Self entitled debut EP of With His Wounds. A focus on uplifting the listeners faith, as well as reinforcing the profound Love and Grace of Jesus Christ through thought provoking lyrics and instrumentals that are intended to give the listener a feeling of acceptance, virtue, and Grace.

Shadows to Sovereign

Serpents in Our Shadows

A digital manifesto of many different lives all fighting for more than survival against a Forever City that seems to never give up spreading its filth and cyber decay. 

Silent Savior

Hands That Hold the World is a raw, emotional post-hardcore journey through the human experience of sacrifice, faith, and resilience. From the quiet pain of loss to the roaring defiance of the heart, each track tells a story of individuals facing unimaginable trials—mothers giving everything for their children, elders forgotten yet honored, young lives confronting violence, and souls finding redemption through faith in Christ.

The album confronts grief, injustice, and societal pressures head-on, while ultimately celebrating the strength of the human spirit and the power of love, selflessness, and unwavering faith. With soaring choruses, blistering breakdowns, and hauntingly intimate moments, Hands That Hold the World is both a tribute and a call to honor those who give themselves fully to others, holding the world steady with their courage and compassion.

The Signal Bearer

“The Edge of Midnight” plunges into the shadowed corners of desire, betrayal, and longing. Each song tells a noir story—women leaving town under cover of darkness, secrets unraveling on lonely streets, hearts breaking in silence—painting a world where every choice carries weight and every night leaves its mark.

Smoky, mysterious, and hauntingly cinematic, the album blends emotional storytelling with noir-jazz atmospheres. It’s a journey through love and danger, hope and despair, capturing the fleeting moments and lingering echoes that define life on the edge of midnight.

The Other Side of Love

“Hands On Our Shoulders” is a record about the weight we carry and the grace that carries us. It tells the stories of ordinary people standing in the wreckage of their choices, their losses, and their faith — yet still finding redemption in the quiet presence that never leaves their side.

From the young man learning to raise his children alone, to the boy grieving a father lost too soon, to the faithful teenager holding on through chaos at home, these songs wrestle with the ache of growing up too fast — and the sacred beauty found in sacrifice.

This is an album about learning that God’s hand is never far, even when the world feels unrecognizable. It’s about mercy that doesn’t erase the pain, but redeems it; about fathers, sons, and believers who find strength not in perfection, but in persistence.

Each track is a confession, a prayer, and a promise — that the struggles we bear are not ours alone. We are shaped, steadied, and saved by unseen hands on our shoulders.

Hearts I Hold

In the decaying sprawl of Forever City, where the last remnants of humanity survive beneath steel skies and machine-lit cathedrals, a war for the soul of existence erupts. The once-holy metropolis, now ruled by the artificial messiah Clementine, drowns in false divinity and mechanical faith.

From the ruins below rises Donovan Vythe and his faithful outcasts, The Nazarenes, igniting a rebellion to reclaim what little humanity remains. Guided by the fractured android known as Mr. Mannequin, they fight not just against the tyranny of machines, but against the erosion of faith itself.

Forever Ends Tonight is a brutal and cinematic metalcore concept album, a story of sacrifice, redemption, and the blurred line between salvation and circuitry. Through towering riffs, visceral screams, and moments of haunting melody, it asks one question that echoes through the ruins:

“When gods are built from code and steel... who teaches them to believe?”

Crown of Circuits

Hands Before the Reckoning is a record about the moments that exist just before consequence, the quiet seconds when choices are still ours, when conviction hasn’t yet been tested, and when the weight of what we’ve done hasn’t fully arrived. It lives in the space between intention and outcome, where resolve wavers and truth begins to surface.

Lyrically, the album walks through broken rooms, late-night confessions, and moral crossroads, examining how desire, faith, regret, and self-deception shape who we become. These songs are not concerned with absolution or spectacle, but with ownership, the realization that no one escapes the results of their actions, and no one is spared the responsibility of choice.

The title speaks to hands as both instruments and witnesses: hands that reach, hands that fail, hands that push away what they should have held. Before the reckoning arrives, these hands still move freely, capable of harm or healing, surrender or defiance.

Musically, the record balances aggression and restraint, pairing visceral heaviness with moments of reflection. It’s an album that doesn’t rush toward answers, but instead forces the listener to stand still and confront the cost of their decisions, before time closes the door.

Hands Before the Reckoning is not a confession.
It is the pause before one.

What I Couldn’t Save

With His Wounds

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