Wud Records Archives Sampler.

This section of Wud Records is where we have put the music and memories of glorious bands from days gone by. These bands are no longer heard live, but this is a place where their wonderful songs can live on and be enjoyed. We created these pages because we are fans of these bands. This material is not owned by us but by independent individuals and companies.

The main purpose of the archive pages is to pay homage to other bands that we have known and loved over the years. We have always felt it to be a terrible shame that there are so many bands that write great original material who simply disappear without trace after they split up and it is no longer possible to ever hear any of those songs again. Perhaps we can go a small way to rectify this issue.

We would love to be able to host more music, photos, video, stories... of all of the bands already in our Archives. If you have any recordings that might be usable, please, please - contact us by email: archive@wudrecords.co.uk

If you wish to comment or if you would like to submit your material to this section, please email: archive@wudrecords.co.uk to do so. Applications will be considered on merit.

Should you happen to own the rights to the material we have published here and would prefer it to be removed, we shall do as you wish. Traffic figures can be supplied upon request.

We are very interested in giving exposure to the following bands. If you have any recordings of them, or indeed any of the other acts that are already in the Wud Records archives, please contact archive@wudrecords.co.uk:

* Midriff (Plymouth c. 1999-2001) – Chris Brian (guitar/vocals), Simon Patel (bass), Lee Ireland (drums)

* Free Barrabas (Torbay c. 2000-01) – Steve Sowden (guitar/vocals), ??? (bass), ??? (drums)

* Swamp Thing (Brixham c. 1988-90) – Marston Hawkins (bass, vocals), Rodney (uberwiddlesome guitar), ??? (drums)

* The Sicillians (Drewsteignton c. 1986-8) – ??? (vocals, guitar), Dave Costello (lead guitar, bass), Pete Bravo (bass, trumpet), Tim Peirce (lead congas), Tim Irons (drums)

* The Vibration Doctors (Sidmouth c. 1985-8) – Rick Austin (bass/vocals/didjeridoo), ??? (guitar/vocals), ??? (drums)

* Rough Cut (Ipplepen c. 1988-90) – ??? (guitar/vocals). ??? (guitar/vocals), ??? (bass), ??? (drums)

This particular compilation has just one song from each of the bands in our Archives. That song may change from time to time and may not be entirely representative or typical of that band's creativity.

Listen to more of our Archive bands here: http://www.wudrecords.co.uk/archives

Follow Wud Records on all your favourite websites: https://linktr.ee/wudrecords

Downloads help us!

Archive Sampler 2

Red Lights by George.
From Volume VIII Side B of the Band of Georges.

Music and lyrics by G. Davies.
Composed circa April 1987.

Recorded August 1987.
Mixed September 1987.
Lifted from cassette July 2025.

Copyright © 1987 & 2025 Wud Records.
Copyright ℗ 1987 Explicit Music.

Fun Facts:
Red Lights has no specific date other than 1987.
George believes April might be a good guess for when it was written.
This song uses the Boss DR 220A drum machine.
It became a part of the set of Rough Terrain, although they didn't play it very often.

See also:
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/volume-viii-side-b/
https://www.wudrecords.co.uk/news/band-of-georges-release-permission-granted/
https://linktr.ee/wudrecords

Volume VIII Side B

Red Lights

Downloads

Band of Georges: Red Lights

I've Got a Number by George.
From Volume VIII Side B of the Band of Georges.

Music and lyrics by G. Davies.
Composed 10th December 1983 and 22nd February 1987.

Recorded March 1987.
Mixed April 1987.
Lifted from cassette July 2025.

Copyright © 1987 & 2025 Wud Records.
Copyright ℗ 1987 Explicit Music.

Fun Facts:
I've Got a Number is another song that George wrote for the concept album.
Most of the music for the concept album was composed in the spring and early summer of 1983.
The lyrics for the concept album songs came later.
Some of the lyrics were written in the summer of '83 and more in the following months and years.
The concept album was loosely based on the computer game Wizardry, by Andrew Greenberg and Robert Woodhead.
The software title was a huge and groundbreaking success on the Apple II in 1982.
The date of this song is an anomaly and suggests either a re-write or an estimation of when the original version was composed.
There is a note on the lyrics sheet that says 'Vostok's Song' - presumably one of the characters in the story.

