Amazing intro - very dense - great manglings in the following parts

Wow. Really gets intense here. Awesome sound design

stirring up these abstract soundscapes like a chief

Love the deep thud attached to that detuned piano thingy.

Strange sounds all over the place. Hearing taffy-pulled vocal elements... slithering bells.... steampunk metalwork instruments. Really imaginative world.

i started this track back in the autumn of 2014, i think its finished :)

combat fatigue

SHIFT   by  WÜST

A new recorded alternative of my earlier "Kraft". Just strings and my soul.

Kraft II

Inspired by this haiku written by Yoshida Donguri, haiku poet who lives in Hokkaido
White and white
Heaven and bottom useless
–Winter cloudy
https://www.naviarrecords.com/2022/01/26/naviarhaiku421-white-and-white/

Electric Echoes In A White Sky (naviarhaiku421)

My answer to the 429'th Naviar Haiku challenge is a live performance from the attic and of course pure improvisation. Three synths and one sequencer for this session. BARP2600(bassounds)and Roland D70/Gaia, Korg SQ1:

OVER THE MOON
over the moon
under the sun–
as the crow flies

Lafcadio lives in the United States. She enjoys writing Japanese-inspired micropoetry as well as free form. Lafcadio has had haiku, senryu, tanka and haibun published in various online journals. She uses Lafcadio as her nom de plume mostly because she likes saying nom de plume.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 30th March 2022
haiku by Lafcadio https://twitter.com/juliusorlovsky
picture by Ju On https://unsplash.com/@juon

The Crow [naviarhaiku429]

Several layers of a Nord 2 through chorus units. Also used a TC M350's delay and reverb. Added a layer of tube preamp noise for contrast. At the end is a dusty sound from NASA archives called Passing Comet Tempel 1. Find more NASA sounds here: (it's an amazing resource) https://www.nasa.gov/connect/sounds/index.html

nord sketch 4.21.22

To Furry

New long collaboration with my soulster:
https://soundcloud.com/user-934812647
Arc*hive 23*58

Ovum 1

1. For thousands.
2. Deceives like the poet.
3. In base of two.
4. No name for ignorance.
5. Cock juice is forgotten.
6. Osmosis and fight over tenderness.
7. Rituals for the mirror of the earth.
8. And the ovum designates its bisection.
9. The term idiocy.


Ovum 2

1. The black doll eats the red flower.
2. Chessboard tentacles.
3. To know how to move.
4. If I don't know, you know.
5. Nails on dermis.
6. My bloody copyright.
7. Magic of the Larzac witches.
8. Big-bang mouth-to-mouth.
9. Night and Erebus.

Ovum 3

1. Armor of sidewalks.
2. In one, it seems to be good.
3. My braids are useful.
4. Heart's helice of the angel.
5. And labors in hours.
6. So charming teenagers.
7. Vibrations on the phone.
8. No trap on the real.
9. The burp of the world.



Ovum 4

1. A source of blood.
2. Vase-shaped girls.
3. Legs to the evening ephebe.
4. Projects to the fertilized ovum.
5. Hands over mouth.
6. Perfection of destruction.
7. Beats of seconds on petals.
8. Anat, Goddess of love and carnage.
9. Eating the flesh of the wises.

From Scientific Feminity To Feminine Ritual with ARC*HIVE 23*58

Maybe a little bit old fashioned & traditional … mostly AEmodular (Sequence) and B-MonoPoly (pads, risers, fx).

Cover inspired by https://www.si.edu/object/zurich%3Ahmsg_86.1355

album.link

No Kooning

Oversold

Recorded live at Senso220 / CSW Solvay / Kraków 
Marzena Majcher / vocal, interactive exformer, synthesizers
Andrzej Wojciechowski / live electronics, sampler
Irwin Wojciechowski / bass guitar

SHIFT by WÜST

WÜST

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