules. ZOA adds features like MIDI, and I liked that a lot. 

What I didn't like was the randomness of the melodies, but hey, isn't life random in the first place? (Big debate… let's say: Sometimes it feels random...) I had pushed the development by changing the probability of the notes by hand. If the game of life had come to a halt with some dead pattern, I would have used that, but I didn't want to force it.

I played with many instruments and patterns, but in the end I reduced it to two tracks of eighth notes. For the beginning and the end I chose a cheap fade-in, fade-out, because life came quietly and very slowly out of nowhere, and I think that according to current scientific knowledge, one day it will end like that and just fade out.

Self verdict: The track is soulless and meaningless, like the evolution of life, which need not mean that listeners could not hear either soul or meaning in it if they felt like it.

--

ZOA (Mac/iOS)
https://www.audiosymmetric.com/zoa.html
I'm in no way affiliated with it and there are many alternative MIDI tools doing "life" patterns. ZOA is not without its limits, but I found it a very interesting addition to my pattern park.

LIFE
https://en.wikipedia.org/wiki/Conway%27s_Game_of_Life

--

More on this 580th weekly Disquiet Junto project, Evo Evol Evolve (The Assignment: Record a piece of music that develops like an organism evolves), at: https://disquiet.com/0580/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0580-evo-evol-evolve/

What Comes Up Must Come Down [disquiet0580]

far distance beckons
– hazy blue peaks loom over
calm sea horizons

haiku by Raymond Cobley https://soundcloud.com/ray_cobley

picture by Vlad D https://unsplash.com/@hiking_corgi

For more information visit http://www.naviarrecords.com/about/naviar-haiku

chants afield

halF distancE [naviarhaiku477]

This track was created for the Naviar Haiku group.
481 week 
https://www.naviarrecords.com/2023/03/22/naviarhaiku481-travel-home/

2023-03-23

Travel Home  ( Naviarhaiku 481 )

i used each line of poetry from this week's naviar haiku ("travel home / even the air / has changed") to generate three separate morse code messages. each morse code message was then used to trigger its own instance of trackspacer, which ruptured either the sub, guitar or string channels of my naviar composition. in this way, my original track "even the air has changed" became "uneven, the air has changed."

More on this 586th weekly Disquiet Junto project, Chance the Eraser (The Assignment: Use probability to remove material from a track), at: https://disquiet.com/0586/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0586-chance-the-eraser/

[disquiet0586] uneven, the air has changed

Disquiet Junto Project 0590: Concrète Roots
The Assignment: Make music combining field recordings and feedback

This project is the first of three that are being done in collaboration with the 2023 Musikfestival Bern (musikfestivalbern.ch 2), which will be held in Switzerland from September 6 through 10. The topic this year is « √ » — as the organization explains: “the radical, or square root symbol and the power of its symbolism are central to the festival and these will be translated into music in multifarious ways.” All three projects will engage with the work of Éliane Radigue, who is the Composer-in-Residence for the 2023 festival.

We are working at the invitation of Tobias Reber, an early Junto participant, who is in charge of the educational activities of the festival. This is the fifth year in a row that the Junto has collaborated with Musikfestival Bern.

Select recordings resulting from these three Disquiet Junto projects may be played and displayed throughout the festival.

Step 1: Consider two different techniques: field recordings and feedback.

Step 2: Combine field recordings and feedback in the development of an original track.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0590” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0590” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0590-concrete-roots/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you.

Deadline: This project’s deadline is the end of the day Monday, April 24, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, April 20, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 590th weekly Disquiet Junto project, Concrète Roots (The Assignment: Make music combining field recordings and feedback), at: https://disquiet.com/0590/ 2

About the Disquiet Junto: https://disquiet.com/junto/ 1

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0590-concrete-roots/

Back to nature (Part One) - disquiet0590

i very much enjoyed the lush and gentle tones of https://soundcloud.com/equinox-deschanel (Joe McMahon)'s https://soundcloud.com/equinox-deschanel/lonely-pelican-no-more-disquiet0593 (which contains elements of https://soundcloud.com/mikey_a/the-pelican-finds-a-friend-disquiet0592 and https://soundcloud.com/rabmusiclab/the-loneliest-pelican) and thought instantly about how it would sound stretched out, more shoegazey.
i used paulstretch to create a extended noise bed, imported it into ableton, a short edit to trim the beginning and then stretched the original track to match the timing of the noise part.
then i used the warping section to fix the pitch of the stretched track to original pitch
applied lots of fx - reverb for the noise parts and echo to the original, then on the master channel some granular fx by puremagnetic to add a bit of motion and chaos
panned the noise channel hard left and the original wav hard right
tape emulation applied at the end for added texture

More on this 594th weekly Disquiet Junto project, Threemix (The Assignment: Remix an asynchronously produced trio), at: https://disquiet.com/0594/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0594-threemix/

Of Pelicans (of sorts)[disquiet0594]

Snippet from the bass solo from Sonny Stitt's 1964 release of 'Now's the Time' - Bass Richard Davis, Drums Connie Kay ...

Iterative limiting (towards the left) and distortion (towards the right) ...

More on this 596th weekly Disquiet Junto project, Phylogeny Junto (The Assignment: Depict genres’ evolution over time in music), at: https://disquiet.com/0596/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0596-phylogeny-junto/

folly hang hype

halF phylogenY [disquiet0596]

More on this 597th weekly Disquiet Junto project, Goal Line (The Assignment: Get started on a plan by getting over getting started), at: https://disquiet.com/0597/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: Disquiet Junto by Marc Weidenbaum (Disquiet.com)

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0597-goal-line/

Fractal Voyager (disquiet0597)

see accompanying visuals @ https://youtu.be/4bQZ3Gwerio

bird polyphony
– treble, alto, tenor, bass,
Spring meadow concert

Haiku by Raymond Cobley https://soundcloud.com/ray_cobley

Picture by EVGENIY KONEV https://unsplash.com/photos/YEcvdJ97Oig

For more information visit http://www.naviarrecords.com/about/naviar-haiku

visuals (YouTube)

halF polyphonY [naviarhaiku495]

Oranges

h 0 m e  t 0 w n

Ambient electronica, Berlin School, Chillout & Kosmische Space Musik from Munich, Germany. ► Soundcloud is my musical diary - expect lightfooted drafts, soundchecks, playthings & misfits here. ► Go Bandcamp for finished pieces & more serious musical works.

What Comes Up Must Come Down [disquiet0580]

Krakenkraft & Etherkraken

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IHauntGhosts

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