See also:
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/volume-viii-side-b/
https://www.wudrecords.co.uk/news/band-of-georges-release-permission-granted/
https://linktr.ee/wudrecords

I've Got a Number

Band of Georges: I've Got a Number

The Fight by George.
From Volume VIII Side B of the Band of Georges.

Music and lyrics by G. Davies.
Composed 22nd February 1987.

Recorded March 1987.
Mixed April 1987.
Lifted from cassette July 2025.

Copyright © 1987 & 2025 Wud Records.
Copyright ℗ 1987 Explicit Music.

Fun Facts:
The Fight is another song that George wrote for the concept album.
Most of the music for the concept album was composed in the spring and early summer of 1983.
The lyrics for the concept album songs came later.
Some of the lyrics were written in the summer of '83 and more in the following months and years.
The music and lyriics for The Fight came somewhat after most of the rest of the concept album.
The concept album was loosely based on the computer game Wizardry, by Andrew Greenberg and Robert Woodhead.
The software title was a huge and groundbreaking success on the Apple II in 1982.

See also:
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/volume-viii-side-b/
https://www.wudrecords.co.uk/news/band-of-georges-release-permission-granted/
https://linktr.ee/wudrecords

The Fight

Band of Georges: The Fight

Run by George.
From Volume IX Side A of the Band of Georges.

Music and lyrics by G. Davies.
Composed July 1987.

Recorded December 1987 to April 1991.
Mixed May 1991.
Lifted from cassette August 2025.

Copyright © 1987 & 2025 Wud Records.
Copyright ℗ 1987 Explicit Music.

Fun Facts:
Run was composed in July 1987 at 19 Haldon Road, Exeter.
This was during the days of Rough Terrain.
It was also around the same time that Lizzy and Dave moved into the flat on the top floor.
After that, the whole house became like a real life version of the Rocky Horror Picture Show.
Run was the fourth and last song on this cassette when Pete helped George move house from Plymouth back to Exeter.
During the journey, the cassette was played in the van.
Run was the only one of the four songs that Pete liked.
George can no longer recollect who had cheesed him off enough to write this song about them.
The vocal is bizarrely a bit munchkinised.
George must have slowed the tape down to record the vocal part.
Perhaps he couldn't quite hit or hold one of the higher notes.

See also:
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/volume-ix-side-a/
https://www.wudrecords.co.uk/news/band-of-georges-release-permission-granted/
https://linktr.ee/wudrecords

Volume IX Side A

Band of Georges: Run

I Pass You By by George.
From Volume IX Side A of the Band of Georges.

Music and lyrics by G. Davies.
Composed 24th July 1987, 8:00 - 8:50pm.

Recorded May 1991 to August 1991.
Mixed August 1991.
Lifted from cassette August 2025.

Copyright © 1987 & 2025 Wud Records.
Copyright ℗ 1987 Explicit Music.

Fun Facts:
I Pass You By was composed in July 1987 at 19 Haldon Road, Exeter.
It was inspired by the beautiful train journey from Exeter to Torquay.
This journey was George's occasional commute during that summer.
The sound of the train at the start was recorded one evening using two mics and an open window at 63 King Street, Exeter.
That particular property was very close to the main London to Penzance railway line.
It was probably the sound of a British Snail, er, Rail, Intercity 125.
Programming the Boss DR 220A drum machine probably took a long time.
I Pass You By was never included in the set of any band.

See also:
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/volume-ix-side-a/
https://www.wudrecords.co.uk/news/band-of-georges-release-permission-granted/
https://linktr.ee/wudrecords

I Pass You By

Band of Georges: I Pass You By

Leaving Home by George.
From Volume IX Side A of the Band of Georges.

Music and lyrics by G. Davies.
Composed 1st June 1987 circa 01:00am.

Recorded December 1987 to April 1991.
Mixed May 1991.
Lifted from cassette August 2025.

Copyright © 1987 & 2025 Wud Records.
Copyright ℗ 1987 Explicit Music.

Fun Facts:
When the lyrics for Leaving Home begin, they are describing the scene in George's room in real time.
Some of the lyrics are by turn fascinating, wistful, poignant and telling.
There is rather a lot of reverb on here, from the same source as for Secret Subsociety.
The drum machine is again the Boss DR 220A.
The EDP Wasp also makes a few appearances.
Leaving Home was never performed by any band.
The bass was tuned to a drop-D for this song.

