Built upon 33per's "(Rock the) Firebells" piece: https://soundcloud.com/33per/firebells

This instrument made of fireballs immediately made me think of the two organ pipes I have in my studio. I took them outside and played them with a shop vac. A bit noisy, but there it is.

Added two elements to 33per's track, both are made from samples of the lowest organ pipe. Left lots of empty space.

As the original track is stereo and makes use of that, my mix is also stereo with my parts layered on. I have a version with hard panning if you prefer.

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More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Firebells And Pipes - Stereo - disquiet0637

Original by encym https://soundcloud.com/encym 

Dubbed & mixed 15 Mar 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. This was also Day 1338 of the 100 Day Project.

Music distributed under CC BY-NC-SA 3.0 DEED

Process notes
Last week, encym(https://soundcloud.com/encym) recorded & uploaded “Neat Disorder” and I downloaded it on 3/13 

His original post and notes -
https://soundcloud.com/encym/neat_disorder_disquiet0636

“This week’s Junto project has always been one of my favourites – so I recorded the first third of what will eventually become a trio. I played it on my Tele through a simple, straightforward signal chain of Chase Bliss Mood (the main sound), fed through a Dark Star and a Polymoon to add space and variations in terms of timbre. No further editing in the DAW. I went for as sparse a track as I could, to provide as much space as possible for my potential collaborators. My hope is that you feel inspired by my “almost crumbling to pieces” vibe, and I look forward to hearing what you will be adding over the coming weeks for it to become a trio recording.”

My own additional process notes - 
On 3/15, I recorded about 9 minutes of prepared cuatro and picked some bits I liked for this piece. I used a few native Ableton Live effects, panned to right.

Artwork: Edit and additions to encym’s original using Adobe Photoshop 2024 and Q’MIC-Qt.

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This original version of “Ataxophobia, Right?” was submitted as part of Disquiet Junto Project 0637: Right (2 of 3). The Assignment: Record the second third of an eventual trio.

More on the Disquiet Junto at: disquiet.com/junto

Subscribe to project announcements here: tinyletter.com/disquiet-junto](http://tinyletter.com/disquiet-junto

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/ 

#DisquietJunto #AtaxophobiaRight #Encym #JimmyLem #MusicProject #Collaboration #Tele #ChaseBlissMood #DarkStar #Polymoon #AbletonLive #PreparedCuatro #Bowed #Struck #AbletonLive12 #disquiet0637

Ataxophobia, Right? by encym & Jimmy Lem (disquiet0367)

For the second third of what will become a trio, I improvised over the neat track: https://soundcloud.com/encym/neat_disorder_disquiet0636?si=b9ddc52764ed4a2aa016f867b517e4fc&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing by @encym

The right side was made with a meaty and glassy combo instrument using Pigments and Falcon. 
Following the approach of the original track on the left, I made a sparse arrangement, with plenty of air and spectrum for future collaborators.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

encym & undermulden - Picks & String 2 of 3 (disquiet0637)

I used the wonderful track Marsh Bones by Raincat - many thanks! - and added a right channel to it. Some of it is 56 BPM. My addition consists of alto recorder (a.k.a Altflöte), bells, industrial noises from a factory and a synth note (C1).

Left track by @raincat-306596410

Note: this sounds awful on headphones because of the strict left/right mix.

Disquiet0637 - Marsh Bones Factory (with Raincat)

This was my contribution for part 2 go Disquiet Junto Project 0637: Right (2of 3)

Here’s a copy of my post on the Disquiet Junto 0637discussion thread:

I worked with a cool drone track created by @tt15tt (blaroed), and added a panned right sequence created in Ableton Live 11 using K Devices TATAT and Slate+Ash Choreographs.  No other effects added except what was in the S+A plugin. This is in C Minor/A-flat Major.   

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Left And Right Mirage [disquiet0637]

prima parte (1/3)
https://llllllll.co/t/disquiet-junto-project-0636-left-1-of-3/66416

seconda parte (2/3)
Loops and granular treatments, mastered in Mid-Side.

Tea For Two w/??? (disquiet0637)

For the recent disquiet junto challenge, in response to the beautiful track by @FakeGenious:https://soundcloud.com/fake-genius/disquiet0636-drma

2 of 3 - minor (disquiet0637)

Krautrockish
I promise I was thinking on making this a bit Krautrock when I started, doesn’t sound like that now, I guess...

Based on rightward [disquiet0637] by LazenbeeIndustries and John Wright
https://soundcloud.com/lazenbeeindustries/rightward-feat-john-wright-disquiet0637

I just added a 808 kick and played bass. Most satisfying and less time consuming on the lot, but I don’t think it works, a 4th (soloist) part is needed IMHO.

dedicated to the guy in the photo, god bless him..

#DisquietJunto
For this junto challenge:
https://llllllll.co/t/disquiet-junto-project-0638-center-3-of-3/

@lazenbeeindustries @disquiet @thgirwnhoj



Krautrockish (with LazenbeeIndustries and John Wright) disquiet0638

I added a bit of static to CoralineAda’s and Leon Clowes’ mezmerizing duo as an attempt to heighten the tension of the “missed connection” implied by the vocal sample. The static was created with the Landscape Stereofield and tamed somewhat by one of Hainbach’s presets for the Zoia.

Disquiet0638.6

Disquiet Junto Project 0638: Center (3 of 3)
The Assignment: Complete a trio begun by two other musicians.

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Track notes: "Lucky Link Village" from Creatures_Once/@miraclemiles (via @SinnySounds) jumped out at me straight away and got me thinking about a guitar accompaniment along the lines of Ry Cooder, Haruomi Hosono and Makoto Kubota. I recorded a simple fingerpicked acoustic guitar pattern which found its way around G tonic of the tuned percussion. I then added some slide guitar around this and affected both guitars with some phasing and flanging to give it a dreamy feeling. Then a field recording of the ocean lapping at the shore seemed entirely fitting.

Disquiet0637 - Marsh Bones Factory (with Raincat)

xhg