j'adore votee voix!! et grande créativité dans le jeu de piano et l'arrangement

Gripping dystopia – the sound design grabs you instantly and stays intense throughout. Well executed! 🎶❤️🎶

amazing soundstructures.. magic and deep.. haunting intense voice..great!

Hey man, love your piano performance in here, as well as your great vocals. Perfect for the vibe of the song, they are. Awesome song you have here, man!

👁️‍🗨️🫸✨
this called invisible hand but I swear I felt it
right behind my ribs
pulling stars outta me

mhmm
that floaty part?
felt like falling in reverse into a memory I never lived. ✌️ 💗

lovely groove🥂🎺🥂✌🏝🎯🏝🎯🏝☕🌈

Related tracks: Blossom

To blossom or to be a blossom, whether verb or noun, involves timing. Here's to wishing that your time is now. So sit back and let yourself enfold.

Synths, synth guitar, piano, cello, bass, and keyboard set to gentle beats of shaker, conga, bongo, djembe, and tambourine with the occasioinal hi-hat and kick at a very chill 60 bpm.

COVER: AI-generated image by the DaVinci app and altered in Photoshop.
.........

.

Blossom

Interstellar exploration probe.

The original:
https://soundcloud.com/ipg1/we-are-all-hiphop-vocal-remix-92-bpm
This is my interpretation. Enjoy!

We Are All Hiphop - IPG1 vs kavvka //light DnB sum classic 90's sh** remix//

keep the hope...

YouTube: https://youtu.be/s2dlanDXZ2k?si=C3CVoDw_uYa8Jo9p
Spotify: https://open.spotify.com/intl-ja/track/67U78cUca3joqJNrugWOoi?si=e4eaf345f955400f
AppleMusic: https://music.apple.com/jp/album/%E8%A6%8B%E3%81%88%E3%81%96%E3%82%8B%E8%80%85/1722954022?i=1722954027
===================
見えざる者 / invisible hand
===================

まるで夜が明けてゆくかのように
熱狂は冷めて
誰一人いなくなるのだろう
廃墟を残して

苛立ちは　不甲斐なさゆえ
悲しみは　溝の深さゆえ
無限ループに組み込まれたなら
万策尽きてしまう

見えざる者の手が　欲望に穢された今は
密かに　風の記憶を　待つ
見えざる者の手が　欲望に穢された今は
密かに　風の記憶を　待つ

それなりの試行錯誤
せまられる思考停止
どこかで　聴いたことのある　誘い文句

誰だって憤るさ
誰だって泣き崩れるさ
大切に育てた日々を
目の前で爆破されれば

見えざる者の手が　欲望に穢された今は
密かに　風の記憶を　待つ
見えざる者の手が　欲望に穢された今は
密かに　風の記憶を　待つ

まるで夜が明けてゆくかのように
熱狂は冷めて
誰一人いなくなるのだろう
廃墟を残して

苛立ちは　不甲斐なさゆえ
悲しみは　溝の深さゆえ
無限ループに組み込まれたなら
万策尽きてしまう

見えざる者の手が　欲望に穢された今は
密かに　風の記憶を　待つ
見えざる者の手が　欲望に穢された今は
密かに　風の記憶を　待つ
見えざる者の手が　欲望に穢された今は
密かに　風の記憶を　待つ

AppleMusic

見えざる者 / invisible hand

We welcome your feedback!

Composed, produced & performed by Srouly Frank

Ups and downs

Terry Reeves:  Vocals
Gary Reeves:  Drums
Hans-Michael Albers:  All other instruments, Arrangement & Production
(From the forthcoming album ‘From London To Hamburg’)

Photograph and post production by Dan Duchars.
Hans’ video: https://youtu.be/Lm8WoxCegRE?si=XFq1zX8Gkz3oLDmH

When you’re brainstorming ideas for album covers, you never really think they might involve placing yourselves in the middle of a road as traffic bears down on you.  However, that is precisely what we did.
Now I’m not one to tell tales but it was all Gal’s fault.  He thought our front cover  should feature an image of the entire band, which was quite compelling aside from the fact that we lived in London, Hans in Hamburg and have in reality never met.  But Gal had a mate called Dan (who lives in Norfolk, hence the title), a professional photographer whose comprehensive knowledge of Photoshop could bring the three of us together.
We’d always loved the pre-fame, Astrid Kirchherr portraits of The Beatles, taken during their club-playing, Hamburg days and two of these became our template - in focus subject occupying the foreground, covert and blurred figure (in our case, 2  figures) in the distance.
And so it was that, armed with a pin-sharp shot of Hans, we met with Dan to photograph the background scene which, as outlined previously, was in the middle of a busy side road.  Camera in hand, Dan teetered on a plastic crate as Gal and me  dodged back and forth to avoid a plethora of oncoming vehicles - everything from lorries to mobility scooters - who were, on the whole, very accommodating in the circumstances. Some even smiled and waved - at least I think that’s what they were doing…
We owe Dan so much, not only for his consummate skills and kindness but also for laying his life on the line in the name of art.  This song is for him.  (Terry Reeves)