See also:
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/volume-ix-side-a/
https://www.wudrecords.co.uk/news/band-of-georges-release-permission-granted/
https://linktr.ee/wudrecords

Leaving Home

Band of Georges: Leaving Home

Ocean And by George.
From Volume IX Side A of the Band of Georges.

Music and lyrics by G. Davies.
Composed July 1987.

Recorded December 1987 to April 1991.
Mixed May 1991.
Lifted from cassette August 2025.

Copyright © 1987 & 2025 Wud Records.
Copyright ℗ 1987 Explicit Music.

Fun Facts:
We cannot find any paperwork or lyrics for Ocean And.
George believes it was composed in late June or early July 1987.
It was composed on the bass with a delay pedal, rather than on guitar like nearly all of George's other songs.
Ocean And was written at 19 Haldon Road, Exeter.
This was during the days of Rough Terrain.
It was also around the same time that Lizzy and Dave moved into the flat on the top floor.
After that, the whole house became like a real life version of the Rocky Horror Picture Show.
Ocean And was briefly considered for addition to the Rough Terrain repertoire, but never was.

See also:
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/volume-ix-side-a/
https://www.wudrecords.co.uk/news/band-of-georges-release-permission-granted/
https://linktr.ee/wudrecords

Ocean And

Band of Georges: Ocean And

Secret Subsociety by George.
From Volume IX Side A of the Band of Georges.

Music and lyrics by G. Davies.
Composed 15th May 1987, 11:00ish to 12:55ish.
Additional composition circa September 1987 and January 1988.

Recorded December 1987 to April 1991.
Mixed May 1991.
Lifted from cassette August 2025.

Copyright © 1987 & 2025 Wud Records.
Copyright ℗ 1987 Explicit Music.

Fun Facts:
The first ten seconds or so of this are a bit garbled due to cassette deterioration over several decades.
Secret Subsociety may have the longest set of lyrics of all of George's songs.
It expresses a lot of experiences around the themes of claustrophobia, fear and paranoia.
George is no longer sure about how it was produced exactly.
The reverb that rather dominates the mix may have belonged to Watershed, or Zaphod, or Paul, who produced the Rough Terrain demos.
George remembers playing this, and the next three songs on this tape, to Pete inn his van in 1991.
This was the occasion when Pete collected George from Plymouth to move him and his belongings back to Exeter.
Pete didn't like the first three songs, including this one.
The opening lyrics describe George's writer's block, which then became unblocked as the song unfolded.
There was a pre-bounce mix of this which featured the bass and two guitars.
Sadly this mix has not survived the passage of time and is beyond repair.
As such, the way the song ended up being mixed was quite odd due to the number of tracks needed for all of the parts.
This is quite an ambitious recording, especially for just four tracks on a cassette.
It uses the newer Boss DR 220A drum machine, which actually ran out of memory.
The drums at the end had to be overdubbed once the first 256 bars had been recorded.

See also:
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/volume-ix-side-a/
https://www.wudrecords.co.uk/news/band-of-georges-release-permission-granted/
https://linktr.ee/wudrecords

Secret Subsociety

Band of Georges: Secret Subsociety

Leaving Home (Coda) by George.
From Volume IX Side A of the Band of Georges.

Music and lyrics by G. Davies.
Composed 1st June 1987 circa 01:00am.

Recorded December 1987 to April 1991.
Mixed May 1991.
Lifted from cassette August 2025.

Copyright © 1987 & 2025 Wud Records.
Copyright ℗ 1987 Explicit Music.

Fun Facts:
Leaving Home (Coda) is actually a bonus track.
This coda was something we discovered at the end of the mix of Leaving Home.
It appears to be just some guitar noodling that happened once the take was finished and the tape was still running.
There's a certain poignancy to it, like a final farewell, so we included it here.
When the lyrics for Leaving Home begin, they are describing the scene in George's room in real time.
Some of the lyrics are by turn fascinating, wistful, poignant and telling.
There is rather a lot of reverb on here, from the same source as for Secret Subsociety.
The drum machine is again the Boss DR 220A.
The EDP Wasp also makes a few appearances.
Leaving Home was never performed by any band.
The bass was tuned to a drop-D for this song.

