Bruce Gilbert, guitarist for Wire, once stated that he aimed at turning the guitar from a melodic to a percussive instrument, an idea much appreciated and something I have attempted, on a very hit or miss basis, to do. 

More of a listener than a musician, influenced by the harsh noise from a good many post-industrial outfits, from Throbbing Gristle, Zoviet France and beyond, I attempt to curate my own soundscapes and drone-based musique concrète. 

Well, does it "work"? Probably not, but I do try and always feel a bit more "zen" during the process. 

Enjoy the noise.

- s.

Yeah! 
Here -  Solo stuff: Drones, noises, feedbacked days and BASS pedal "demos".
Elsewhere - Glimmbrand and deep are happening now. Suicide Raté was a while ago.

low-fi experimental-drone-ambient-noise, dark & slow

elesa b.: guitar, synth, cello, drums, fx
marco b.: bass, fxxxxxxxxxxxxxxxxxxx

Novo projeto de dois ex-integrantes do Fellini, mais voltado para experimentação.

I make racket. I like making racket. 
Sometimes I make racket with some friends: https://soundcloud.com/lunarasylum

Carlos Ferreira is a Brazilian experimental guitarist and composer whose work investigates the act of listening as a poetic and political gesture. Through immersive soundscapes built from processed guitar, field recordings, and subtle electronic textures, Ferreira explores the interplay between sound, space, time, and memory.

Smetak is following