I met a man called Dan holding a magical light
Viewing future moments, giving individual sight
Shadows from Hamburg, combination of skills
Show London reflection of a figure standing still

Chorus:
A flash of light, picture to follow
In black & white, diverse as tomorrow

Stand high in right places, enchanted vision of art
Friend of ageing musicians, sorcery skills from the heart
A Wizard conjuring cover, Kirchherr’s copy of claim
Painting light into a picture, producing Album in frame

Chorus

Viewing from height - sparks of vision
Seeing it tight - artist precision
Know left from right - avoid collision
Negative in sight - develop position

Chorus

Confidence in commitment, enjoying musical tracks
Working four to an image, platinum vinyl plaque 
Black and white cover photo, a clue why, when and who
Monochrome life connections, enjoy vision past to new

Chorus

A feeling it’s time to give a show
A feeling making history grow
A feeling, a feeling only one way to go
A feeling thinking fast going slow
A feeling Duchars photos will glow
A feeling CC one day will all know

FROM NORFOLK TO LONDON  - CRIPPLE CLUB  (Video)

Listen here↓
 https://linkco.re/YummYAza

Sierra Maestra

ENDLESS TIME
Written, Performed & Produced
by Andrew Borderick Copyright 2024 AB Music
YouTube Link
https://youtu.be/oR0dpoMQafI?si=DvNXSIOR5O_b81q0

V1
THIS IS YOUR LIFE, IT'S IN YOUR HAND
DON'T JUMP THE START, IT ALL ENDS FAST
V2
TO LOOK YOUR AGE, IS OUT OF STYLE
TO GO BACK IN TIME, THERE MUST BE DENIAL
(Ref)
WE'RE LIVING IN ENDLESS TIME
(Chorus)
YOU'VE NEVER HAD A LONLY DAY
WITH THAT FACE, IT'S ALWAYS THE SAME
YOU CAN CALL IT ALL YOU LIKE
BUT NOBODY LIVES, UNTILL THE END OF TIME
V3
YOU CAN CHANGE YOUR LIFE, BUT NOT YOUR HANDS
THE END OF THE WORLD HAS ALREADY PAST
(Ref)
WE'RE LIVING IN ENDLESS TIME
(Chorus)
YOU'VE NEVER HAD A LONLY DAY
WITH THAT FACE, IT'S ALWAYS THE SAME
YOU CAN CALL IT ALL YOU LIKE
BUT NOBODY LIVES, UNTILL THE END OF TIME
(Break)
(Ref)
WE'RE LIVING IN ENDLESS TIME
(Chorus)
YOU'VE NEVER HAD A LONLY DAY
WITH THAT FACE, IT'S ALWAYS THE SAME
YOU CAN CALL IT ALL YOU LIKE
BUT NOBODY LIVES, UNTILL THE END OF TIME
(End)

2024

ENDLESS TIME

ENDLESS TIME - (see info for video link)

a little musical gift for my dear friend Francesco
@francescocartocci

la favola della buonanotte

This is an old traditional Malagasy song,
we did for you 

Kitana on vocals 
Rina on piano

Mifankatiava ihany
Raha mbola velona aina
Tsy misy toy izany ny mampifaly saina

Ny maty efa lasa
Tsy azontsika antsoina
Isika no mikasa
Ny ratsy hadinoina re

Ny maty efa lasa
Tsy azontsika antsoina
Isika no mikasa
Ny ratsy hadinoina

Koa raha tsy fotoana ela
No hipetrahana eto
Andeha re
Andeha re mba hifamela
Andeha hifamela mba tsy harahin-tsento
Mba tsy harahin-tsento
Andeha re(Andeha re)
Mba hifamela
Mba tsy arahin-tsento

tranlation:
Let’s love one another
While we are still alive
There’s nothing more joyful than that for the soul

The dead are already gone
We can no longer call them back
It’s up to us now
To let go of the wrongs

The dead are already gone
We can no longer call them back
It’s up to us now
To let go of the wrongs

So if our time here
Is not for long
Let us go
Let us go and forgive each other
Let us forgive, so no sorrow remains
So no sorrow remains
Let us go (Let us go)
To forgive
So sorrow won’t follow