See also:
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/volume-ix-side-a/
https://www.wudrecords.co.uk/news/band-of-georges-release-permission-granted/
https://linktr.ee/wudrecords

Leaving Home (Coda)

Band of Georges: Leaving Home (Coda)

Frustration Song by George.
From Volume IX Side A of the Band of Georges.

Music by G. Davies/J. Peirce.
Lyrics by G. Davies.
Composed 26th August 1987, 03:00 - 03:56pm.

Recorded May 1991 to August 1991.
Mixed August 1991.
Lifted from cassette August 2025.

Copyright © 1987 & 2025 Wud Records.
Copyright ℗ 1987 Explicit Music.

Fun Facts:
Frustration Song was composed at 19 Haldon Road, Exeter.
George wrote it after a period of frustration.
He had been in a relationship with a girlfriend who liked him to do absolutely nothing for long periods of time.
As a person who was always active, he found this very difficult.
It is written on the lyric sheet "A song for" and then the name of the girlfriend.
This was the most reggae song he had ever written up to this point.
The bassline was the creation of Jerry from Rough Terrain.
One of the voices was recorded with the tape slowed down to give the voice a different sound.
The distorted lead guitar is plugged directly into the portastudio. rather than using a mic and a guitar amplifier, to give it that distinct tone.

See also:
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/volume-ix-side-a/
https://www.wudrecords.co.uk/news/band-of-georges-release-permission-granted/
https://linktr.ee/wudrecords

Frustration Song

Band of Georges: Frustration Song

Billie Holiday by Goodstaff.

Goodstaff were Silverton’s finest post-punk extreme sports band of the late nineties and early noughties.

Goodstaff were an awesome live band. Besides creating a most joyous hullabaloo on stage, they were visually one of the most interesting bands of their time and sounded unlike any other act in the south west. Many of their songs were about subjects such as snowboarding and the winter sports lifestyle and some of their songs were used on snowboarding videos.

Frontman Ross Martin was the main songwriter and provides all the guitars and main vocals that you can hear, including some rather interesting and unusual stomp-box effects. He played his guitar slung so low you would think that his knuckles must drag along the ground when he walked. Mik E played the keys, sang backing vocals and provided a lot of stage presence and psychotic uber-geek strangeness and digital waveform finery.

Goodstaff had one of the finest rhythm sections around. John Thornhill was an awesome drummer and highly visual, especially during Superstitious White or Black which was mostly in seven time. Ant Barron on five-string bass also had a great stage presence with his facial hair and piercings and numerous coloured contact lenses. He also provided backing vocals and acted superbly as a dry foil to Ross’s on-stage wit.

Despite a couple of years of success playing the south of England and developing a formidable reputation for their live shows, which had a much bigger and far more powerful sound than these recordings, the band ground to a halt when Ross failed to return from a snowboarding holiday in New Zealand. As far as we know, he is still there.

Tracks 1-5 recorded at CrazyCat Studios Exeter.
Mixed by Rick November 1999.
Copyright © Ross Martin and Goodstaff 1999.

Tracks 6-8 recorded and mixed at Torna-K’s studios.
Engineered by J.Burrough.
Mastered by Dave Bliss.
Copyright © Ross Martin and Goodstaff 2000.
6635 Records.
More details can be found at peoplesound.com

See also:
http://www.wudrecords.co.uk/archives
http://www.wudrecords.co.uk/archives/goodstaff
https://twitter.com/WudRecords

Goodstaff

Billie Holiday

Goodstaff: Billie Holiday

Your Fault Not Mine by The Chillun.

The Chillun were one of the finest blues bands ever to play together and for a time they were based in Exeter where they had a residency at the river front pub which is still to this day called the Port Royal. We are not sure what the origins or the end of The Chillun’s story was, only that for the years they played together they were magnificent.

The songs we have here are from two of their demos. The first from 1982 was titled Booze and Blues – Yer Actual Demo and the second from 1984 titled simply Demo. The first four songs are from the Booze and Blues demo and the last four from the Demo.

Unfortunately, as we only had cassette versions of these songs to work with, the passage of time has caused the first two Demo tracks (Baby Too and Sleighride) to sound rather mangled, although the other six tracks seemed to clean up quite well. We will see if we can improve upon these at some time in the future.

