written for and performed by Laura Cocks. 
recorded July 2021 in Brattleboro, Vermont. 
Full recording coming in 2022. 

All electronics were generated via Google's ddsp timbre-transfer neural synthesis engine. I compiled a digital model of the members of TAK ensemble using a corpus of audio samples they provided. Then, I passed individual voices of a pre-recorded quintet of Lauras (aka flute sounds, mostly multiphonics) through a different model of each player. The resulting monophonic audio attempts to both learn the characteristics of the respective virtual performers and "mishear" the polyphonic harmony as a single line. Itself a poorly rendered model of this original material, Laura's 6th solo part (performed live) essentially "puppeteers" digital phantasms of her friends, weaving live and simulated flutes through an AI's approximation of a classical chamber ensemble. 

Huge thank you to Marina, Charlotte, Madison, & Ellery for your sounds & for your virtual presences!

virtual chamber music (for flute and ensembles) - II. Runciter Assoc. (shadow music, for TAK)

I use modular synthesizers to compose for acoustic and electronic instruments.

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music
 ( LCEEM ® )  founded    by Max Elzholz

Experimental -Aleatoric-Improvisation-Sonification-Data Bending-Computer Music-Science and Research 
Video Link :
https://www.youtube.com/@trampelfad
Bandcamp : 
https://trampelfad.bandcamp.com

https://maxelzholz.bandcamp.com

Composer of contemporary classical music, he/him, 30, Canada

b. - Winnipeg, Manitoba
BM - University of Toronto
MM- University of Western Ontario
PhD - University of North Texas 

The colors representing each piece here are derived systematically from their titles.

I killed a man in 2015.

I’m better than you but also my keyboard switched to Nederlands fuck I don’t want to speak this shitty language fuck off

xfHdk&*UJHGhljak≥√a%jlfbja%^&*Uvkajhflasdjfshlja%^&*UJHG˙∆˚sdyt7sdjf»’”hjak≥f6fajhflagsdxcvskdjlfbvkhlja%^&*UJHG˙∆˚sdfajhflasdjfsd7sdjf»’”hjak≥√; https://www.jackhamill.digital

RELEASE: 
probablevoltages.bandcamp.com/album/headliners


LIVE: https://www.youtube.com/watch?v=8LYrHL8TbFc&ab_channel=ProbableVoltages 

SCORE-FOLLOW: https://www.youtube.com/watch?v=EbqRgRBKLzw

okokokyeahyeahyeaah REAL HARSH NOISE: https://blnkelectronics.bandcamp.com/album/scotomata
BIO BIO BIO BIO BIO BIO BIO:::;

no,. wait,,, 

vimeo: https://vimeo.com/jackhamill

b l o g for friday listening sesh:
https://studio3listening.wordpress.com

https://www.youtube.com/user/DRORELIMELECH120V

https://www.facebook.com/dror.elimelech.338/


ACOUSTIC AND   ELECTRO-ACOUSTIC  COMPOSER .
STUDIED  COMPOSITION WITH  SERGIU  NATRA .
ELECTRONIC AND  ELECTROACOUSTIC  MUSIC  WITH YIZHAK  SADAI .
PIANO  --  WITH  PNINA  SALZMAN  , BART  BERMAN  , AVI  SCHONFELD .
CONTEMPORARY CLASSIC  COMPOSER , ACOUSTIC ,
ELECTRONIC AND  ELECTROACOUSTIC   MUSIC , 
EXPERIMENTAL  MUSIC . SOUND  ARTIST .
IMPROVISATION AND INTUITIVE MUSIC .
PIANIST .
ACCORDION AND  RECORDER  PLAYER .
FOUNDED  AND  CURATED    2  SERIES  OF  CONTEMPORARY  CLASSIC  MUSIC   IN TEL AVIV  ,  ISRAEL  -- 
 " NIGHT  HAPPENING -  FORUM FOR EXPERIMENTAL MUSIC "    1986  -  2007
" OTHER  ISRAELI  MUSIC "      1985   -  1987
MANY COLLABORATIONS  WITH  POETS , ACTORS , DANCERS ,  PAINTERS ,
 VIDEO ARTISTS , PERFORMANCE  ARTISTS .
MORE THAN  120  PREMIERS  OF  NEW  CONTEMPORARY  CLASSIC MUSIC - 
ACOUSTIC , ELECTROACOUSTIC , MULTI-MEDIA  --  WERE  PRESENTED
IN  HIS  SERIES DURING  23  YEARS OF ACTIVITY .
HIS  MUSIC WAS  PERFORMED  IN  EUROPE , CANADA , USA .
WON  VARIOUS GRANTS AND PRIZES .

virtual chamber music (for flute and ensembles) - II. Runciter Assoc. (shadow music, for TAK)

Weston Olencki