written for and performed by Laura Cocks. 
recorded July 2021 in Brattleboro, Vermont. 
Full recording coming in 2022. 

All electronics were generated via Google's ddsp timbre-transfer neural synthesis engine. I compiled a digital model of the members of TAK ensemble using a corpus of audio samples they provided. Then, I passed individual voices of a pre-recorded quintet of Lauras (aka flute sounds, mostly multiphonics) through a different model of each player. The resulting monophonic audio attempts to both learn the characteristics of the respective virtual performers and "mishear" the polyphonic harmony as a single line. Itself a poorly rendered model of this original material, Laura's 6th solo part (performed live) essentially "puppeteers" digital phantasms of her friends, weaving live and simulated flutes through an AI's approximation of a classical chamber ensemble. 

Huge thank you to Marina, Charlotte, Madison, & Ellery for your sounds & for your virtual presences!

virtual chamber music (for flute and ensembles) - II. Runciter Assoc. (shadow music, for TAK)

I use modular synthesizers to compose for acoustic and electronic instruments.

Quote :

...They taught us that art is about expressing yourself—that you have to have something to say. That's not true—you don't have to say anything at all...

John Cage


TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music
 ( LCEEM ® )  
founded    by Max Elzholz
https://www.youtube.com/@trampelfad

Experimental-Improvisation-Sonification-Data Bending-Alchemy-Probability-Computer-Stochastic-Science-Abstract-Generative-Granular -Unpredictability -Aleatoric-Music -Avoid AI 
" ars gratia artis "

Composer of contemporary classical music, he/him, 30, Canada

b. - Winnipeg, Manitoba
BM - University of Toronto
MM- University of Western Ontario
PhD - University of North Texas 

The colors representing each piece here are derived systematically from their titles.

I killed a man in 2015.

I’m better than you but also my keyboard switched to Nederlands fuck I don’t want to speak this shitty language fuck off

xfHdk&*UJHGhljak≥√a%jlfbja%^&*Uvkajhflasdjfshlja%^&*UJHG˙∆˚sdyt7sdjf»’”hjak≥f6fajhflagsdxcvskdjlfbvkhlja%^&*UJHG˙∆˚sdfajhflasdjfsd7sdjf»’”hjak≥√; https://www.jackhamill.digital

RELEASE: 
probablevoltages.bandcamp.com/album/headliners


LIVE: https://www.youtube.com/watch?v=8LYrHL8TbFc&ab_channel=ProbableVoltages 

SCORE-FOLLOW: https://www.youtube.com/watch?v=EbqRgRBKLzw

okokokyeahyeahyeaah REAL HARSH NOISE: https://blnkelectronics.bandcamp.com/album/scotomata
BIO BIO BIO BIO BIO BIO BIO:::;

no,. wait,,, 

vimeo: https://vimeo.com/jackhamill

b l o g for friday listening sesh:
https://studio3listening.wordpress.com

https://www.youtube.com/user/DRORELIMELECH120V

https://www.facebook.com/dror.elimelech.338/


ACOUSTIC AND   ELECTRO-ACOUSTIC  COMPOSER .
STUDIED  COMPOSITION WITH  SERGIU  NATRA .
ELECTRONIC AND  ELECTROACOUSTIC  MUSIC  WITH YIZHAK  SADAI .
PIANO  --  WITH  PNINA  SALZMAN  , BART  BERMAN  , AVI  SCHONFELD .
CONTEMPORARY CLASSIC  COMPOSER , ACOUSTIC ,
ELECTRONIC AND  ELECTROACOUSTIC   MUSIC , 
EXPERIMENTAL  MUSIC . SOUND  ARTIST .
IMPROVISATION AND INTUITIVE MUSIC .
PIANIST .
ACCORDION AND  RECORDER  PLAYER .
FOUNDED  AND  CURATED    2  SERIES  OF  CONTEMPORARY  CLASSIC  MUSIC   IN TEL AVIV  ,  ISRAEL  -- 
 " NIGHT  HAPPENING -  FORUM FOR EXPERIMENTAL MUSIC "    1986  -  2007
" OTHER  ISRAELI  MUSIC "      1985   -  1987
MANY COLLABORATIONS  WITH  POETS , ACTORS , DANCERS ,  PAINTERS ,
 VIDEO ARTISTS , PERFORMANCE  ARTISTS .
MORE THAN  120  PREMIERS  OF  NEW  CONTEMPORARY  CLASSIC MUSIC - 
ACOUSTIC , ELECTROACOUSTIC , MULTI-MEDIA  --  WERE  PRESENTED
IN  HIS  SERIES DURING  23  YEARS OF ACTIVITY .
HIS  MUSIC WAS  PERFORMED  IN  EUROPE , CANADA , USA .
WON  VARIOUS GRANTS AND PRIZES .

virtual chamber music (for flute and ensembles) - II. Runciter Assoc. (shadow music, for TAK)

Weston Olencki