We also believe that there was at least one other recording that The Chillun made, probably in 1983. Sadly we have no details of this recording.

We have been trying to remember other song titles and have come up with Painted Lady, which was a splendid rocky blues song in D that ended with Boggy’s drum solo, Cuddles which was rather a fun blues number that Boggy’s drum solo began, and The Bullfrog Blues, which was often the last song of a Chillun show.

The Chillun were Andrew ‘Angus’ Russe on guitar and voice, Nick Banwell on bass and Martin ‘Boggy’ Gorman on drums. Steve Clarke played the keys on the Booze and Blues recording.

Singer and guitarist Andy Russe wrote a fascinating autobiography of The Chillun for us and you can find it here:
http://www.wudrecords.co.uk/archives/the-chillun/the-chillun-an-autobiography-by-andrew-angus-russe

See also:
http://www.wudrecords.co.uk/archives
http://www.wudrecords.co.uk/archives/the-chillun
http://alonetone.com/andyr
https://twitter.com/WudRecords

The Chillun

Your Fault Not Mine

The Chillun: Your Fault Not Mine

Promise the World, from Ride That Fantasy by Recluse.

This is the 2001 album Ride That Fantasy by Devon trio Recluse.

Sadly we have no information accompanying this album called Ride That Fantasy by Recluse, other than the track titles and the name of the band, Recluse.

We are fairly sure that it is Alex Painter on guitar and vocals and writing most of the material, although as to whether or not Chris White and Tim Desmond provide the bass and drums (or more, or less) and other such detail remains largely mysterious. It sounds as if Alex played a baritone guitar, or at least tuned one of his guitars down somewhat, for some of the songs.

We like Recluse a lot and hope its members are still making great music somewhere, somehow.

Recluse were a three piece band from Devon who wrote the most disarmingly haunting and powerful songs. They were three of the most polite and unassuming young men if you met any of them, yet when put on a stage with some instruments to play they produced the most gloriously demonic musical cacophony.

The main songwriter in Recluse was Alex Painter (guitar, vocals) and when he left the area to study music at Salford the band seemed to grind to a halt. This was a great shame as he was one of the most accomplished young rock musicians and composers in Devon. Chris White played bass and Tim Desmond drums to complete the line-up.

As far as we know, the band made just two albums – Propaganda in 2000 and Ride That Fantasy in 2001. We hope you enjoy listening to the music of Recluse as much as we still do, even after all these years.

See also:
http://www.wudrecords.co.uk/archives
http://www.wudrecords.co.uk/archives/recluse
http://www.wudrecords.co.uk/archives/recluse/ride-that-fantasy-2001
https://twitter.com/WudRecords

Ride That Fantasy

Promise the World

Recluse: Promise the World

Living in the Gap, from Life, Times and Dreams by Watershed.

Recorded at The Acorn, Penzance.
Engineered by Watershed and Steve Smallwood.
Mixed at Elm Road (Mike's room).
Produced by Watershed.
Cover Art: Denise Andrews.
Thanks to: Uffy and the Acorners, Denise and Mrs Lovely.

All songs by Al Shalliker.
Copyright © Al Shalliker 1990.

WATERSHED
Jo Atkins - vocals, percussion
Mike Baldwin - soprano/tenor sax
Mark Flack - bass
Dave Gregory - grand piano
Tony Gullis - drums, percussion
Al Shalliker - guitars, vocals
Steve Smallwood - sound & pound

LIVING IN THE GAP
There ain't no crime in living in the gap
If you want to take the shackles off your back,
There's no crime in living,
If you don't like what they're giving,
There's no crime in living in the gap.

Living in the gap, Jack...

On your back Jack
Losing contact
Way too slack Jack
Want our money back!

There ain't no crime in living in the gap
If you want to take the shackles off your back,
There's no crime in living,
If you don't like what they're giving,
There's no crime in living in the gap.

Want to live my life in my own way,
Not tied up like a chess piece in the game.
Want to live my life,
Without the trouble and strife,
That makes a mind get tireder every day.

Oh my sweetheart where am I?
Just floating like a snowflake in the sky,
When the prophet calls my name
To introduce me to the game
Tell him I cut the clouds right off my back.

Living in the gap, Jack...

Ain't gonna be no yes man saying
Ain't going to carry the can...