Cover Solika - Mifankatiava ihany | by Kitana and Rina

Chills (2025) Remastered

Well hello… A new song, with a new instrument. A pawnshop Ukulele. Ha. What a fun instrument to play. Just had to. A few simple Uke chords, some acoustic guitar soloing, and a tale of sailing the ocean as a metaphor for life. And yes, lyrically I was talking with a seagull. And just so you know I have gotten really good at ‘talking’ with birds. I can click talk like a grackle, whisper whistle like a robin, whistle talk a curious melody like a chickadee, among others. Still working on my duck call. Ha… Years ago, I remember annoying some people at a party with this wooden duck call my buddy had. So maybe a future song about birds? And right outside my door there are some interesting avian dynamics between the grackles and robins nesting in the spruce trees. They argue every day, about territory and invasion of their personal space, but when danger appears, like a hawk or cat, they come together in unison to fend off the threat. In the natural biology of things, humans haven’t fallen too far from that spruce tree. Anyway, robins do not like the dark. They anxiously chatter with loud worry chirping amongst themselves at dusk, and create a chorus melody of happy song at dawn. With me being a late sleeper, their morning serenades can be quite bothersome at 4:30AM. A lesson for me though, as at times I am not so welcoming as I wakeup to another frenetic global morning. Anyway, birds and their enthusiastic singing far outpaces my own. Ha. There are many other birds here, but I will save that for another time. Hope you are well. Thanks for dropping by, Mark

Uke Chantey

This is actually the third version of the song. I felt the original idea I’d roughed out with the keyboard and computer could be more interesting. So I reworked the whole track again (twice) adding several ‘hooks’. These were some vocal ‘stabs’, some keyboard/synth riffs as well as writing ( what I hope ) is a more interesting bass line. I beefed up the drum section too. I hope the fun I had creating it is reflected in the overall vibe of the track. Having said all this, the question is: did it actually work? 


Get Up

A dark psychedelic rock track fused with industrial beats and hypnotic mantra-like vocals. Heavy, relentless, and immersive. Thank you for the listening.

Psy Rock Invocation

Cast of characters:
Llanpsych -- @llanpsych -- Tez – Fender Telecaster electric guitar, mix, production, and composition
Mistermark-- @user-432503709 -- Mark – synthesizer, vocals, and lyrics
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson cutom T electric guitar, sometimes with an ebow
J.J. Terrell– @j-j-terrell – synth

This song began as an idea Tez came up with on his guitar while on holiday not far from his home in Wales. It had such a solid form, it inspired Mark to write lyrics and come up with vocal melodies within a few days of hearing it for the first time. The two of them have written several songs like this, making them a solid songwriting source for Eclectic Collective.
Once the song had a even more solid form, Ken took added his dynamic, bouncy-groove drums to it. As soon as Ken had the drums down, Josh took his turn, adding the fretless bass and solidifying the groove. Now that the basic framework was done, Stephen added his thrilling electric guitar. Last, but certainly not least, JJ added his really cool psych synth part in the two bridges. Mark also added some awesome backing synth to it, as well, filling out the sound. At the very end of the process, Tez also dropped in the hot intro and outro solos, as well.
Once we had it all in the can, it was time to turn it over to Tez for his expert production and mix. He came up with the idea of adding reverb to the drums, as well as some other compression tricks, which he employed with subtle style.
This, as mentioned, is a great example of what Eclectic Collective can do in house with the composition and songwriting skills of Tez and Mark. The rest of us really had fun working on this one, too, of course. We hope you enjoy listenig to this as much as we enjoyed making it.

Original lyrics by mistermark:

There’s something I’m seeking that I’ve never found
but the seed that you planted went deep in the ground
there’s a journey that I’m on and the path is uncertain
the magic fades when you pull back the curtain

Wherever you go I will follow
there’s always another tomorrow

There will never come a time when I do you harm
cause my soul is steady when I’m in your arms
and never have I heard music like your Voice
when you call me to you I have no choice

Wherever you go I will follow
there’s always another tomorrow

Like a puzzle on the table all the pieces fit
like I’m standing in the dark and a match is lit
and what it all means man I just don’t know
but it’s a powerful feeling and it’s starting to grow

Wherever you go I will follow
there’s always another tomorrow


Wherever U Go (Eclectic Collective)

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Independent Singer / Songwriter from Japan.

[1st album] "いつから 僕らは / Itsu Kara Bokura Wa" now available at:
Spotify（Download）
https://open.spotify.com/intl-ja/album/2qy82Om825NfpV1Zj2DPy4?si=-TlSJjx2QoGlUFahlgYB3A
AppleMusic（Download） 
https://itun.es/jp/ahH10
Amazon (Download):
http://www.amazon.co.jp/gp/product/B00KTPN5JO
BigUp! Shop（CD+8p Booklet） 
http://shop.mu-mo.net/a/item1/?jsiteid=BGUP&merc_no=AMMZ-00537
246 records （CD+8p Booklet） 
https://246records.wixsite.com/home/yoroley

見えざる者 / invisible hand

yoroley

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