Oh listen to the rain,
Each drop that falls comes back round again
But with every drop that falls
A voice shouts duty calls
And duty knows the rules of the game.

Living in the gap, Jack...
There's no crime in living in the gap...

See also:
http://www.wudrecords.co.uk/archives/watershed
http://www.wudrecords.co.uk/archives/watershed/life-times-dreams
https://www.youtube.com/watch?v=13DknmiCstM
https://www.youtube.com/watch?v=2slWp3l4WP4
https://myspace.com/watershedplymouth
http://www.bandmine.com/watershedplymouth
https://www.alshalliker.com/
https://linktr.ee/wudrecords

Life, Times and Dreams

Living in the Gap

Watershed: Living in the Gap

Nothingtime TV, from the album World 3 by Andromeda.

All tracks written, performed and produced by Andromeda.

Copyright © 2001 Joe Ings/Amy McGill/Adam Bonner/Tom Brown.

Thanks to Paul Mumford.

Tracks salvaged from promo copy.

See also:
https://www.wudrecords.co.uk/archives/andromeda
https://www.wudrecords.co.uk/archives/andromeda/world-3
https://www.bandmix.co.uk/trimorphous/
https://www.wudrecords.co.uk/archives
https://linktr.ee/wudrecords

andromedabeast@hotmail.com

World 3

Nothingtime TV

Andromeda: Nothingtime TV

Grain of Sand by Dayglow.
From the Grain of Sand Demo by Dayglow.

Copyright © 2000 Dayglow.

We found this demo amongst our archives and felt it deserved to be shared, along with a somewhat incomplete biographical history of the band Dayglow based on our memories.

First up, it's very important to say that we have no information accompanying the demo CD. All that is written on the CD is 'Dayglow' and 'Grain of Sand'.

So, dear gentlemen of Dayglow, we know not what your names are. We also don't know for sure the names of these tracks, we simply guessed based on what we could hear in the lyrics. If we got it all horribly wrong, please let us know!

Dayglow were without a doubt the most improved band in the Torbay area during the 18 month (or so) period with which we were familiar with that whole scene. The live music scene in Torbay just after the turn of the millenium was fantastic, largely thanks to The Live Stage run by Joe and Mel at The Hideaway and another orange venue before the Hideaway became home for all the live music shenanigans that went on every week.

Dayglow started out as a three-piece grunge band. These recordings are almost certainly from their early days. Their first show was at the orange venue and they played support to another act, possibly Murdock or Kickdown or Outcast or Torna-K, who were all quite big on the scene at the time. Also on the bill were Parafinalia and Goodstaff. Goodstaff played every week and opened the proceedings.

The first Dayglow performance we witnessed was not particularly spectacular, apart from one highly memorable comedy moment. There was a song they tried to play that involved a somewhat twiddly riff on the bass, and during the first three or four attempts the string on which the riff was being played kept popping out of the nut of the bass, so the poor bass player had to replace it and try again.

After several attempts, the guitarist, singer and frontman of Parafinalia stepped up to hold the recalcitrant string in position, and continued to do so for the remainder of the rendition of that particular number. He held it in place rather firmly, effectively putting a massive bend on the whole string, so it was entirely out of tune with the rest of the band. The two of them cavorted awkwardly around the stage in a weird comical dance, like conjoined twins in a 19th century cabaret or two wounded beetles trying bravely to reproduce. The few of us that noticed what was going on found it hilarious. At the end of the song, the assistant was warmly thanked and Dayglow continued with their set.

Dayglow played the Hideaway two or three more times after that, each performance better than the previous as the band grew tighter and more accomplished as they gained experience. The last time we saw them they had grown to a four-piece having added a second guitarist. This latest performance was fantastic and the band probably had the best sound of any performance anybody ever gave at any of the Live Stage shows we remember.

There was one other thing that was rather striking about Dayglow. Their bass player was ludicrously tall. There were several extremely tall bass players for some reason at that time on that scene, and Dayglow's was probably the tallest.

We hope you enjoy these tracks.

*** JANUARY 2022 UPDATE !! ***

The following information was provided to us by Myke, the band’s drummer.

Performers:
Ross Sanders – Vox & Guitar
Myke Heath – Drums
Will Little – Bass (yep an ironic name for a bloke who is 6ft 4” tall)

Later on Rob Duncan joined Dayglow on guitar and eventually the band changed their name to After The Blackout.

Myke and Ross carried on together with another band, which was a continued evolution of Dayglow, called Drawn On Empty Faces. That lasted until 2009, when Ross gave up on playing music.

Myke is still playing and writing with a band called Fabulous Weapons, which you can listen to by clicking here:
https://soundcloud.com/user-480179699

Grain of Sand

Dayglow: Grain of Sand

Contact: info@wudrecords.co.uk
We had 3998 followers when our account was unexpectedly deleted in error by a SC robot 20.07.2025 and then restored 21.07.2025. UK/EU rock label since 1984. Demos, oddities, archives, WIP. Releases on Bandcamp etc. AI-free zone. All reposts shared to BlueSky and 'X'.
Wud! You have just been wudded. ;-)

We're very sorry but we're unable to reply to SC messages. We can read them but cannot reply. Please email info@wudrecords.co.uk instead. We answer most emails within a week.

ACTIVE ARTISTS:
Flicker, Dark Company, Pok the Bard, The Bastard Sons of Dennis

LEGACY ARTISTS:
Alchemeon, Clonk!, Dr Watson, The Ug Brothers, Alien Heat, Rough Terrain, The Subterraineans, The Addled Eggs, The Masters of Drone, Laughing Sun, Wud, Lemming Meringue, Sirius Rising, Now, Fooog Dinboffin and the Release, Mark Drower and the Everyones

ARCHIVE ARTISTS:
Andromeda, Critical Error, Dayglow, Demon Groove Lizards, Ember, Fruit Bats, Goodstaff, Guarana, Murdock, Prism, Pyg, Recluse, Search Party, Spacegoats, Stephen Yates, The Chillun, Watershed

* For DIY musicians:

Looking to grow your fanbase? Here's a proven strategy for success. It's a bit time-consuming at first because you need to work at it often. However, the awesome results will make it worth your while:

http://www.wudrecords.co.uk/miscellaneous/be-discovered-on-social-media

That article was published in March 2017. While some of the links may no longer work, the theory absolutely will. Try it for yourself!

* Unfortunately...

Due to brexshit, broken britain, rip-off britain, corruption, lies and bias in the media, bigotry, racism, intolerance, polarisation, the fact that some of our family members would not be allowed to remain post-brexit, state-sponsored child trafficking (yes, that's right, we said it - it's pretty shocking, start reading from here if you don't believe it: https://forced-adoption.com/), an increasing sense of frustration and exasperation, and general total weariness of being treated with nothing but derision, ignorance and contempt by the entire shebang since the early 80s, we decided enough was enough and moved our entire operation from brexeter in the uk to begin our grand brexodus in 2017. We are now brefugees, living in brexile very near the border of the Czech Republic, Austria and Germany. If you live in (the crumbling remains of) the uk, do yourself a favour and leave. The upgrade in life quality will blow your mind.

* What do we stand for as a label?

We support all independent musicians who are doing something we find interesting. Our team members all have formal music education qualifications.

We are against corporate brainwash muzak, their puppet friends in the mass media, and many other corporate activities. We will fight their desecration of music until either it stops or we die. 

We believe in helping others in the face of corrupt laws and a broken system. We are pro democracy, green energy and free speech.

We're politically liberal. We cannot support the republicans, maga or gun violence in the usa. We don't see there's any real difference, other than in name, between the christian far right in the USA and the taliban in Afghanistan.

In the uk we are broadly pro LibDem/Green/Labour/SNP. We are VERY anti-tory, bnp, ukip, and any of their friends and associates. We have no trust at all in the uk right wing press monopoly and the bbc. Beware the bbc and its claims of neutrality. It is the propaganda mouthpiece of the tory party. It even charges a propaganda tax called the licence fee. But we like Test Match Special and Radio 6, so does that make us hypocrites...? Hmm.

We support independence for Scotland, Wales, Northern Ireland and Cornwall. We support the individual and the underdog. We are anti-putin and his war, and pro-Ukraine.

Please notice the careful use of capitals. Capital letters imply respect!

We're only interested in the colour of your soul. Not your skin, hair or socks.

We like cricket! Most of us support Somerset County Cricket Club.

The Chillun: Your Fault Not Mine

Wud Records

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